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Railway Exchange Building (Chicago)

1904 establishments in IllinoisChicago school architecture in IllinoisCommercial buildings on the National Register of Historic Places in ChicagoOffice buildings completed in 1904Skyscraper office buildings in Chicago
Railway Exchange Building Chicago (51575329179)
Railway Exchange Building Chicago (51575329179)

The Railway Exchange Building, also known as Santa Fe Building, is a 17-story office building in the Historic Michigan Boulevard District of the Loop community area of Chicago in Cook County, Illinois, United States. It was designed by Frederick P. Dinkelberg of D. H. Burnham & Company in the Chicago style. Dinkelberg was also the associate designer to Daniel Burnham for the Flatiron Building in New York City. The building is recognizable by the large "Motorola" logo on the roof, which is visible from Grant Park across Michigan Ave and from Lake Michigan. It is also notable for the round, porthole-like windows along the cornice. The center of the building features a lightwell, which was covered with a skylight in the 1980s.

Excerpt from the Wikipedia article Railway Exchange Building (Chicago) (License: CC BY-SA 3.0, Authors, Images).

Railway Exchange Building (Chicago)
South Michigan Avenue, Chicago Loop

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N 41.878361111111 ° E -87.624605555556 °
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Railway Exchange Building

South Michigan Avenue 224-226
60604 Chicago, Loop
Illinois, United States
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Railway Exchange Building Chicago (51575329179)
Railway Exchange Building Chicago (51575329179)
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School of the Art Institute of Chicago
School of the Art Institute of Chicago

The School of the Art Institute of Chicago (SAIC) is a private art school associated with the Art Institute of Chicago (AIC) in Chicago, Illinois. Tracing its history to an art students' cooperative founded in 1866, which grew into the museum and school, SAIC has been accredited since 1936 by the Higher Learning Commission, by the National Association of Schools of Art and Design since 1944 (charter member), and by the Association of Independent Colleges of Art and Design (AICAD) since the associations founding in 1991. Additionally it is accredited by the National Architectural Accrediting Board. In a 2002 survey conducted by Columbia University's National Arts Journalism Program, SAIC was named the “most influential art school” in the United States. Its downtown Chicago campus consists of seven buildings located in the immediate vicinity of the AIC building. SAIC is in an equal partnership with the AIC and shares many administrative resources such as design, construction, and human resources. The campus, located in the Loop, comprises chiefly five main buildings: the McLean Center (112 S. Michigan Ave.), the Michigan building (116 S Michigan Ave), the Sharp (36 S. Wabash Ave.), Sullivan Center (37 S. Wabash Ave.), and the Columbus (280 S. Columbus Dr.). SAIC also holds classes in the Spertus building at 610 S. Michigan. SAIC owns additional buildings throughout Chicago that are used as student galleries or investments. There are three dormitory facilities: The Buckingham, Jones Hall, and 162 N State Street residencies.

Art Institute of Chicago
Art Institute of Chicago

The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and Burnham Libraries. The growth of the collection has warranted several additions to the museum's 1893 building, which was constructed for the World's Columbian Exposition. The most recent expansion, the Modern Wing designed by Renzo Piano, opened in 2009 and increased the museum's footprint to nearly one million square feet, making it the second-largest art museum in the United States, after the Metropolitan Museum of Art. The Art Institute is associated with the School of the Art Institute of Chicago, a leading art school, making it one of the few remaining unified arts institutions in the United States. In 2017, the Art Institute received 1,619,316 visitors, and was the 35th most-visited art museum in the world. However, in 2020, due to the COVID-19 pandemic, the museum was closed for 169 days, and attendance plunged by 78 percent from 2019, to 365,660.

Fountain of the Great Lakes
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Fountain of the Great Lakes, or Spirit of the Great Lakes Fountain, is an allegorical sculpture and fountain by Lorado Taft. A bronze work of art, created between 1907 and 1913, the fountain depicts five women arranged so that the water flows in a way that seeks to recall the waterflow through the five Great Lakes of North America. In the Great Lakes, the waterflow begins in Lake Superior at 600 feet (180 m) above sea level and continues eastward through each lake until it reaches Lake Ontario. The Fountain is one of Taft's best known works. It is located in the public South McCormick Memorial Court of the Art Institute of Chicago, in the Chicago Loop. The fountain was originally installed facing south where it remained until 1963, when it was moved next to the Morton Wing addition facing west. In its original location it was visible from the Jackson and Michigan Avenue intersection once known as "route center" to the south. The fountain was commissioned by the Benjamin Ferguson fund and one surface references the title B. F. Ferguson Fountain of the Great Lakes. There is a relief sculpture of Benjamin Ferguson on the rear panel that has been hidden from view since the fountain was moved.As the first commission from the Ferguson Fund, it experienced various funding delays. Additionally, the legal environment for land use in Grant Park was in flux at the time the commission was made, which caused delays in location selection. Once erected, the fountain received largely positive reviews, but a few critics questioned symbolism of the sculpture. Others were caught up in sociopolitical subtexts of the day, with regard to obscenity laws as it related to public art and this semi-nude work.