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National Firefighters Memorial

Buildings and structures in the City of LondonFirefighting memorialsMonuments and memorials in LondonTourist attractions in the City of LondonUse British English from November 2014
National Firefighters Memorial, Cannon Street, London
National Firefighters Memorial, Cannon Street, London

The National Firefighters Memorial is a memorial composed of three bronze statues depicting firefighters in action at the height of the Blitz. It is located on the Jubilee Walkway to the south of St Paul's Cathedral in the City of London, and it is approachable from the south bank of the River Thames via the Millennium Footbridge. The monument, originally the concept of Cyril Demarne, was commissioned by the Firefighters Memorial Charitable Trust set up in 1990. It was sculpted by John W. Mills. Initially, the structure was intended as a tribute to those men and women who fought so gallantly against fire on the streets of London during the Blitz of World War II, when the city was struck by bombs on 57 consecutive nights in a sustained campaign of bombing. It also served as a monument to commemorate the service of firefighters throughout the war. Queen Elizabeth The Queen Mother unveiled the memorial on 4 May 1991. It was decided in 1998 to make the memorial a national monument that would commemorate not just the firefighters who died in World War II, but the lives of all firefighters throughout the United Kingdom who were killed in the line of duty. The National Firefighters Memorial was moved from its original site in Old Change Court, the plinth was elevated by a little over 1 m, and the names of all those killed in peacetime were added. The Princess Royal, patron of the Firefighters' Memorial Charitable Trust, attended a service and ceremony of re-dedication on 16 September 2003. A total of 1,192 names were inscribed in bronze onto the memorial. A service of remembrance is held at the memorial annually on the Sunday closest to 7 September, the anniversary of the start of the Blitz.

Excerpt from the Wikipedia article National Firefighters Memorial (License: CC BY-SA 3.0, Authors, Images).

National Firefighters Memorial
Peter's Hill, City of London

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N 51.5129 ° E -0.09845 °
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Upholders' Hall

Peter's Hill
EC4V 4BT City of London
England, United Kingdom
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National Firefighters Memorial, Cannon Street, London
National Firefighters Memorial, Cannon Street, London
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Old St Paul's Cathedral
Old St Paul's Cathedral

Old St Paul's Cathedral was the cathedral of the City of London that, until the Great Fire of 1666, stood on the site of the present St Paul's Cathedral. Built from 1087 to 1314 and dedicated to Saint Paul, the cathedral was perhaps the fourth church at Ludgate Hill.Work on the cathedral began after a fire in 1087. Work took over 200 years, and was delayed by another fire in 1135. The church was consecrated in 1240, enlarged in 1256 and again in the early 1300s. At its completion in the mid-1300s, the cathedral was one of the longest churches in the world, had one of the tallest spires and some of the finest stained glass. The presence of the shrine of Saint Erkenwald made the cathedral a site of pilgrimage. In addition to serving as the seat of the Diocese of London, the building developed a reputation as a social hub, with the nave aisle, "Paul's walk", known as a business centre and a place to hear the gossip on the London grapevine. After the Reformation, the open-air pulpit in the churchyard, St Paul's Cross, became the place for radical evangelical preaching and Protestant bookselling. The cathedral was already in severe structural decline by the early 1600s. Restoration work begun by Inigo Jones in the 1620s was temporarily halted during the English Civil War (1642–1651). In 1666, further restoration was in progress under Sir Christopher Wren when the cathedral was devastated in the Great Fire of London. At that point, it was demolished, and the present cathedral was built on the site.

College of Arms
College of Arms

The College of Arms, or Heralds' College, is a royal corporation consisting of professional officers of arms, with jurisdiction over England, Wales, Northern Ireland and some Commonwealth realms. The heralds are appointed by the British Sovereign and are delegated authority to act on behalf of the Crown in all matters of heraldry, the granting of new coats of arms, genealogical research and the recording of pedigrees. The College is also the official body responsible for matters relating to the flying of flags on land, and it maintains the official registers of flags and other national symbols. Though a part of the Royal Household of the United Kingdom, the College is self-financed, unsupported by any public funds. Founded by royal charter in 1484 by King Richard III, the College is one of the few remaining official heraldic authorities in Europe. Within the United Kingdom, there are two such authorities, the Court of the Lord Lyon in Scotland and the College of Arms for the rest of the United Kingdom. The College has had its home in the City of London since its foundation, and has been at its present location, on Queen Victoria Street, since 1555. The College of Arms also undertakes and consults on the planning of many ceremonial occasions such as coronations, state funerals, the annual Garter Service and the State Opening of Parliament. Heralds of the College accompany the sovereign on many of these occasions. The College comprises thirteen officers or heralds: three Kings of Arms, six Heralds of Arms and four Pursuivants of Arms. There are also seven officers extraordinary, who take part in ceremonial occasions but are not part of the College. The entire corporation is overseen by the Earl Marshal, a hereditary office always held by the Duke of Norfolk.

St Paul's Cathedral
St Paul's Cathedral

St Paul's Cathedral is an Anglican cathedral in London that is the seat of the Bishop of London. The cathedral serves as the mother church of the Diocese of London. It is on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present structure, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the city after the Great Fire of London. The earlier Gothic cathedral (Old St Paul's Cathedral), largely destroyed in the Great Fire, was a central focus for medieval and early modern London, including Paul's walk and St Paul's Churchyard, being the site of St Paul's Cross. The cathedral is one of the most famous and most recognisable sights of London. Its dome, framed by the spires of Wren's City churches, has dominated the skyline for over 300 years. At 365 feet (111 m) high, it was the tallest building in London from 1710 to 1963. The dome remains among the highest in the world. St Paul's is the second-largest church building in area in the United Kingdom after Liverpool Cathedral. Services held at St Paul's have included the funerals of Admiral Lord Nelson, the Duke of Wellington, Winston Churchill and Margaret Thatcher; jubilee celebrations for Queen Victoria; an inauguration service for the Metropolitan Hospital Sunday Fund; peace services marking the end of the First and Second World Wars; the wedding of Prince Charles and Lady Diana Spencer; the launch of the Festival of Britain; and the thanksgiving services for the Silver, Golden and Diamond Jubilees and the 80th and 90th birthdays of Queen Elizabeth II. St Paul's Cathedral is the central subject of much promotional material, as well as of images of the dome surrounded by the smoke and fire of the Blitz. The cathedral is a working church with hourly prayer and daily services. The tourist entry fee at the door is £20 for adults (August 2020, cheaper if booked online), but no charge is made to worshippers attending advertised services.The nearest underground station is St Paul's, which is 130 yards (120 m) away from St Paul's Cathedral.

Paul's walk
Paul's walk

Paul's walk in Elizabethan and early Stuart London was the name given to the central nave of Old St Paul's Cathedral, where people walked up and down in search of the latest news. At the time, St. Paul's was the centre of the London grapevine. "News-mongers", as they were called, gathered there to pass on the latest news and gossip, at a time before the first newspapers. Those who visited the cathedral to keep up with the news were known as "Paul's-walkers". According to Francis Osborne (1593–1659): It was the fashion of those times, and did so continue till these . . . for the principal gentry, lords, courtiers, and men of all professions not merely mechanic, to meet in Paul's Church by eleven and walk in the middle aisle till twelve, and after dinner from three to six, during which times some discoursed on business, others of news. Now in regard of the universal there happened little that did not first or last arrive here...And those news-mongers, as they called them, did not only take the boldness to weigh the public but most intrinsic actions of the state, which some courtier or other did betray to this society. Amongst whom divers being very rich had great sums owing them by such as stood next the throne, who by this means were rendered in a manner their pensioners. So as I have found little reason to question the truth of which I heard then, but much to confirm me in it. Standing on Ludgate Hill in the heart of the City of London, St Paul's Cathedral was well placed to be a hub of news. The cathedral had once been among the greatest in Europe, but a decline set in after the Reformation and by the end of the sixteenth-century, it had lost its steeple and was falling into disrepair. The cathedral and its surrounding St. Paul's Churchyard was a centre of the booksellers' trade, a venue for sellers of pamphlets, proclamations, and books. St Paul's was the place to go to hear the latest news of current affairs, war, religion, parliament and the court. In his play Englishmen for my Money, William Haughton (d. 1605) described Paul's walk as a kind of "open house" filled with a "great store of company that do nothing but go up and down, and go up and down, and make a grumbling together". Infested with beggars and thieves, Paul's walk was also a place to pick up gossip, topical jokes, and even prostitutes. John Earle (1601–1665), in his Microcosmographie (1628), called Paul's walk "the land's epitome . . . the lesser isle of Great Britain . . . the whole world's map . . . nothing liker Babel".Official attempts to stem the use of St. Paul's for non-religious purposes repeatedly failed. Both Mary I and Elizabeth I issued proclamations against "any of her Majesty's subjects who shall walk up and down, or spend the time in the same, in making any bargain or other profane cause, and make any kind of disturbance . . . during divine service . . . [on] pain of imprisonment and fine". Scholar Helen Ostovich has called St. Paul's at this time "more like a shopping mall than a cathedral". The letter writer John Chamberlain (1553–1626) walked to St. Paul's each day to gather news on behalf of his correspondents. His main purpose in his letters was to relate news of events in the capital to his friends, especially those posted on the continent, such as Ralph Winwood and Dudley Carleton, who both spent much of their political careers at the Hague. Chamberlain proved the perfect source for Carleton and others because of his willingness to "walk Paul's" for the news. He was made a member of a commission to refurbish St. Paul's but was cynical about its chances. He wrote that the king was "very earnest to set it forward, and they begin hotly enough" but feared it would prove "as they say, Paul's work".King James was aware of Paul's walk and referred to it in his poem about a comet, seen in 1618, which was talked of as signalling doom for the monarchy: "And that he may have nothing elce to feare/Let him walke Pauls, and meet the Devills there". Chamberlain reported that the comet "is now the only subject almost of our discourse, and not so much as little children but as they go to school talk in the streets that it foreshows the death of a king or queen or some great war towards".Ben Jonson (1572–1637) set a pivotal scene of his play Every Man Out of His Humour (1599) in Paul's walk. As Cavalier Shift enters and begins posting up advertisements, Cordatus introduces the scene with the words: "O, marry, this is one for whose better illustration we must desire you to presuppose the stage the middle aisle in Paul's, and that [pointing to the door on which Shift is posting his bills] the west end of it". The west end of the aisle was where advertisements, known as siquisses, were posted; those interested wrote a suggested meeting time and place at the bottom.According to Ostovich, Jonson conceived the Paul's-walking scene of the play as a "satirical nutshell" of London itself, presenting the walking up and down as "an obsessively competitive dance". This view of Paul's walk as a microcosm had already seen print in the cony-catching pamphlets of Robert Greene (1558–1592), who had depicted city rogues and tricksters preying on those who walked the aisles to gossip, smoke, and see the fashions. The playwright Thomas Dekker (1572–1632), in his "Paul's Steeple's Complaint" in The Dead Term (1608) and his Gull's Horn-book (1609), was another who wrote about Paul's walk. He recorded its use as a venue for fashion, saying of a gallant: "He that would therefore strive to fashion his legs to his silk stockings, and his proud gait to his broad garters, let him whiff down these observations; for, if he once get to walk by the book . . . Paul's may be proud of him".