place

Romanian Athenaeum

1865 establishments in RomaniaCalea VictorieiConcert halls in BucharestCulture in BucharestDacia in art
Historic monuments in BucharestMusic venues completed in 1888Neoclassical architecture in RomaniaTourist attractions in Bucharest
Ateneo Rumano, Bucarest, Rumanía, 2016 05 29, DD 73
Ateneo Rumano, Bucarest, Rumanía, 2016 05 29, DD 73

The Romanian Athenaeum (Romanian: Ateneul Român) is a concert hall in the center of Bucharest, Romania and a landmark of the Romanian capital city. Opened in 1888, the ornate, domed, circular building is the city's most prestigious concert hall and home of the "George Enescu" Philharmonic and of the George Enescu Festival.

Excerpt from the Wikipedia article Romanian Athenaeum (License: CC BY-SA 3.0, Authors, Images).

Romanian Athenaeum
Strada Benjamin Franklin, Bucharest

Geographical coordinates (GPS) Address Phone number Website External links Nearby Places
placeShow on map

Wikipedia: Romanian AthenaeumContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 44.4413 ° E 26.0973 °
placeShow on map

Address

Ateneul Roman

Strada Benjamin Franklin 1-3
010287 Bucharest (Sector 1)
Romania
mapOpen on Google Maps

Phone number

call+40213152567

Website
fge.org.ro

linkVisit website

linkWikiData (Q755457)
linkOpenStreetMap (136778093)

Ateneo Rumano, Bucarest, Rumanía, 2016 05 29, DD 73
Ateneo Rumano, Bucarest, Rumanía, 2016 05 29, DD 73
Share experience

Nearby Places

Revolution Square, Bucharest

Revolution Square (Romanian: Piața Revoluției) is a square in central Bucharest, on Calea Victoriei. Known as Palace Square (Romanian: Piața Palatului) until 1989, it was renamed after the Romanian Revolution of December 1989. The former Royal Palace (now the National Museum of Art of Romania), the Athenaeum, the Athénée Palace Hotel, the University of Bucharest Library and the Memorial of Rebirth are located here. The square also houses the building of the former Central Committee of the Romanian Communist Party (from where Nicolae Ceaușescu and his wife fled by helicopter on December 22, 1989). In 1990, the building became the seat of the Senate and since 2006 it houses the Ministry of Interior and Administrative Reform.Prior to 1948, an equestrian statue of King Carol I of Romania stood there. Created in 1930 by the Croatian sculptor Ivan Meštrović, the statue was destroyed in 1948 by the Communists, who never paid damages to the sculptor. In 2005, the Romanian Minister of Culture decided to recreate the destroyed statue from a model that was kept by Meštrović's family. In 2007, the Bucharest City Hall assigned the project to the sculptor Florin Codre, who is going to design an original statue of Carol inspired by Meštrović's model (most consider it a plagiarism).In August 1968 and December 1989, the square was the site of two mass meetings which represented the apogee and the nadir of Ceaușescu's regime. Ceaușescu's speech of 21 August 1968 marked the highest point in Ceaușescu's popularity, when he openly condemned the Soviet invasion of Czechoslovakia and started pursuing a policy of independence from Kremlin. Ceaușescu's speech of 21 December 1989 was meant to emulate the 1968 assembly and presented by the official media as a "spontaneous movement of support for Ceaușescu", erupting into the popular revolt which led to the end of the regime.

White Church, Bucharest
White Church, Bucharest

The White Church (Romanian: Biserica Albă) is a Romanian Orthodox church located at 110 Calea Victoriei in Bucharest, Romania. It is dedicated to Saint Nicholas. The origins of the church are uncertain, but it probably existed in the late 17th century. It appears to have been founded on an estate of the Văcărescu family. The formal dedication likely occurred around 1700, with one theory suggesting a Văcărescu widow in the role of ktetorissa, while Jupâneasa Vișa and the priest Neagu Dârvaș are seen as likelier candidates. At any rate, the surrounding district and the church itself were nicknamed after the latter two between 1739 and 1835, while the present name became established around 1800. A wooden icon of Saint Nicholas dating to 1701-1702 confirms the church’s existence at that point. A funeral stone fragment from 1715-1716 is situated in the altar table. A restoration took place in 1784, and by 1802 the church was surrounded by monastic cells, demolished during the late-19th century urbanization.Severely damaged by that year’s earthquake, and by the 1808 tremor, it was radically rebuilt in 1827, according to the pisanie. The high Clucer Nicolae Trăsnea, a trusted adviser to Prince Grigore IV Ghica, was responsible, at the same time adding a second dedication, to the Prophet Elijah. Between 1868 and 1873, the church was transformed: the two present domes were built of wood and tin, the portico was added, the facades and interior redone, the roof changed and windows enlarged. Gheorghe Tattarescu painted the interior. Two arches were added to the portico after 1910. The painting underwent maintenance during the 20th century, with an ample restoration occurring in 1961. The building was consolidated following the 1977 earthquake.The single-nave church measures 30.3 meters long by 9.6 meters wide, with a semicircular altar apse. The two domes are octagonal on square bases: the Pantocrator dome above the nave, and the bell tower rising above the narthex. The portico is on the west side; shorter than the nave, it is open, has three frontal arches resting on masonry columns, with a triangular pediment. The narthex is just two meters deep, the result of installing a wall in 1871-1873. The nave is spacious, with a spherical ceiling. The altar has two deep niches for the tables, dug into the wall. The linden wood iconostasis is a valuable work of Brâncovenesc style sculpture. The exterior is covered in plaster; it is Neoclassical in style, with Doric inspiration visible in the pilasters, frieze and serrated cornice.George Călinescu wrote: “the White Church is not beautiful, but it surprises through its immaculate white of a rural church in the heart of a large city”. Other observers who have remarked on the building include Gheorghe Ionescu-Gion, Nicolae Iorga, Gheorghe Crutzescu and Nicolae Vătămanu. The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.