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Stuyvesant Street

Streets in ManhattanStuyvesant family
Stuyvesant Street
Stuyvesant Street

Stuyvesant Street is one of the oldest streets in the New York City borough of Manhattan. It runs diagonally from 9th Street at Third Avenue to 10th Street near Second Avenue, all within the East Village, Manhattan, neighborhood. The majority of the street is included in the St. Mark's Historic District. Although the street runs diagonally in relation to the Manhattan street grid, geographically it is one of the few true east–west streets in Manhattan, since most of the grid runs southeast–northwest at a 28.9 degree offset. It is a one-way street, running eastbound.

Excerpt from the Wikipedia article Stuyvesant Street (License: CC BY-SA 3.0, Authors, Images).

Stuyvesant Street
Stuyvesant Street, New York Manhattan

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Geographical coordinates (GPS)

Latitude Longitude
N 40.729888888889 ° E -73.988527777778 °
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Stuyvesant Street 21
10003 New York, Manhattan
New York, United States
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Stuyvesant Street
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Angel's Share

Angel's Share was a speakeasy-style bar in the East Village of Manhattan, New York City. The Japanese-style bar was one of the pioneering establishments in the cocktail renaissance.The bar had an outsized influence on the craft cocktail movement, and was among several Japanese-owned businesses on a section of Stuyvesant Street, developed by Tadao "Tony" Yoshida. The bar directly influenced Sasha Petraske, who founded Milk & Honey, which inspired bars around the world.The upscale craft cocktail bar had a "romantic room" and a view of Stuyvesant Triangle. It opened in 1993. The bar utilized elements of Japanese bartending, including measuring, stirring, and shaking drinks with precision: something still practiced in Japan while the U.S. was in a "dark age" in the bar industry.Pioneering bartender Sasha Petraske began visiting Angel's Share in the 1990s, ordering its classics and learning the precision involved in Japanese bartending before opening his own influential bar, Milk & Honey, in 1999.The bar became immensely popular by around 2015, with long lines and waits of up to an hour, taking away from its element of secrecy. The bar's owners decided to open another speakeasy, sometimes referred to as an annex of Angel's Share, above Sharaku, a restaurant owned by Yoshida. The bar was oriented more toward classic cocktails, allowing its bartenders to moreso highlight classic Japanese bartending techniques.The bar operated for nearly 30 years in its location in the East Village. It faced eviction as reported in mid-March 2022; an old lease agreement ended and a massive rent hike would have taken place. The bar's last day was March 31, 2022, involving a line stretching down the block until last call. Later in 2022, the bar reopened as a summer pop-up in the Hotel Eventi in Midtown. The pop-up is also hidden, and has nearly all the same staff, some of the old tables and chairs, and some of the original cocktails. The hotel will eventually open its own speakeasy in the space, and the bar's owner, Erina Yoshida, intends to reopen Angel's Share in a permanent location.In March 2023, it was announced that the bar will reopen, own and run by Erina Yoshida. It will be located at 45 Grove Street in West Village.

Electric Circus (nightclub)
Electric Circus (nightclub)

The Electric Circus was a nightclub located at 19-25 St. Marks Place between Second and Third Avenues in the East Village neighborhood of Manhattan, New York City, from 1967 to August 1971. The club was created by Jerry Brandt, Stanton J. Freeman and their partners and designed by Chermayeff & Geismar. With its invitation (from one of its press releases) to "play games, dress as you like, dance, sit, think, tune in and turn on," and its mix of light shows, music, circus performers and experimental theater, the Electric Circus embodied the wild and creative side of 1960s club culture. Flame throwing jugglers and trapeze artists performed between musical sets, strobe lights flashed over a huge dance floor, and multiple projectors flashed images and footage from home movies. Seating was varied, with sofas provided. The Electric Circus became "New York's ultimate mixed-media pleasure dome, and its hallucinogenic light baths enthralled every sector of New York society." Its hedonistic atmosphere also influenced the later rise of disco culture and discotheques. Experimental bands such as The Velvet Underground, jam bands such as The Grateful Dead, soul acts such as Ike & Tina Turner, and avant-garde composers such as minimalist Terry Riley and electronic music pioneer Morton Subotnick played at the club. Other bands played there before they were famous, such as Raven, the Allman Brothers Band, Sly & the Family Stone, and The Chambers Brothers.

Ottendorfer Public Library and Stuyvesant Polyclinic Hospital
Ottendorfer Public Library and Stuyvesant Polyclinic Hospital

The Ottendorfer Public Library and Stuyvesant Polyclinic Hospital are a pair of historic buildings at 135 and 137 Second Avenue in the East Village neighborhood of Manhattan in New York City. The buildings house the Ottendorfer Branch of the New York Public Library, as well as the women's workspace The Wing within the former Stuyvesant Polyclinic hospital. The buildings were jointly designed by German-born architect William Schickel in the neo-Italian Renaissance style. Both structures are three stories tall with a facade of Philadelphia pressed brick facades ornamented in terracotta. The hospital building features terracotta busts of several notable medical professionals. The structures were erected in 1883–84 following a donation by philanthropists Oswald Ottendorfer and Anna Ottendorfer. The library was the second branch of the New York Free Circulating Library, while the hospital was affiliated with the German Hospital uptown, now Lenox Hill Hospital. Both structures served the Little Germany enclave of Lower Manhattan. The hospital was sold in 1906 to another medical charity, the German Polyklinik; the name was changed to Stuyvesant Polyclinic in the 1910s. The buildings were restored numerous times in their history. The structures received three separate New York City landmark designations in 1976, 1977, and 1981, and were added to the National Register of Historic Places in 1979.