Museo Nacional de Bellas Artes (Buenos Aires)

Plaza Francia (Spanish: "France Square") is a public square in the barrio of Recoleta in Buenos Aires, Argentina. The nearby Plaza Intendente Alvear is commonly but mistakenly known by the same name. It was created by a Municipal Ordinance on October 19, 1909, as part of the changes introduced in the urban landscape on the occasion of the Argentina Centennial. Designed by French landscape architecture Carlos Thays, it is part of a broad set of squares including Plaza Intendente Alvear, Plaza San Martín de Tours, Plaza Juan XXIII, Plaza Ramón J. Cárcano, Plaza Dante and Plaza Rubén Darío, among others.The square is dominated by Émile Peynot's Monument of France to Argentina, inaugurated in 1910 and gifted by the French community on the occasion of the Centennial. Its four bas-reliefs in bronze evoke central facts of the history of both countries: the Primera Junta and the Crossing of the Andes for Argentina, and the Storming of the Bastille and Declaration of the Rights of Man and of the Citizen for France. The two female figures that crown the monument symbolize Argentina and France, guided by an angel that personifies Glory. The monument also features plaques that commemorate personalities of French origin: grenadier Domingo Porteau, who died during the Battle of San Lorenzo in the Argentine War of Independence, and writer Émile Zola. A monument to Louis Braille within Plaza Francia was inaugurated in 1977.

The Recoleta Cultural Centre (in Spanish: Centro Cultural Recoleta) is an exhibition and cultural events centre located in the barrio of Recoleta, Buenos Aires, Argentina. It holds sculptures and exhibitions, as well as concerts and artistic presentations and workshops of diverse types. in September/October 2006 it held the wildly successful onedotzero festival attracting over 20,000 people in 3 days for installations, live performances, screenings and music.

Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and, at the same time, a hope reborn every day at opening." It was created in 2002. The sculpture was designed to move, closing its petals in the evening and opening them in the morning. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks up at the sky, extending to its six petals. It weighs eighteen tons and is 23 meters high.

Plaza Intendente Alvear is a public space in Recoleta, Buenos Aires. It is commonly but mistakenly known as Plaza Francia, as the actual Plaza Francia is located at its side. It faces the Recoleta Cemetery and the cultural center.

The Monumento ecuestre a Bartolomé Mitre located on Plaza Mitre, a landmark in the Recoleta neighbourhood of Buenos Aires, Argentina, and was raised in honor of Bartolomé Mitre (1821-1906).

The Embassy of the United Kingdom in Buenos Aires is the chief diplomatic mission of the United Kingdom in Argentina. The Embassy also represents the British Overseas Territories in Argentina. It is located on Dr Luís Agote street in the Recoleta neighbourhood. The current British Ambassador to Argentina is Mark Kent.There were previously British Consulates in the cities of Rosario, La Plata, Bahia Blanca, Santa Fe and Mendoza.Due to the turbulent nature of Argentina–United Kingdom relations, the Embassy has frequently been the site of protests against the actions of the UK government, particularly over the Falkland Islands, over which Argentina claims sovereignty.

The Monumento ecuestre a Carlos María de Alvear located on Plaza Julio de Caro, a landmark in the Recoleta neighbourhood of Buenos Aires, Argentina, and was raised in honor of Carlos María de Alvear (1788-1852).It is a work by French sculptor Antoine Bourdelle. It is considered by the author as his masterpiece in the great monuments. In 1912, Rodolfo Alcorta, a friend of Bourdelle, invited the sculptor to participate in a concours for the realization of this monument. He received the commission in 1913. The author took nearly ten years to complete the sculpture. Once finished the monument was shipped to Buenos Aires from France in 1925. The sculpture and the pedestal of polished pink granite adorned with additional bronzes by the artist, stands in its current location since 12 October 1926.

The Island (Spanish: La isla) is an exclusive sector in the neighbourhood of Recoleta in Buenos Aires, where prominent and wealthy families of the Argentine Upper Class have their homes.

The Basilica of Our Lady of the Pillar in Recoleta, Buenos Aires was built as part of the Franciscan monastery, completed in 1732 and dedicated to Our Lady of the Pillar. It is the second-oldest church in Buenos Aires, and has served as a parish church following the expulsion of the Franciscans in 1821. Its construction was begun by Italian Jesuit architect Andrés Blanqui and finished under Juan Bautista Prímoli.

The Palais de Glace is a rumeno style Belle Époque building in the Recoleta neighbourhood of Buenos Aires, Argentina. Located at 1430 Posadas street, it was modelled on the Palais des Glaces in Paris. The building was designed by J. L. Ruiz Basadre and inaugurated in 1911 as an ice skating rink and social club. The circular ice rink occupied a central room around which were arranged theatre-style boxes and rooms for social gatherings. The refrigeration plant was housed in the basement and on the first floor was a balcony, a cafe and organ. The building has a domed roof with a large central skylight which provided natural light for the skating rink below. As ice skating became less fashionable in the following decade, and tango gained increasing social acceptance, the Palais de Glace was converted into an elegant dance hall and played an important role in the promotion of this new dance phenomenon, initially opposed by the bourgeois elite. Many well-known tango orchestras and dancers appeared here over the years but towards the end of the 1920s the venue went into decline and in 1931 the building was taken over by the local authority and given to the Ministry of Education and Justice. From now on the building was used to house the National Office of Fine Arts and the annual Salón Nacional de Bellas Artes (National Exhibition of Fine Arts) was held there from 1932 until 1954. Starting in 1931 the interior of the building was remodelled by the architect and artist Alejandro Bustillo, to provide exhibition rooms whilst respecting the original design, and in 1934 three large murals were painted on the interior walls. In 1935 the exterior of the building was radically altered. In 1938 an exhibition of television equipment was staged here and between 1954 and 1960 the building was used as a studio annex by the television station Canal Siete. During this period the Salón Nacional was held at various venues including the National Museum of Fine Arts and the Argentine National Congress. Since 1960 the Palais de Glace has hosted the Salón Nacional together with a range of other art exhibitions and musical events. In 2004 the building was declared a National Historic Monument. In 2012 it was awarded by the Konex Foundation from Argentina for it contribution to the Visual Arts of Argentina.

La Recoleta Cemetery (Spanish: Cementerio de la Recoleta) is a cemetery located in the Recoleta neighbourhood of Buenos Aires, Argentina. It contains the graves of notable people, including Eva Perón, presidents of Argentina, Nobel Prize winners, the founder of the Argentine Navy, and military commanders like Julio Argentino Roca. In 2011, the BBC hailed it as one of the world's best cemeteries, and in 2013, CNN listed it among the 10 most beautiful cemeteries in the world.

La Biela (Spanish: The Connecting Rod) is a famous bar in the Recoleta neighbourhood of Buenos Aires frequented by the Argentine Upper Class, celebrities and tourists.