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P Street Bridge

1855 establishments in Washington, D.C.Arch bridges in the United StatesBridges completed in 1855Bridges completed in 1935Bridges over Rock Creek (Potomac River tributary)
Concrete bridges in the United StatesDupont CircleGeorgetown (Washington, D.C.)Historic American Engineering Record in Washington, D.C.Road bridges in Washington, D.C.Southern United States bridge (structure) stubsWashington, D.C., building and structure stubs
AERIAL VIEW OF P STREET BRIDGE
AERIAL VIEW OF P STREET BRIDGE

The P Street Bridge or Lauzun's Legion Bridge is a 336-foot (102 m) concrete arch bridge that conveys P Street across Rock Creek and Rock Creek Park between the Georgetown and Dupont Circle neighborhoods of Northwest Washington, D.C. The first bridge at this site was constructed in 1855 and was replaced in 1935 by the current structure.The bridge reopened on July 15, 2004, after a year-long, $3.5-million reconstruction project, the first since its completion in 1935.

Excerpt from the Wikipedia article P Street Bridge (License: CC BY-SA 3.0, Authors, Images).

P Street Bridge
P Street Northwest, Washington Dupont Circle

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Latitude Longitude
N 38.909588 ° E -77.050279 °
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P Street Bridge

P Street Northwest
20526 Washington, Dupont Circle
District of Columbia, United States
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AERIAL VIEW OF P STREET BRIDGE
AERIAL VIEW OF P STREET BRIDGE
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Codman Carriage House and Stable
Codman Carriage House and Stable

The Codman Carriage House and Stable is a historic building located at 1415 22nd Street NW (also listed as 1413-1415 22nd Street NW) in the Dupont Circle neighborhood of Washington, D.C. The industrial building was constructed in 1907 as a carriage house and stable for socialite and art collector Martha Catherine Codman, who lived a few blocks north in her home, later known as the Codman–Davis House. She commissioned her cousin, Ogden Codman Jr., an architect and prominent interior decorator who also designed her home. He designed it in a Second Empire style. This building served as a carriage house and stable for ten years before it was converted into a garage. In addition to housing horses and later cars, the building contained living quarters for two of Codman's employees and their families. Codman later married and sold the building in 1940. It was expanded and remodeled as office space. For more than 25 years, the building housed a Goodyear store before the space was converted into a bar and restaurant. The building was nearly demolished in the early 1980s, but the plan was canceled. A gay bar, Badlands, opened in 1983 and was later renamed Apex. After Apex closed in 2011, the longtime Capitol Hill lesbian bar Phase 1 opened a second location in this building. The bar closed in 2013. The building was renovated and restored a few years later, and it now serves again as office space. The Codman Carriage House and Stable was added to the District of Columbia Inventory of Historic Sites in 1995. It was designated as a contributing property to the Dupont Circle Historic District when the district's boundary was expanded in 2005. It is one of three former stables in the immediate area that are designated historic landmarks.

Embassy of Romania, Washington, D.C.
Embassy of Romania, Washington, D.C.

The Romanian Embassy in Washington, D.C. is the main diplomatic mission of Romania to the United States of America. It is located at 1607 23rd Street, Northwest, Washington, D.C. 20008.The Beaux-Arts mansion was built in 1907 by the prominent architecture firm Carrère and Hastings of New York. It was originally the home of Manhattan attorney Frank Ellis. In 1921 it became home of the Embassy of Romania. Carrère and Hastings’s design carefully combines a fine French style inspired by Parisian townhouses of the Louis XV and Louis XVI period with English elements of a later era. Among the more important works designed by the firm are the Manhattan Bridge in New York City (1905), the Carnegie Institute in Washington, D.C., the Cannon House Office Building in Washington, D.C. the Frick Residence in New York City, the Memorial Amphitheater at Arlington National Cemetery, and the Cosmos Club in Washington, D.C. Crossing the threshold, visitors enter the foyer. The rather restrained architecture of this space – the use of stone and limited decoration – was highly influenced by Eighteenth Century French precedents, with some hints of Seventeenth Century English Palladian work. The straight and simple lines of the stonework are compensated by two flamboyant 18th-century Spanish chairs, and a marble table in the style of Italian palace furnishings. Both reception rooms on the first floor, although very different, are influenced by French tradition. Two Ionic columns frame the door of the small meeting room on the left, which displays a Louis XV influence. White boiserie has Rococo shell-motif decorations, while over door paintings depict rustic scenes in the manner of Fragonard. The White Salon The reception room to the right from the foyer harmoniously mixes different periods and styles: the rather architectural window-surrounds suggest the work of Jacques-Ange Gabriel at the Petit Trianon in Versailles; the mammoth stone fireplace mantel has the look of a Victorian English piece, while the simple wallpaper pattern of vertical stripes alternating with floral strings suggests designs from the early decades of the Nineteenth Century in Russia. Prominently visible in this room is one of the several distinctive chandeliers found in the Embassy. The Ambassador’s study Visitors may be surprised by the unusual shape of the 18th Century French style ironwork of the grand stair, which leads to the second floor foyer – used as a waiting room and a reception area – to the Ambassador’s study and to the ballroom. With its dark stained paneling and pilasters flanking the fireplace, the study suggests an English library. Yet French influences can be found in the fireplace mantel and carved over door panels with Louis XV decorative motifs. The furnishings of this room, with turned legs, bold carvings and leather seats have a distinctive Romanian feel. On the opposite side of the waiting room, the ballroom displays elements of late Louis XV and early Louis XVI style. A handsome crystal Art Nouveau chandelier is reflected by symmetrical mirrors placed on three of the walls. Other focal points of the room are a magnificent Louis-Philippe commode, as well as a white marble fireplace and sculptures by Marcel Guguianu. The first occupant of the house was Navy Colonel Robert Means Thompson, an ardent supporter of the Navy League of the United States, who served several years as its president. When he left the house in 1921, Frank Ellis sold it to the Romanian Government represented by the Minister of the Legation, Prince Antoine Bibesco.