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British Museum Department of the Middle East

Archaeological museums in LondonBritish MuseumHistory of museumsMuseums established in 1753
BM; RM6 ANE, Assyrian Sculpture 14 West Wall (M + N) ~ Assyrian Empire + Lamassu, Gates at Balawat, Relief Panel's & Full Projection.3
BM; RM6 ANE, Assyrian Sculpture 14 West Wall (M + N) ~ Assyrian Empire + Lamassu, Gates at Balawat, Relief Panel's & Full Projection.3

The Department of the Middle East (formerly Department of Western Asiatic Antiquities, then Department of Ancient Near East), numbering some 330,000 works, forms a significant part of the collections of the British Museum, and the world's largest collection of Mesopotamian antiquities outside Iraq. The collections represent the civilisations of the ancient Near East and its adjacent areas. These cover Mesopotamia, Persia, the Arabian Peninsula, Anatolia, the Caucasus, parts of Central Asia, Syria, the Holy Land and Phoenician settlements in the western Mediterranean from the prehistoric period and include objects from the beginning of Islam in the 7th century. A collection of immense importance, the holdings of Assyrian, Babylonian and Sumerian antiquities are among the most comprehensive in the world with entire suites of rooms panelled in alabaster bas-reliefs from Assyrian palaces at Nimrud, Nineveh and Khorsabad. Only the Middle East collections of the Louvre and the Pergamon Museum rival it in the range and quality of artefacts.

Excerpt from the Wikipedia article British Museum Department of the Middle East (License: CC BY-SA 3.0, Authors, Images).

British Museum Department of the Middle East
Great Russell Street, London Bloomsbury (London Borough of Camden)

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N 51.51915 ° E -0.12814 °
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British Museum

Great Russell Street
WC1B 3DG London, Bloomsbury (London Borough of Camden)
England, United Kingdom
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BM; RM6 ANE, Assyrian Sculpture 14 West Wall (M + N) ~ Assyrian Empire + Lamassu, Gates at Balawat, Relief Panel's & Full Projection.3
BM; RM6 ANE, Assyrian Sculpture 14 West Wall (M + N) ~ Assyrian Empire + Lamassu, Gates at Balawat, Relief Panel's & Full Projection.3
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Elgin Marbles
Elgin Marbles

The Elgin Marbles (), also known as the Parthenon Marbles (Greek: Γλυπτά του Παρθενώνα, lit. "sculptures of the Parthenon"), are a collection of Classical Greek marble sculptures made under the supervision of the architect and sculptor Phidias and his assistants. They are original parts of the Parthenon and other sacred and ceremonial structures built on the Acropolis of Athens in the 5th century BCE. The collection is on display in the British Museum, in the purpose-built Duveen Gallery. From 1801 to 1812, agents of Thomas Bruce, 7th Earl of Elgin removed about half of the surviving sculptures of the Parthenon, as well as sculptures from the Propylaea and Erechtheion, and had them transported by sea to Britain. Elgin argued as his authority for this that he had obtained an official decree (a firman) from the Sublime Porte, the central government of the Ottoman Empire which, as ruler of Greece, was at that time the legal owner of the sculptures. This firman has not been found in the Ottoman archives despite its wealth of documents from the same period and its veracity is disputed. The Acropolis Museum displays a portion of the complete frieze, aligned in orientation and within sight of the Parthenon, with the position of the missing elements clearly marked and space left should they be returned to Athens.In Britain, the acquisition of the collection was supported by some, while some others, such as Lord Byron, likened the Earl's actions to vandalism or looting. Following a public debate in Parliament and its subsequent exoneration of Elgin, he sold the Marbles to the British government in 1816. They were then passed into the trusteeship of the British Museum, where they are now on display in the purpose-built Duveen Gallery. After gaining its independence from the Ottoman Empire in 1832, the newly founded Greek state began a series of projects to restore its looted monuments and art. It has expressed its disapproval of Elgin's removal of the Marbles from the Acropolis and the Parthenon, which is regarded as one of the world's greatest cultural monuments. International efforts to repatriate the Marbles to Greece were intensified in the 1980s by then Greek Minister of Culture Melina Mercouri, and there are now many organisations actively campaigning for the Marbles' return, several united as part of the International Association for the Reunification of the Parthenon Sculptures. The Greek government itself continues to urge the return of the marbles to Athens so as to be unified with the remaining marbles and for the complete Parthenon frieze sequence to be restored, through diplomatic, political and legal means.In 2014, UNESCO offered to mediate between Greece and the United Kingdom to resolve the dispute, although this was later turned down by the British Museum on the basis that UNESCO works with government bodies, not trustees of museums. In 2021, UNESCO issued its first decision on the Parthenon Marbles, calling for the United Kingdom to return them to Greece.

Bloomsbury
Bloomsbury

Bloomsbury is a district in the West End of London. It is considered a fashionable residential area, and is the location of numerous cultural, intellectual, and educational institutions. Bloomsbury is home of the British Museum, the largest museum in the United Kingdom, and several educational institutions, including University College London and a number of other colleges and institutes of the University of London as well as its central headquarters, the New College of the Humanities, the University of Law, the Royal Academy of Dramatic Art, the British Medical Association and many others. Bloomsbury is an intellectual and literary hub for London, as home of world-known Bloomsbury Publishing, publishers of the Harry Potter series, and namesake of the Bloomsbury Set, a group of British intellectuals which included author Virginia Woolf, biographer Lytton Strachey, and economist John Maynard Keynes. Bloomsbury began to be developed in the 17th century under the Earls of Southampton, but it was primarily in the 19th century, under the Duke of Bedford, that the district was planned and built as an affluent Regency era residential area by famed developer James Burton. The district is known for its numerous garden squares, including Bloomsbury Square, Russell Square and Bedford Square.Bloomsbury's built heritage is currently protected by the designation of a conservation area and a locally based conservation committee. Despite this, there is increasing concern about a trend towards larger and less sensitive development, and the associated demolition of Victorian and Georgian buildings.