Flying Dragon (Calder)

Large Interior Form, 1953–54 is a sculpture by Henry Moore.

Cubi VII is a sculpture by David Smith in the Art Institute of Chicago North Stanley McCormick Memorial Court (aka North Garden) north of the Art Institute of Chicago Building in the Loop community area of Chicago, Illinois. It is a stainless steel work of art created in 1963 and part of the Cubi series of stainless steel works housed around the world.

Untitled is an outdoor 1987 granite sculpture by Ulrich Rückriem, installed outside the Art Institute of Chicago, in the U.S. state of Illinois.

The Art Institute of Chicago Building (1893 structure built as the World's Congress Auxiliary Building) houses the Art Institute of Chicago, and is part of the Chicago Landmark Historic Michigan Boulevard District in the Loop community area of Chicago, Illinois. The building is located in Grant Park on the east side of Michigan Avenue, and marks the third address for the Art Institute. The main building was built for the joint purpose of providing an additional facility for the 1893 World's Columbian Exposition, and subsequently the Art Institute. The core of the current complex, located opposite Adams Street, officially opened to the public on December 8, 1893, and was renamed the Allerton Building in 1968. There have been numerous building additions over the years. The most recent addition is the Modern Wing funded in part by Pat Ryan. This new building increases gallery space by 33% and accommodates new educational facilities. It opened to the public on May 16, 2009.

The Municipal Courts Building, also known as the Lake View Building, is a skyscraper located at 116 S. Michigan Avenue in Chicago, Illinois. The building was built from 1906 to 1907 to serve as a temporary home for Chicago's Municipal Court. Jacob L. Kesner built the building, which was originally 12 stories tall, on a strip of land only 40 feet (12 m) wide; Kesner was one of the few property owners willing to grant the Municipal Court of Chicago a short-term lease. The building was completed later than planned, had less square footage than promised, and charged a higher rent than a competing offer from a warehouse, prompting Mayor Edward Dunne to conduct an ethics investigation into the approval of the building contract. The court only used the building until 1911; after it moved out, Kesner added another five stories to the building.The building was added to the National Register of Historic Places on August 29, 1985.

The School of the Art Institute of Chicago (SAIC) is a private art school associated with the Art Institute of Chicago (AIC) in Chicago, Illinois. Tracing its history to an art students' cooperative founded in 1866, which grew into the museum and school, SAIC has been accredited since 1936 by the Higher Learning Commission, by the National Association of Schools of Art and Design since 1944 (charter member), and by the Association of Independent Colleges of Art and Design (AICAD) since the associations founding in 1991. Additionally it is accredited by the National Architectural Accrediting Board. In a 2002 survey conducted by Columbia University's National Arts Journalism Program, SAIC was named the “most influential art school” in the United States. Its downtown Chicago campus consists of seven buildings located in the immediate vicinity of the AIC building. SAIC is in an equal partnership with the AIC and shares many administrative resources such as design, construction, and human resources. The campus, located in the Loop, comprises chiefly five main buildings: the McLean Center (112 S. Michigan Ave.), the Michigan building (116 S Michigan Ave), the Sharp (36 S. Wabash Ave.), Sullivan Center (37 S. Wabash Ave.), and the Columbus (280 S. Columbus Dr.). SAIC also holds classes in the Spertus building at 610 S. Michigan. SAIC owns additional buildings throughout Chicago that are used as student galleries or investments. There are three dormitory facilities: The Buckingham, Jones Hall, and 162 N State Street residencies.

The Ryerson & Burnham Libraries are the art and architecture research collection of the Art Institute of Chicago. The libraries cover all periods with extensive holdings in the areas of 18th-, 19th- and 20th-century architecture and 19th-century painting, prints, drawings, and decorative arts. A variety of materials important to scholarly research includes architects' diaries, correspondence, job files, photographs, sketchbooks, scrapbooks, articles, transcripts, and personal papers.

The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and Burnham Libraries. The growth of the collection has warranted several additions to the museum's 1893 building, which was constructed for the World's Columbian Exposition. The most recent expansion, the Modern Wing designed by Renzo Piano, opened in 2009 and increased the museum's footprint to nearly one million square feet, making it the second-largest art museum in the United States, after the Metropolitan Museum of Art. The Art Institute is associated with the School of the Art Institute of Chicago, a leading art school, making it one of the few remaining unified arts institutions in the United States. In 2017, the Art Institute received 1,619,316 visitors, and was the 35th most-visited art museum in the world. However, in 2020, due to the COVID-19 pandemic, the museum was closed for 169 days, and attendance plunged by 78 percent from 2019, to 365,660.

Lions is a pair of outdoor 1893 bronze sculptures by Edward Kemeys, installed outside the Art Institute of Chicago, in the U.S. state of Illinois.

National Louis University (NLU) is a private university with its main campus in Chicago, Illinois. NLU enrolls undergraduate and graduate students in more than 60 programs across its four colleges. It has locations throughout the Chicago metropolitan area as well as a regional campus in Tampa Bay, Florida, where it serves students from 13 counties in that state’s central region. Since its founding in 1886, NLU has played a historic role in the education sector. Its founders helped start the National Kindergarten Movement, helped inaugurate the National Parent Teacher Association (PTA), and promoted the importance of academic and professional training in early childhood education theory and practice. NLU has received more than $65 million in funding for applied research projects in urban development, childhood development, school improvement and teacher preparation. Its alumni have served in Illinois state government and received multiple James Beard awards; 76 alumni from its National College of Education have received honorary recognition by the Golden Apple Foundations of Chicago and Rockford.

Crown Fountain is an interactive work of public art and video sculpture featured in Chicago's Millennium Park, which is located in the Loop community area. Designed by Spanish artist Jaume Plensa and executed by Krueck and Sexton Architects, it opened in July 2004. The fountain is composed of a black granite reflecting pool placed between a pair of glass brick towers. The towers are 50 feet (15.2 m) tall, and they use light-emitting diodes (LEDs) to display digital videos on their inward faces. Construction and design of the Crown Fountain cost $17 million. The water operates from May to October, intermittently cascading down the two towers and spouting through a nozzle on each tower's front face. Residents and critics have praised the fountain for its artistic and entertainment features. It highlights Plensa's themes of dualism, light, and water, extending the use of video technology from his prior works. Its use of water is unique among Chicago's many fountains, in that it promotes physical interaction between the public and the water. Both the fountain and Millennium Park are highly accessible because of their universal design.Crown Fountain has been one of the most controversial of all the Millennium Park features. Before it was even built, some were concerned that the sculpture's height violated the aesthetic tradition of the park. After construction, surveillance cameras were installed atop the fountain, which led to a public outcry (and their quick removal). However, the fountain has survived its contentious beginnings to find its way into Chicago pop culture. It is a popular subject for photographers and a common gathering place. While some of the videos displayed are of scenery, most attention has focused on its video clips of local residents. The fountain is a public play area and offers people an escape from summer heat, allowing children to frolic in the fountain's water.

The Nichols Bridgeway is a pedestrian bridge located in Chicago, Illinois. The bridge begins at the Great Lawn of Millennium Park, crosses over Monroe Street and connects to the third floor of the West Pavilion of the Modern Wing, the Art Institute of Chicago's newest wing. The bridge opened May 16, 2009.Designed by Renzo Piano, the architect of the Modern Wing, the bridge is approximately 620 ft (190 m) long and 15 ft (4.6 m) wide. The bottom of the Bridgeway is made of white, painted structural steel, the floor is made of aluminum planking and the 42" tall railings are steel set atop stainless steel mesh. The Bridgeway features anti-slip walkways and heating elements to prevent the formation of ice and meets ADA standards for universal accessibility. The bridge is named after museum donors Alexandra and John Nichols. The bridge design was inspired by the hull of a boat.