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RHINO (squat)

2007 disestablishments in SwitzerlandBuildings and structures in GenevaCulture in GenevaHistory of GenevaInfoshops
SquatsSquatting in Switzerland
RHINO (Geneva) 01
RHINO (Geneva) 01

RHINO was a famous squat in Geneva, Switzerland. It occupied two buildings on the Boulevard des Philosophes in downtown Geneva, a few blocks away from the main campus of the University of Geneva. RHINO housed seventy people until its eviction in July 2007. It had been occupied by the squatters since 1988.

Excerpt from the Wikipedia article RHINO (squat) (License: CC BY-SA 3.0, Authors, Images).

RHINO (squat)
Boulevard des Philosophes, Geneva Cité

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Latitude Longitude
N 46.196208333333 ° E 6.1494194444444 °
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Boulevard des Philosophes 28
1204 Geneva, Cité
Geneva, Switzerland
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RHINO (Geneva) 01
RHINO (Geneva) 01
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Calvin Auditory
Calvin Auditory

The Calvin Auditorium or Calvin Auditory (French Auditoire de Calvin), originally the Notre-Dame-la-Neuve Chapel, is a chapel in Geneva, Switzerland, which played a significant role in the Protestant Reformation. It is associated with John Calvin, Theodore Beza and John Knox. The auditorium lies directly adjacent to St. Pierre Cathedral in the Place de la Taconnerie. The austere Gothic-style building was constructed in the 15th century, on the site of earlier 5th-century religious buildings, and was originally dedicated to Notre-Dame-la-Neuve. From 1536, the time of Geneva's Reformation, it became a lecture hall where Calvin actively expounded his reformed theology: Bible studies were conducted here at 7:00 each morning. In 1559, it served as the original home of the University of Geneva. Once Geneva accepted the Reformation, it became a haven for Protestant refugees from all over Europe, and Calvin gave this building over for them to worship in their own language. It was also used by the Scottish reformer John Knox, during his exile in Geneva in the 1550s. Here he ministered to an English-speaking refugee congregation and developed many of the ideas that were to be influential in the Scottish Reformation. Subsequently, it became a place used by numerous Protestant refugee groups including Italian Waldensians, Dutch Reformed and Scottish Presbyterians. It is viewed by many Reformed churches throughout the world as a crucible of their faith. Some of them had great political influence, like the 1559 student of the academy Philips of Marnix, who corresponded after Calvin’s death with De Beze. He was influential in drafting the Union of Utrecht in the Netherlands, which promoted freedom of conscience for citizens. Effects of the influence of Auditoire visitors is documented in the Reformation Monument. A tour linking the Auditoire to other sites in the old town with great societal significance is available online.Over the years, the building deteriorated. In 1954, the World Alliance of Reformed Churches reached an agreement with the National Protestant Church of Geneva and launched a programme to restore the auditorium, which was completed in 1959. THe effort was led by Rev. Dr. Harrison Ray Anderson, Minister of Fourth Presbyterian Church of Chicago, and former moderator of the Presbyterian Church. Today, following in the tradition established by Calvin, the Auditoire is still used for worship in languages other than French. It hosts the congregation of the Italian Reformed Church, as well as being used by a congregation of the Church of Scotland as its main place of worship every Sunday.

Reformation Wall
Reformation Wall

The International Monument to the Reformation (French: Monument international de la Réformation; German: Internationales Reformationsdenkmal), usually known as the Reformation Wall (French: Mur des réformateurs), was inaugurated in 1909 in Geneva, Switzerland. It honours many of the main individuals, events, and documents of the Protestant Reformation by depicting them in statues and bas-reliefs. The Wall is in the grounds of the University of Geneva, which was founded by John Calvin, and was built to commemorate the 400th anniversary of Calvin's birth and the 350th anniversary of the university's establishment. It is built into the old city walls, and the monument's location there is designed to represent the integral importance of the fortifications, and therefore of the city of Geneva, to the Reformation. The monument was the culmination of a contest launched to transform that part of the park. The contest involved 71 proposals from around the world, and was won by four Swiss architects: Charles Dubois, Alphonse Laverrière, Eugène Monod, and Jean Taillens (whose other design came third). The sculptures were then created by two French sculptors: Paul Landowski and Henri Bouchard.During the Reformation, Geneva was the centre of Calvinism, and its history and heritage since the sixteenth century has been closely linked to that of Protestantism. Due to the close connections to that theology, the individuals most prominently depicted on the Wall were Calvinists; nonetheless, key figures in other theologies are also included. At the centre of the monument, four 5 metre-tall statues of Calvinism's main proponents are depicted: William Farel (1489–1565) John Calvin (1509–1564) Theodore Beza (1519–1605) John Knox (c.1513–1572)To the left (facing the Wall, ordered from left to right) of the central statues are 3 metre-tall statues of: Frederick William of Brandenburg (1620–1688) William the Silent (1533–1584) Gaspard de Coligny (1519–1572)To the right (ordered from left to right) are 3 metre-tall statues of: Roger Williams (1603–1684) Oliver Cromwell (1599–1658) Stephen Bocskai (1557–1606)Along the wall, to either side of the central statues, is engraved the motto of both the Reformation and Geneva: Post Tenebras Lux (Latin for After darkness, light). On the central statues' pedestal is engraved a Christogram: ΙΗΣ. The monument gave inspiration to one of the most important 20th century Hungarian poems, written by Gyula Illyés in 1946 under the title Before the Monument of Reformation in Geneva.