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Flamingo (sculpture)

1974 sculpturesOutdoor sculptures in ChicagoSculptures by Alexander CalderSculptures of birds in the United StatesSteel sculptures in Illinois
Calder Flamingo
Calder Flamingo

Flamingo, created by noted American artist Alexander Calder, is a 53-foot (16 m) tall stabile located in the Federal Plaza in front of the Kluczynski Federal Building in Chicago, Illinois, United States. It was commissioned by the United States General Services Administration and was unveiled in 1974, although Calder's signature on the sculpture indicates it was constructed in 1973.

Excerpt from the Wikipedia article Flamingo (sculpture) (License: CC BY-SA 3.0, Authors, Images).

Flamingo (sculpture)
Federal Plaza, Chicago Loop

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N 41.87881 ° E -87.62967 °
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Calder's Flamingo

Federal Plaza
60604 Chicago, Loop
Illinois, United States
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Calder Flamingo
Calder Flamingo
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Kluczynski Federal Building
Kluczynski Federal Building

The Kluczynski Federal Building is a skyscraper in the downtown Chicago Loop located at 230 South Dearborn Street. The 45-story structure was designed by Ludwig Mies van der Rohe and completed in 1974 as the last portion of the new Federal Center. It is 562 feet (171 m) tall and with the Mies designed post office and plaza stands on the site previously occupied by the Chicago Federal Building by the architect Henry Ives Cobb. It was named in honor of U.S. Congressman John C. Kluczynski, who represented Illinois's 5th congressional district from 1951 to 1975 after his death that year. This is one of three buildings by van der Rohe in the Federal Center Plaza complex: the others are the Loop Station Post Office and the Everett McKinley Dirksen United States Courthouse. The Kluczynski Building is constructed of a steel frame and contains 1,200,000 sq ft (110,000 m2) of space. The exterior is sheathed in bronze-tinted glass set into bright aluminum frames. Beneath the windows are steel spandrel panels painted flat black and windows are separated horizontally by steel mullions of projecting steel I-beams also painted black. The two-story lobby is recessed allowing for a colonnade or pilotis to encircle the building at street level. The interior walls and floors of the lobby are covered in granite which extends to the plaza. The lobby contains several commemorative tablets which were removed from the previous building. The entire complex is based on a 28 ft (8.5 m) grid pattern so that seams of the granite pavers in the plaza extend into the building lobbies and up the sides to create unity among the three structures. The Center is similar to Mies' earlier Toronto-Dominion Centre and was expanded in 1991 with the addition of the 28-story Metcalfe Federal Building to the south across Jackson Boulevard.In 2009, GSA undertook a major project to improve energy efficiency which included solar film on windows, LED lighting upgraded HVAC and other mechanical systems. After the work, the building received a LEED Silver certification.Alexander Calder's sculpture Flamingo, a 53-foot (16 m) red steel sculpture, was unveiled on the plaza October 24, 1974. The sculpture was conserved and restored in 1998. The plaza is also the site of a weekly farmers' market during the spring and summer seasons, open to the community. Federal agencies in the building include the Air Force Recruiting Service, the Department of State Passport Agency, Department of Labor, Internal Revenue Service, Office of Personnel Management, Consumer Product Safety Commission, General Services Administration and offices for both the U.S. senators from Illinois, Richard "Dick" Durbin and Tammy Duckworth.Following his election as president on November 4, 2008, Barack Obama established his administration's transitional offices in the federal building, prompting heightened security measures in the surrounding area.

Chicago Federal Building
Chicago Federal Building

The Chicago Federal Building in Chicago, Illinois was constructed between 1898 and 1905 for the purpose of housing the Midwest's federal courts, main post office, and other government bureaus. It stood in The Loop neighborhood on a block bounded by Dearborn, Adams and Clark Streets and Jackson Boulevard. The site held an 1880 post office, courthouse and customhouse which was cleared to make way for the new building. The 1905 building was itself demolished in 1965 and replaced with the Kluczynski Federal Building. The push for a new building was spearheaded by postmaster Washington Hesing with backing by civic leaders and Illinois's members of Congress. The explosion of Chicago's population, especially after the World's Columbian Exposition of 1893, strained the earlier facility beyond capacity. When the Exposition began, the Post Office Department in Chicago employed 998 clerks and 935 carriers. By the time Congress approved funding for a new building, the post office had expanded to 1,319 clerks and 1,096 carriers. Other agencies housed in the building complained of poor planning and shoddy construction which resulted in crumbling plaster, broken plumbing and flooding.The new building was designed in the Beaux-Arts style by architect Henry Ives Cobb. The floorplan was a six-story Greek cross atop a two-story base with a raised basement. The building was capped by a dome at the crossing that held an additional eight floors of office space in its drum for a total of 16 floors. The gilt dome extended 100 ft (30 m) above the drum.

Monadnock Building
Monadnock Building

The Monadnock Building (historically the Monadnock Block; pronounced mə-NAD-nok) is a 16-story skyscraper located at 53 West Jackson Boulevard in the south Loop area of Chicago. The north half of the building was designed by the firm of Burnham & Root and built starting in 1891. The tallest load-bearing brick building ever constructed, it employed the first portal system of wind bracing in America. Its decorative staircases represent the first structural use of aluminum in building construction. The later south half, constructed in 1893, was designed by Holabird & Roche and is similar in color and profile to the original, but the design is more traditionally ornate. When completed, it was the largest office building in the world. The success of the building was the catalyst for an important new business center at the southern end of the Loop. The building was remodeled in 1938 in one of the first major skyscraper renovations ever undertaken—a bid, in part, to revolutionize how building maintenance was done and halt the demolition of Chicago's aging skyscrapers. It was sold in 1979 to owners who restored the building to its original condition, in one of the most comprehensive skyscraper restorations attempted as of 1992. The project was recognized as one of the top restoration projects in the US by the National Trust for Historic Preservation in 1987. The building is divided into offices from 250 square feet (23 m2) to 6,000 square feet (560 m2) in size, and primarily serves independent professional firms. It was listed for sale in 2007. The north half is an unornamented vertical mass of purple-brown brick, flaring gently out at the base and top, with vertically continuous bay windows projecting out. The south half is vertically divided by brickwork at the base and rises to a large copper cornice at the roof. Projecting window bays in both halves allow large exposures of glass, giving the building an open appearance despite its mass. The Monadnock is part of the Printing House Row District, which also includes the Fisher Building, the Manhattan Building, and the Old Colony Building. When it was built, many critics called the building too extreme, and lacking in style. Others found in its lack of ornamentation the natural extension of its commercial purpose and an expression of modern business life. Early 20th-century European architects found inspiration in its attention to purpose and functional expression. It was one of the first buildings named a Chicago Architectural Landmark in 1958. It was added to the National Register of Historic Places in 1970, and named as part of the National Historic Landmark South Dearborn Street – Printing House Row North Historic District in 1976. Modern critics have called it a "classic", a "triumph of unified design", and "one of the most exciting aesthetic experiences America's commercial architecture produced".