place

Le Baiser Salé

1983 establishments in FranceJazz club stubsJazz clubs in Paris
Le Baiser Salé Paris
Le Baiser Salé Paris

Le Baiser Salé is a jazz club in Paris, at 58, rue des Lombards, that opened in 1983. It was founded by the Gibson brothers. Musicians such as, Richard Bona, Angélique Kidjo, Monica Passos, Ultramarine, Les Étoiles, Sylvain Luc, Rido Bayonne, Leni Stern, Thierry Eliez, Etienne Mbappé, Mario Canonge, Nguyen Le, and others have played at Le Baiser Salé.

Excerpt from the Wikipedia article Le Baiser Salé (License: CC BY-SA 3.0, Authors, Images).

Le Baiser Salé
Rue des Lombards, Paris Quartier Les Halles (Paris)

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Le Baiser SaléContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 48.859722222222 ° E 2.3480555555556 °
placeShow on map

Address

Ici est tombé pour la libération de Paris Roger Séjournant

Rue des Lombards
75001 Paris, Quartier Les Halles (Paris)
Ile-de-France, France
mapOpen on Google Maps

Le Baiser Salé Paris
Le Baiser Salé Paris
Share experience

Nearby Places

Fires in the Paris Commune
Fires in the Paris Commune

The fires of Paris during the Commune were the premeditated destruction of monuments and residential buildings in Paris mainly during Bloody Week, the period when Paris was recaptured by the Versailles army from Sunday 21 May to Sunday 28 May 1871. Most of these fires were set by Communards (or Federates), especially between 22 and 26 May. They set fire to major Parisian monuments such as the Tuileries Palace, Palais-Royal, Palais de Justice and Hôtel de Ville, but spared others such as Notre-Dame de Paris. They also set fire to private homes, to protect their barricades from the advancing Versaillais. Setting fire to Paris's great monuments was a strategy of despair, an act of appropriation and purification, and a kind of apocalyptic feast, as the Communards fought their last battles in the streets. Despite attempts to organize, these fires were lit in the very last days of the Commune, when it was in full decay, and decisions were partly local initiatives, at a time when the usual points of reference, including sensory ones, had been turned upside down. After their defeat, the Communards did not all accept responsibility. These fires formed a nodal point in the memory of the Commune. In the eyes of the Versaillais, they demonstrated the barbarity of the Communards, particularly the women of the Commune, around whom the myth of the pétroleuses was built. The resulting ruins were not immediately rebuilt and became the object of romantic and touristic appropriation, including numerous photographs. The massive disappearance of archives consumed in the fires deprived Paris of part of its memory.