place

Sunset/Sunside

1983 establishments in FranceJazz club stubsJazz clubs in Paris
Sunset Sunside Paris
Sunset Sunside Paris

The Sunset/Sunside is one of the main jazz clubs in Paris, France. It was founded in 1983 and is the first jazz club to settle in the rue des Lombards which hosts several other famous jazz clubs such as Le Baiser Salé and Le Duc des Lombards.

Excerpt from the Wikipedia article Sunset/Sunside (License: CC BY-SA 3.0, Authors, Images).

Sunset/Sunside
Rue des Lombards, Paris 4th Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.859722222222 ° E 2.3477777777778 °
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Address

Rue des Lombards 35b
75004 Paris, 4th Arrondissement (Paris)
Ile-de-France, France
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Sunset Sunside Paris
Sunset Sunside Paris
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Fires in the Paris Commune
Fires in the Paris Commune

The fires of Paris during the Commune were the premeditated destruction of monuments and residential buildings in Paris mainly during Bloody Week, the period when Paris was recaptured by the Versailles army from Sunday 21 May to Sunday 28 May 1871. Most of these fires were set by Communards (or Federates), especially between 22 and 26 May. They set fire to major Parisian monuments such as the Tuileries Palace, Palais-Royal, Palais de Justice and Hôtel de Ville, but spared others such as Notre-Dame de Paris. They also set fire to private homes, to protect their barricades from the advancing Versaillais. Setting fire to Paris's great monuments was a strategy of despair, an act of appropriation and purification, and a kind of apocalyptic feast, as the Communards fought their last battles in the streets. Despite attempts to organize, these fires were lit in the very last days of the Commune, when it was in full decay, and decisions were partly local initiatives, at a time when the usual points of reference, including sensory ones, had been turned upside down. After their defeat, the Communards did not all accept responsibility. These fires formed a nodal point in the memory of the Commune. In the eyes of the Versaillais, they demonstrated the barbarity of the Communards, particularly the women of the Commune, around whom the myth of the pétroleuses was built. The resulting ruins were not immediately rebuilt and became the object of romantic and touristic appropriation, including numerous photographs. The massive disappearance of archives consumed in the fires deprived Paris of part of its memory.