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The Zebediah F. and Mary H. Wetzell House, also known as St. John Neumann House, is a historic building located in St. Louis, Missouri. Zebediah Wetzell was a native of Washington, D.C., and grew wealthy from the drug and medical supply store he established along the St. Louis riverfront. His wife Mary was a native of Kentucky, and the couple had this house built in 1880 in what was then a fashionable neighborhood on the edge of the city. The three-story brick Second Empire residence is one of two remaining examples of a high-style version in Midtown and one of the only brick examples left in the city. However, at the time it was built the home was one of several found in the Second Empire style in this section of St. Louis. By the turn of the 20th-century, wealthy citizens were moving to the Central West End and Midtown was becoming a commercial area. After Mary Wetzel died in 1897 the house became a residential rental property. In 1946, the concrete block structure adjoining the house to the north and west was built. The facility housed Albert A. Franklin's carpet and rug business. Other businesses occupied the property until it was sold in 1986 to the Redemptorists, a Catholic religious order of men, for their pre-novitiate students who attended Saint Louis University. The neighboring Pendennis Club Apartment Building was also a part of the complex. The Redemptorists moved out in 2007, and the house was added to the National Register of Historic Places in 2008.

The Pendennis Club Apartment Building, also known as Kina Apartments, Tabb Apartments, and St. John Neumann House, is a historic building located in St. Louis, Missouri, USA. Completed in 1902, the three-story brick structure was designed by E.A. Manny. The exterior features simple terra cotta ornamentation that incorporates elements of the Neoclassical style. Each floor includes three apartments and a common room. It was built for the Pendennis Club, a group of bachelors from St. Louis' University Club and named for William Makepeace Thackeray's Major Pendennis, the ultimate bachelor.The nine men who lived here owned stock in the Pendennis Apartment Company. They were expected to stay single for a few years at least, and any replacements would have to be approved by the others. The services of a maid and cook were included, and any other women were allowed on the premises for special occasions only. The club was part of a distinct bachelor subculture that flourished in the United States between 1890 and 1930. Membership in the Pendennis Club remained strong through the 1920s when it started to decline. It disbanded in 1937. The building was sold and continued as an apartment building open to both men and women. It was sold in 1986 to the Redemptorists, a Catholic religious order of men, for their pre-novitiate students who attended Saint Louis University. The neighboring Zebediah F. and Mary H. Wetzell House and its adjoining building were also a part of the complex. The Redemptorists moved out in 2007, and the apartment building was added to the National Register of Historic Places in 2008.

The Contemporary Art Museum St. Louis is an art museum for contemporary art, located in St. Louis, Missouri. Known informally as the CAM St. Louis, the museum is located at 3750 Washington Boulevard in the Grand Center Arts District. The building is designed by the American architect Brad Cloepfil. The institution that would become CAM was established in 1980, and operated under a number of names including First Street Forum and the Forum for Contemporary Art. On September 19, 2003, the Contemporary Art Museum St. Louis moved to the new building in the Grand Center Arts and Entertainment District in midtown St. Louis.The Contemporary Art Museum St. Louis is a non- collecting museum that hosts no permanent art exhibitions. The museum has mounted more than 120 exhibitions and exhibited over 260 artists. It usually shows six Main Gallery exhibitions each year of American and international artists. It has exhibited work by Richard Aldrich, Laylah Ali, Lutz Bacher, Rosa Barba, Leslie Hewitt, Hayv Kahraman, Wyatt Kahn, Elad Lassry, Marilyn Minter, Gedi Sibony, Carey Young, Richard Artschwager, Jim Hodges, Sean Landers, Cindy Sherman, Arcangelo Sassolino, and Amy Sherald.

Pulitzer Arts Foundation is an art museum in St. Louis, Missouri, that presents special exhibitions and public programs. Known informally as the Pulitzer, the museum is located at 3716 Washington Boulevard in the Grand Center Arts District. The building is designed by the internationally renowned Japanese architect Tadao Ando. Admission to the museum is free.

The Sheldon, designed by the noted 1904 World’s Fair architect Louis C. Spiering, was built in 1912 as the home of the Ethical Society of St. Louis. Musicians and public speakers throughout the years have enjoyed the perfect acoustics of The Sheldon Concert Hall, earning The Sheldon its reputation as "The Carnegie Hall of St. Louis." Well-known singers and ensembles have performed at The Sheldon, and speakers such as Margaret Mead, Thurgood Marshall and Martha Gellhorn have spoken from its stage. The St. Louis Chapter of the League of Women Voters was founded in The Sheldon’s Green Room. When the Ethical Society relocated to St. Louis County in 1964, The Sheldon primarily became a music venue. Then, in 1974, a former singer with the Duke Ellington Orchestra purchased the facility, transforming The Sheldon into a church and the site for many glorious jazz and gospel concerts. A California attorney with a love for chamber music purchased the building in 1984 at the urging of the Paganini String Quartet. He began operating The Sheldon in 1986 as a venue for concerts and community events. At risk of being demolished in the mid-80s to make way for a parking lot, a group of community leaders and Ethical Society members launched the “Save Our Sheldon” campaign, which culminated in a movie production entitled Sweet Sheldon, and starring Burt Lancaster. Public sentiment, and the recognition of The Sheldon as a cultural landmark, turned the tide and the building was saved. Determined to preserve and establish The Sheldon as one of St. Louis’ greatest cultural resources, the non-profit Sheldon Arts Foundation was formed in 1989 by Walter F. Gunn. The Foundation purchased the building in 1991, and today The Sheldon Arts Foundation is governed by a 50-member Board of Directors. The Sheldon Concert Hall is the site of over 350 events each year, including great jazz, folk and classical music, featuring the world’s finest musicians. Artists such as Dave Brubeck, Diana Krall, José Carreras, Herbie Hancock, Doc Watson, Joan Baez, Willie Nelson, Lyle Lovett, B.B. King, Wynton Marsalis, Judy Collins, Renée Fleming and many more have performed at The Sheldon. In addition, The Sheldon presents Matinee Concerts, educational programs for schools and Coffee Concerts. The "Notes From Home" series, featuring St. Louis musicians, is presented weekday evenings. The Sheldon Ballroom, Spiering Room and Art Galleries host workshops and master classes, post-concert receptions, weddings, fundraising events, corporate presentations and community meetings. In 1998, The Sheldon expanded its artistic focus to include five new art galleries in a $5 million dollar expansion project. Improvements included complete wheelchair accessibility, new restrooms, two new lobbies, a sculpture garden, added parking and in 1999, the 500-seat Louis Spiering Room. The art galleries encompass 6,000 square feet and feature exhibits on jazz history, photography, architecture, St. Louis artists and children’s art. The Sheldon's renovations continued in 2001 with the installation of five new stained glass windows designed by acclaimed artist Rodney Winfield. His stunning designs, called "Theme and Variation," are designed to be enjoyed both during the day and at night. The overall project is a tribute to Father Maurice McNamee, S.J. In the heart of St. Louis’ Grand Center arts district, The Sheldon continues to offer the St. Louis area a wealth of cultural resources in the tradition of its visionary founders. A non-profit organization, The Sheldon relies on public support to carry out its mission: to preserve and operate the historic Sheldon Concert Hall and Art Galleries as an independent cultural institution, to produce and present events of both local and national importance, and to provide facilities and services for a wide variety of cultural, educational, artistic and community organizations. In 2019, Steward Family Plaza, encompassing a walk way and vertical garden on the west side of The Sheldon, opens. The Sheldon presents over 350 events each year in the concert hall, art galleries, Ballroom and Konneker Room. The Sheldon is located in the Grand Center arts district of St. Louis.

The Public Media Commons is a 9,000 square foot plaza located in St. Louis, Missouri. The Commons is a collaboration between Nine Network of Public Media, the University of Missouri–St. Louis, and St. Louis Public Radio. The plaza is encapsulated on two sides by large video screen walls, two stories high. The Public Media Commons is an interactive space that utilizes technology to encourage the sharing and creating of audio/visual experiences in St.Louis.The Commons creates a new typology of public space for media programming. Perforated metal screens were designed for existing buildings to unify the space and screens to create areas for projectors. The commons accommodates performance stages for small groups and multiple seating areas for up to 700 people. The project was designed by Benjamin Gilmartin Architect and Cobalt Office with Architect of Record Powers Bowersox Associates and Landscape Architect DLANDstudio.

The Isaac H. Lionberger House at 3630 Grandel Square in Midtown St. Louis, Missouri, is the last private residence designed by noted American architect Henry Hobson Richardson. Designed in 1885–86, the building was built after Richardson's death. It was built for Isaac H. Lionberger, a well-known St. Louis lawyer who later became Assistant Attorney General of the United States.The Lionberger House became a St. Louis Landmark in 1975. In 2005, the house was restored and divided into office and residential space.

The Saint Louis University Museum of Art is the formal art museum for Saint Louis University. It is located at 3663 Lindell Boulevard in St. Louis, Missouri and is also known as Doris O'Donnell Hall.

The New Masonic Temple is a historic building in St. Louis, Missouri, built in 1926. Like many other buildings built for Freemason meeting places, it shows Classical Revival architecture. Named a city landmark in 1976, the 386,000-square-foot building stands 185 feet high and encloses more than six million cubic feet. There are 14 levels: six full floors and eight mezzanines.The Temple's ground was broken in 1923 and dedicated in 1926. Created by architectural company Eames & Young with consulting architect Albert B. Groves, it features classic Greek Ionic-style exterior architecture with various styles throughout the interior. The Masonic Temple is built in three receding stages, symbolic of the three steps in Masonry. Constructed of Bedford limestone with gray granite trim, the main lobby is finished in marble; other rooms have their original wool carpet. The building has an unfinished theater with 2,200 seats. The lobby contains a 38-foot mural titled “The Origins of Freemasonry”, which was created in 1941 by African American artist Jessie Housley Holliman. Dedicated by Senator Harry S. Truman, it is the only surviving mural by the noted artist in a St. Louis public building.Then-Senator and Freemason Grand Master Harry S. Truman kept an office in the building. Charles A. Lindbergh was initiated and participated as a mason at the Temple before his renowned 1927 flight. In 1980, Escape from New York with Ernest Borgnine filmed a scene on the Temple's steps. Borgnine, a Mason, attended Masonic meetings in the building. The ground and first floors and the first-floor mezzanine have areas where the general public is admitted only on days when a meeting is held, which is currently 10 per month. The second floor contains the Eastern Star quarters. Third and fourth floors and their mezzanines were designed to house the Blue Lodges with the potential for eight Blue Lodge halls. The four halls and the fourth floor were not completed, and one area on the third floor was made into a dining room. Fifth and sixth floors were designed to house three of the York Rite organizations, which are known as the Chapter, Council, and the Commandery. Most of the building is non-sectarian, but the fifth floor features Christian symbolism. The fifth level hall is 100’ long, 75’ wide and 48’ high.

The Palladium is a disused and endangered historic building in the Grand Center arts district of St. Louis, Missouri. It is especially noted as the site of the Plantation Club, a 1940s and early 1950s dance club where famous African-American musicians performed. It was in some ways St. Louis's equivalent to Harlem's famous Cotton Club and was almost certainly modeled after it.The building opened in 1914 as the Palladium Roller Skating Rink, although from its early days it also served as a ballroom. In 1940 the Plantation Club night club, which had existed since 1931 on the west end of the block, moved into the building and replaced the roller rink. Like the Cotton Club, the Plantation was owned by a gangster, Tony Scarpelli. And like the Cotton Club, it offered entertainment by African-Americans to a white-only audience. Performers included Jimmie Lunceford, Nat King Cole, Ella Fitzgerald, Benny Carter, the Mills Brothers, the Fletcher Henderson Orchestra, the Noble Sissle Orchestra, the Ink Spots, and Billy Eckstine’s band with musicians Charlie Parker, Lucky Thompson, Art Blakey and musical director Dizzy Gillespie and vocalists Billie Holiday and Sarah Vaughan.Business boomed during World War II; the club installed air conditioning and offered shows at 11:00 pm, 1:00 am, and 3:00 am. The house band was the Jeter-Pillars Orchestra, which featured Sweets Edison and Clark Terry, and later Jimmy Blanton and Charlie Christian, and also Jimmy Forrest.The club declined after the early 1950s. Later the building hosted various bars. It was home to thrift shops – Veteran's Village from 1963 to 2006, then HHV Thrift Plus until 2010, since when it has been vacant.The John Cochran Veteran's Administration Hospital, which is looking to expand, was in talks in the mid 2010s with the owners to purchase and raze the building. As of 2020, there was still no announced decision whether the hospital would expand south (which would imply demotion of the Palladium) or north.The National Trust for Historic Preservation consequently placed the Palladium (which is not on the National Register of Historic Places) on its 2014 list of most endangered historic places.In January of 2020 part of the roof collapsed, leaving part of the upper floor open to the elements.

John J. Cochran Veterans Hospital is a 355-bed hospital located in St. Louis, Missouri. It is one of two divisions of the VA St. Louis Health Care System (VASTLHCS), a healthcare provider under the United States Department of Veterans Affairs (VA). The other division is St. Louis VA Medical Center-Jefferson Barracks. The facility serves veterans in the St. Louis metropolitan area and surrounding regions, delivering a wide range of medical, mental health, and rehabilitative services to eligible veterans. It serves nearly 72,000 veterans.

The Continental-Life Building, also known as the Continental Building, is an Art Deco skyscraper in St. Louis, Missouri, United States, which was completed in 1930. The building is located in Grand Center in St. Louis' Midtown neighborhood, and is visible from Interstate 64/Highway 40 and Interstate 44. Commissioned by Edmund Monroe "Ed" Mays to be the home of his two businesses, Continental-Life Insurance and the Grand National Bank, the building was designed by William B. Ittner, a prominent St. Louis architect. On September 22, 1955, the building was purchased for $2 million by then 27-year-old developers Robert A. Futterman and Jerry Tenney. When Futterman died suddenly in 1961, choking on a sandwich at a dinner party at age 33, his death propelled the building into near insolvency. In his 2003 book The Queen of Lace, The Story of the Continental Life Building, developer and author Stephen Trampe called it "the sandwich that started the decline."The tower housed businesses through the mid-1960s when its co-owners included St. Louis mayor Alfonso J. Cervantes, prominent St. Louis defense attorney Morris Shenker, and Harold Koplar of KPLR-TV. At some point in the 1970s the building fell into disrepair. After a few false starts in the late 1990s, St. Louis developers Stephen Trampe and Mike Barry took on the project, renovating the building into apartments. It reopened in 2001. Trampe later wrote a book about the building's history and rebirth.The building has a connected three-story parking garage, which is used by both residents and patrons of the nearby Fox Theatre. The top of the parking garage holds an outdoor pool for residents' use. A notable number of St. Louis landmarks are visible from the building because of its location and height. Some of these include the Gateway Arch, One Metropolitan Square (St. Louis' tallest building), the Edward Jones Dome, the City Museum, the Civil Courts Building, the Anheuser Busch brewery, portions of the Missouri Botanical Garden including the Climatron geodesic dome, the St. Louis State Hospital, the Compton Hill water tower, the campus of St. Louis University and the St. Louis Science Center. Architectural elements from the building were collected over time by the National Building Arts Center and returned to the building in the Stephen Trampe renovation. Other elements still reside at the foundation's storage site in Sauget, Illinois. According to the Ghostbusters DVD commentary, Dana's apartment building is modeled after the top of the Continental Life Building in St. Louis, MO. Dana's apartment building actually exists at 55 Central Park West in New York City. The building is actually only 20 stories high. For the film, matte paintings and models were used to make the building look bigger with more floors and modeling the top of the Continental Life Building.