Equestrian statue of Carol I

The Central University Library of Bucharest (Romanian: Biblioteca Centrală Universitară) is a library in central Bucharest, located across the street from the National Museum of Art of Romania.

The Memorial of Rebirth (Memorialul Renașterii in Romanian) is a memorial in Bucharest, Romania that commemorates the struggles and victims of the Romanian Revolution of 1989, which overthrew Communism. The memorial complex was inaugurated in August 2005 in Revolution Square, where Romania's Communist-era dictator, Nicolae Ceaușescu, was publicly overthrown in December 1989. The memorial, designed by Alexandru Ghilduș, features as its centrepiece a 25-metre-high marble pillar reaching up to the sky, upon which a metal "crown" is placed. The pillar is surrounded by a 600 m2 (6,500 sq ft) plaza covered by marble and granite. The memorial cost 5.6 million lei (RON 5.6 million, ROL 56 billion, approximately €1.5 million). Its initial name was "Eternal Glory to the Heroes and the Romanian Revolution of December 1989" (Glorie Eternă Eroilor și Revoluției Române din Decembrie 1989). The memorial's name alludes to Romania's rebirth as a nation after the collapse of Communism.

Revolution Square (Romanian: Piața Revoluției) is a square in central Bucharest, on Calea Victoriei. Known as Palace Square (Romanian: Piața Palatului) until 1989, it was renamed after the Romanian Revolution of December 1989. The former Royal Palace (now the National Museum of Art of Romania), the Athenaeum, the Athénée Palace Hotel, the University of Bucharest Library and the Memorial of Rebirth are located here. The square also houses the building of the former Central Committee of the Romanian Communist Party (from where Nicolae Ceaușescu and his wife fled by helicopter on December 22, 1989). In 1990, the building became the seat of the Senate and since 2006 it houses the Ministry of Interior and Administrative Reform.Prior to 1948, an equestrian statue of King Carol I of Romania stood there. Created in 1930 by the Croatian sculptor Ivan Meštrović, the statue was destroyed in 1948 by the Communists, who never paid damages to the sculptor. In 2005, the Romanian Minister of Culture decided to recreate the destroyed statue from a model that was kept by Meštrović's family. In 2007, the Bucharest City Hall assigned the project to the sculptor Florin Codre, who is going to design an original statue of Carol inspired by Meštrović's model (most consider it a plagiarism).In August 1968 and December 1989, the square was the site of two mass meetings which represented the apogee and the nadir of Ceaușescu's regime. Ceaușescu's speech of 21 August 1968 marked the highest point in Ceaușescu's popularity, when he openly condemned the Soviet invasion of Czechoslovakia and started pursuing a policy of independence from Kremlin. Ceaușescu's speech of 21 December 1989 was meant to emulate the 1968 assembly and presented by the official media as a "spontaneous movement of support for Ceaușescu", erupting into the popular revolt which led to the end of the regime.

The Theodor Aman Museum is a museum in Bucharest dedicated to the life and work of Romanian painter, engraver and art professor Theodor Aman.

The National Museum of Art of Romania (Romanian: Muzeul Național de Artă al României) is located in the Royal Palace in Revolution Square, central Bucharest. It features collections of medieval and modern Romanian art, as well as the international collection assembled by the Romanian royal family. The exhibition "Shadows and Light" ran from 15 July to 2 October 2005. With four centuries of French art, it was the largest exhibition of French painting in Central and Eastern Europe since 1945. 77 works were exhibited, including masterpieces by painters such as Poussin, Chardin, Ingres, David, Delacroix, Corot, Cézanne, Matisse, Picasso, and Braque.

Kretzulescu Church (Romanian: Biserica Kretzulescu or Crețulescu) is an Eastern Orthodox church in central Bucharest, Romania. Built in the Brâncovenesc style, it is located on Calea Victoriei, nr. 45A, at one of the corners of Revolution Square, next to the former Royal Palace. The church was commissioned in 1720–1722 by the boyar Iordache Crețulescu and his wife Safta, a daughter of prince Constantin Brâncoveanu. Originally, the exterior was painted, but since the restoration work done in 1935–1936 (under the supervision of architect Ștefan Balș), the façade is made of brick. The frescoes on the porch date from the original structure, while the interior frescoes were painted by Gheorghe Tattarescu in 1859–1860. The church, damaged during the 1940 Vrancea earthquake, was repaired in 1942–1943. In the early days of the communist regime, Kretzulescu Church was slated for demolition, but was saved due to efforts of architects such as Henriette Delavrancea-Gibory. More renovations took place after the Bucharest earthquake of 1977 and the Revolution of 1989. To the side of the church now stands a memorial bust of Corneliu Coposu.

The Romanian Athenaeum (Romanian: Ateneul Român) is a concert hall in the center of Bucharest, Romania and a landmark of the Romanian capital city. Opened in 1888, the ornate, domed, circular building is the city's most prestigious concert hall and home of the "George Enescu" Philharmonic and of the George Enescu Festival.

Athenee Palace Hilton Bucharest is a historic luxury hotel in Bucharest, Romania opened in 1914. It was arguably Europe's most notorious den of spies in the years leading up to World War II, and only slightly less so during the Cold War.

The George Enescu Festival (also known as George Enescu International Festival and Competition), held in honor of the celebrated Romanian composer George Enescu, is the biggest classical music festival and classical international competition held in Romania and one of the biggest in Eastern Europe. Enescu's close associate George Georgescu organized the first festival in 1958; highlights included a performance of Bach's Concerto for Two Violins with Yehudi Menuhin and David Oistrakh as soloists and a staging of Enescu's sole opera, Œdipe, with Constantin Silvestri conducting.The official opening day of the Enescu Festival took place on 4 September 1958, merely three years after George Enescu's death. Among the music world's personalities that were present for this first edition of the festival were performers such as David Oistrakh, Halina Czerny-Stefanka, Nadia Boulanger, Monique Haas, Iacov Zak and Claudio Arrau, and conductors such as Sir John Barbirolli, Carlo Felice Cillario and Carlo Zecchi. On 22 September of the same year, the national premiere of George Enescu's lyrical tragedy "Oedipe" took place, starring a young David Ohanesian in the lead role. This role was going to mark out the rest of his career as a soloist (conductor: Constantin Silvestri, Directed by Jean Ranzescu, Scenery: Roland Laub). Violinist, teacher, conductor and composer, worldwide known for his lush opera composition Oedipe, George Enescu presented his first work as a composer with the Collonne Orchestra in Paris, 1898; he also performed as a conductor at prestigious Carnegie Hall (NY). Enescu was also the teacher of one of the greatest violinists of the past century – Lord Yehudi Menuhin. Their bond was so strong that in 1995, Menuhin accepted the invitation to come to Romania to open the George Enescu International Festival. Menuhin also accepted to be the President of Honor of the Enescu Festival in 1998, though his schedule as a soloist was full up to 2003. Today, an average of around 20 works by Romanian composer George Enescu are interpreted in the Enescu Festival each edition. The 2015 edition of the Enescu Festival (30 August – 20 September 2015 Bucharest) brings on stage interpretations from Enescu's works by record-breaking German violinist David Garrett, San Francisco Symphony Orchestra (Pulitzer Prize for Music), or Israel Philharmonic Orchestra under Zubin Mehta. Highlights of this edition of the Festival also include violinist Anne-Sophie Mutter, Berliner Philharmoniker, London Symphony Orchestra and Royal Liverpool Symphony Orchestra. The concerts are held in three different venues in Bucharest, Iași and Sibiu. The 2007 presentations ended with a performance of Carl Orff's Carmina Burana before an audience of over 4,000 at the Sala Palatului. The competition portion of the Festival lasts about a week, and it consists of three different categories: composition (118 participants in 2007), piano (44 in 2007), and violin (41 in 2007), each a record number of participants. In the 2005 and 2007 presentations a daily open-air concert was added to the festival program. It is known as the Festival Piazza and features 3½ hours of classical music, in addition to movies about the life of George Enescu.

Sala Palatului (Palace Hall) in Bucharest, Romania is a conference centre and concert hall immediately behind the National Museum of Art of Romania, the former royal palace in the heart of the city. It was built between 1959 and 1960, during the communist era. It has been the site of conferences such as the United Nations Economic Commission for Europe, the World Congress on Population, the World Congress on Energy, and the World Congress of the Red Cross. The main hall can accommodate 4,060 spectators. It is now also used as a general conference and convention center and as a concert venue for events such as the George Enescu Festival. The main hall has a capacity of above 4,000 people. In addition to it, the entrance hall has a surface area of 2,000 m2 and is used as an exhibition space. There are also eight small conference rooms for meetings of between 20 and 30 people.

The English Passage (Romanian: Pasajul Englez) is a passage in the centre of Bucharest, Romania. The passage lies between the Calea Victoriei and the Strada Academiei.

The White Church (Romanian: Biserica Albă) is a Romanian Orthodox church located at 110 Calea Victoriei in Bucharest, Romania. It is dedicated to Saint Nicholas. The origins of the church are uncertain, but it probably existed in the late 17th century. It appears to have been founded on an estate of the Văcărescu family. The formal dedication likely occurred around 1700, with one theory suggesting a Văcărescu widow in the role of ktetorissa, while Jupâneasa Vișa and the priest Neagu Dârvaș are seen as likelier candidates. At any rate, the surrounding district and the church itself were nicknamed after the latter two between 1739 and 1835, while the present name became established around 1800. A wooden icon of Saint Nicholas dating to 1701-1702 confirms the church’s existence at that point. A funeral stone fragment from 1715-1716 is situated in the altar table. A restoration took place in 1784, and by 1802 the church was surrounded by monastic cells, demolished during the late-19th century urbanization.Severely damaged by that year’s earthquake, and by the 1808 tremor, it was radically rebuilt in 1827, according to the pisanie. The high Clucer Nicolae Trăsnea, a trusted adviser to Prince Grigore IV Ghica, was responsible, at the same time adding a second dedication, to the Prophet Elijah. Between 1868 and 1873, the church was transformed: the two present domes were built of wood and tin, the portico was added, the facades and interior redone, the roof changed and windows enlarged. Gheorghe Tattarescu painted the interior. Two arches were added to the portico after 1910. The painting underwent maintenance during the 20th century, with an ample restoration occurring in 1961. The building was consolidated following the 1977 earthquake.The single-nave church measures 30.3 meters long by 9.6 meters wide, with a semicircular altar apse. The two domes are octagonal on square bases: the Pantocrator dome above the nave, and the bell tower rising above the narthex. The portico is on the west side; shorter than the nave, it is open, has three frontal arches resting on masonry columns, with a triangular pediment. The narthex is just two meters deep, the result of installing a wall in 1871-1873. The nave is spacious, with a spherical ceiling. The altar has two deep niches for the tables, dug into the wall. The linden wood iconostasis is a valuable work of Brâncovenesc style sculpture. The exterior is covered in plaster; it is Neoclassical in style, with Doric inspiration visible in the pilasters, frieze and serrated cornice.George Călinescu wrote: “the White Church is not beautiful, but it surprises through its immaculate white of a rural church in the heart of a large city”. Other observers who have remarked on the building include Gheorghe Ionescu-Gion, Nicolae Iorga, Gheorghe Crutzescu and Nicolae Vătămanu. The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.