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Tate Liverpool

1988 establishments in EnglandArt museums and galleries in MerseysideArt museums established in 1988Commons link is defined as the pagenameModern art museums in the United Kingdom
Museums in LiverpoolMuseums sponsored by the Department for Digital, Culture, Media and SportTate galleriesTourist attractions in LiverpoolUse British English from August 2015
Tate Liverpool geograph.org.uk 903501
Tate Liverpool geograph.org.uk 903501

Tate Liverpool is an art gallery and museum in Liverpool, Merseyside, England, and part of Tate, along with Tate St Ives, Cornwall, Tate Britain, London, and Tate Modern, London. The museum was an initiative of the Merseyside Development Corporation. Tate Liverpool was created to display work from the Tate Collection which comprises the national collection of British art from the year 1500 to the present day, and international modern art. The gallery also has a programme of temporary exhibitions. Until 2003, Tate Liverpool was the largest gallery of modern and contemporary art in the UK outside London.

Excerpt from the Wikipedia article Tate Liverpool (License: CC BY-SA 3.0, Authors, Images).

Tate Liverpool
Hartley's Bridge, Liverpool Ropewalks

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Wikipedia: Tate LiverpoolContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 53.401 ° E -2.994 °
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Hartley's Bridge

Hartley's Bridge
L3 4BB Liverpool, Ropewalks
England, United Kingdom
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Tate Liverpool geograph.org.uk 903501
Tate Liverpool geograph.org.uk 903501
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Nearby Places

Royal Albert Dock, Liverpool
Royal Albert Dock, Liverpool

The Royal Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world. It was known simply as the Albert Dock until 2018, when it was granted a royal charter and had the honorific "Royal" added to its name. At the time of its construction the dock was considered to be revolutionary in its design because ships were loaded and unloaded directly from or to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite its advanced design, the rapid development of shipping technology meant that, within 50 years, larger and more open docks were required, although the Albert Dock remained a valuable store for cargo. During the Second World War, the dock was requisitioned by the Admiralty serving as a base for ships of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984. Today the Royal Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside London. The docking complex and warehouses also comprise the largest single collection of Grade I listed buildings anywhere in the UK.

Fourth Grace

The Fourth Grace was a planned development to be built on the Liverpool Pier Head, as a part of the Liverpool European Capital of Culture 2008 bid. The project name was derived from its location adjacent to the three historic buildings at the Pier Head site, known as "the Three Graces". These are the Port of Liverpool Building, the Cunard Building and the Royal Liver Building. Four proposals were submitted, all of which received criticism for their appearance and contrast to the city's famed historic skyline. 'Fourth Grace Foster' (seen as one of the most likely developments for the site, and named after architects Foster and Partners), comprised a triangular 145 m (476 ft) tower (which would have completely overshadowed the Three Graces), containing some 500 apartments alongside a 100-room 5-star hotel, and a block designed to resemble the hull of a ship extending out over the river. The development would have contained office space and a museum site. 'Fourth Grace Rogers', by the Richard Rogers Partnership, comprised two towers (1 and 2) of 125 m (410 ft) and 94 m (308 ft) respectively, and a mixed-use centre under an undulating roof. 'Fourth Grace 1 Cullinan', proposed by Edward Cullinan Architects, comprised two 135 m (443 ft) mixed use buildings, and a globe-shaped 1000-seat theatre. 'Fourth Grace Towers', a more conceptual design from architect firm Alsop, comprised a Zoomorphic style 118.50 m (389 ft) tower with residential, office and retail space, and a balloon-shaped structure (“the Cloud”) containing the museum site.Public consultation found the Cullinan design to be the favourite, while the Alsop design was the least popular amongst the public and in a survey of architects. Despite this, Alsop's 'Cloud' was the winning entry. However, it was beset with difficulties, and was cancelled in 2004 due to spiralling costs. Currently, it has been relocated to Toronto, Canada, where preliminary construction work is being undertaken.All ideas were eventually scrapped in favour of the Mann Island Development, comprising the new Museum of Liverpool, the Liverpool Canal Link, and three modernist mixed-use private enterprise blocks, the Mann Island Buildings.