Anglo-Belgian Memorial, Brussels

The Belgian Infantry Memorial (French: Monument à l'Infanterie Belge, Dutch: Monument voor de Belgische infanterie) is a monument in Brussels, Belgium, which stands in memory of the Belgian foot soldiers who fought in World War I and World War II. Designed by Edouard Vereycken, the memorial stands in front of Brussels' Palace of Justice and across the Place Poelaert/Poelaertplein from the Anglo-Belgian War Memorial. The memorial rests on a raised platform that overlooks Brussels' city centre. Translated into English, the inscription reads: "To the infantrymen who died for their country".

The Robert Catteau secondary school (French: Athénée Robert Catteau) is a French-speaking school owned by the City of Brussels, located on rue Ernest Allard, part of the subsidized public schools network enseignement officiel. Since 1948, it holds the name of Robert Catteau (1880-1956), attorney, journalist and alderman of the City of Brussels. The original name of the school was École moyenne A, founded in 1851 within the Free University of Brussels. The school provides modern general education preparing for university studies and qualifies itself as a "center of excellence".

The Great Synagogue of Europe, formerly known as the Great Synagogue of Brussels (French: Grande synagogue de Bruxelles; Dutch: Grote Synagoge van Brussel), is the main synagogue in Brussels, Belgium which was dedicated as a focal point for European Jews in 2008. The building was designed in 1875 in a Romanesque-Byzantine style by the architect Désiré De Keyser and constructed in 1878. It is located at 32 Rue de la Régence in Brussels. The synagogue survived the Holocaust in which 25,000 Belgian Jews died. Its chief rabbi is Albert Guigui and there are approximately 15,000 persons of Jewish faith in the city (as of 2008).On Rosh Hashanah, 18 September 1982, the synagogue was attacked by a man with a submachine gun, seriously wounding four people. The attack has been attributed to the Abu Nidal Organization.It was dedicated as the "Great Synagogue of Europe" on 4 June 2008 by President José Manuel Barroso and two of Europe's leading rabbis who signed a document of dedication. The ceremony also involved singing by the European Choir and the reading of a "Prayer for Europe." The prayer wished for EU leaders to act justly in creating a "spiritual union" and to ask for happiness for European citizens.The act was of a more political nature, as in the 19th century, responding to the Age of Enlightenment, Great Synagogues were built in many capitals of Europe to show that Jews were full and free citizens. This is something the Jewish community now wished to show at a European level. It is hoped that the building will become a focus for Judaism in Europe, as St. Peter's Basilica is for Roman Catholics.

The Palace of Justice of Brussels (French: Palais de Justice de Bruxelles, Dutch: Justitiepaleis van Brussel ) or Law Courts of Brussels is the most important court building in Belgium, seat of the judicial arrondissement of Brussels, as well as of several courts and tribunals, including the Court of Cassation, the Court of Assizes, the Court of Appeal of Brussels, the Tribunal of First Instance of Brussels, and the Bar Association of Brussels. It is located on the Place Poelaert/Poelaertplein in the Marolles/Marollen district (southern part of Brussels' city centre). Designed by the architect Joseph Poelaert in an eclectic style of Greco-Roman inspiration to replace an older courthouse, the Palace of Justice was built between 1866 and 1883. With a ground surface of 26,006 m2 (279,930 sq ft), the edifice is reputed to be the largest constructed in the 19th century and remains one of the largest of its kind. The total cost of the construction, land and furnishings was somewhere in the region of 50 million Belgian francs. The building suffered heavy damage during World War II, during which the cupola was destroyed, and later rebuilt higher than the original. The building has been under renovation since 1984. A notable landmark of Brussels, this site is served by Louise/Louiza metro station (on lines 2 and 6 of the Brussels Metro), as well as the tram stop of the same name (on lines 8 and 92). From the lower part of town, it is also possible to take public elevators, called the Poelaert Elevators, to access it.

The Poelaert Elevators (French: Ascenseurs Poelaert; Dutch: Poelaertliften), in popular language Elevators of the Marolles (French: Ascenseurs des Marolles; Dutch: Liften van de Marollen) is a public elevator in the Marollen quarter of Brussels. They connect the lower and upper town at Brueghel the Elder Square (French: Square Breughel l'Ancien; Dutch: Breughel de Oudeplein) with Poelaert Square (French: Place Poelaert; Dutch: Poelaertplein). It is in the vicinity of the Palace of Justice. The elevator consists of two independent elevators, hence the plural sometimes used for its name, 'elevators' (French: ascenseurs; Dutch: liften).

Louise (French) or Louiza (Dutch) is a Brussels metro station on the southern segment of lines 2 and 6. It opened on 19 August 1985 and is located under the small ring at the Place Louise/Louizaplein, at the end of Avenue Louise/Louizalaan, in the municipality of the City of Brussels (Belgium). The station hosted the shots of the video clip for the Stromae song "Formidable" in 2013.

Starting its activities in 1813, the Royal Conservatory of Brussels (French: Conservatoire royal de Bruxelles, Dutch: Koninklijk Conservatorium Brussel) received its official name in 1832. Providing performing music and drama courses, the institution became renowned partly because of the international reputation of its successive directors such as François-Joseph Fétis, François-Auguste Gevaert, Edgar Tinel, Joseph Jongen or Marcel Poot, but more because it has been attended by many of the top musicians, actors and artists in Belgium such as Arthur Grumiaux, José Van Dam, Sigiswald Kuijken, Josse De Pauw, Luk van Mello and Luk De Konink. Adolphe Sax, inventor of the saxophone, also studied at the Brussels Conservatory. In 1967, the institution split into two separate entities: the Koninklijk Conservatorium Brussel, which teaches in Dutch, and the Conservatoire Royal de Bruxelles, which continued teaching in French. The former entity became a School of Arts of Erasmus University College alongside film school RITCS, and associated with Vrije Universiteit Brussel it also offers Ph.D. degrees in the Arts through Art Platform Brussels. Since 2009, the latter entity has been associated with the Ecole Nationale Supérieure des Arts Visuels La Cambre and the Institut National Supérieur des Arts du Spectacle (INSAS), forming ARTes, an organisation that embraces the three aforementioned art schools of the French Community of Belgium in Brussels.

The Clean Sky Joint Undertaking (CSJU) is a public-private partnership between the European Commission and the European aeronautics industry that coordinates and funds research activities to deliver significantly quieter and more environmentally friendly aircraft. The CSJU manages the Clean Sky Programme (CS) and the Clean Sky 2 Programme (CS2), making it Europe’s foremost aeronautical research body.

On the afternoon of 24 May 2014, a gunman opened fire at the Jewish Museum of Belgium in Brussels, killing four people. Three of them, an Israeli couple on holiday and a French woman, died at the scene. The fourth victim, a Belgian employee of the museum, was taken to the hospital but died of his injuries on 6 June. A little less than a week later, on 30 May 2014, a suspect was arrested in the French city of Marseille in connection with the shooting. The suspect was Mehdi Nemmouche, a 29-year-old French national of Algerian origin. A second suspect, Nacer Bendrer, was identified and arrested later. Prior to the shooting, Nemmouche had already spent time in French prisons, where he became involved in radical Islam. After his imprisonment, he also spent more than a year in Syria. It is also in prison where he met Bendrer, who was suspected of having supplied Nemmouche with the weapons used in the attack. Investigators identified a third suspect as well, but the charges against the third suspect were later dismissed due to the evidence against him being considered too weak. Nemmouche and Bendrer were formally indicted in April 2018, and tried before the court of assizes of Brussels in early 2019. After two months of trial hearings, a verdict was rendered: Nemmouche was found guilty of having committed the attack, whilst Bendrer was found guilty of being the co-author of the attack by having supplied Nemmouche with the weapons used in the attack. The theory that Nemmouche was framed by foreign intelligence officials, put forward by Nemmouche's defence, was rejected. Subsequently, Nemmouche was sentenced to life imprisonment whilst Bendrer was sentenced to 15 years of imprisonment. Both were later also sentenced to pay close to one million euro in damages to the victims' next of kin.

The Jewish Museum of Belgium (French: Musée juif de Belgique, Dutch: Joods Museum van België) is a museum in Brussels, Belgium, focusing on the history of the Jews in Belgium.

The Sablon (French) or Zavel (Dutch) is a neighbourhood and hill in the historic upper town of Brussels, Belgium. At its heart are twin squares: the larger Grand Sablon or Grote Zavel ("Large Sablon") square in the north-west and the smaller Petit Sablon or Kleine Zavel ("Small Sablon") square and garden in the south-east, divided by the Church of Our Blessed Lady of the Sablon.

The Maison du Peuple (French) or Volkshuis (Dutch), both literally the "House of the People", was a public building located on the Place Emile Vandervelde/Emile Vanderveldeplein, in the Sablon/Zavel district of Brussels, Belgium. It was one of the most influential Art Nouveau buildings in Belgium and one of the most notable designs by the architect Victor Horta. Commissioned by the Belgian Workers' Party (POB/BWP), it was constructed between 1896 and 1899, and opened on 2 April 1899.The building was demolished in 1965, and a skyscraper, the Blaton Tower, was built on its site. Its demolition has been regarded as an "architectural crime" and an example of Brusselisation.