Palazzo Colonna

Palazzo Valentini is a palazzo in central Rome, Italy, not far from Piazza Venezia. Since 1873 it has been the base of the provincial and prefectural administration of Rome.

Santi Dodici Apostoli (Church of the Twelve Holy Apostles; Latin: SS. Duodecim Apostolorum), commonly known simply as Santi Apostoli, is a 6th-century Roman Catholic parish and titular church and minor basilica in Rome, Italy, dedicated originally to St. James and St. Philip, whose remains are kept here, and later to all Apostles. Today, the basilica is under the care of the Conventual Franciscans, whose headquarters in Rome is in the adjacent building. The Cardinal Priest of the Titulus XII Apostolorum is Angelo Scola. Among the previous Cardinal Priests are Pope Clement XIV, whose tomb by Canova is in the basilica, and Henry Benedict Stuart.

Palazzo Muti Papazzurri is a Baroque palazzo in Rome, Italy. It was built in 1660 by the architect Mattia de' Rossi, a pupil of Gian Lorenzo Bernini. It is thought it was constructed for the newly married Pompeo Muti Papazzurri and Maria Isabella Massimo. A print of 1699 shows a large townhouse built around an open cour d'honneur, the court being entered through a triumphal arch at the centre of a Baroque screen linking the two flanking wings. The screen still remains but has today had rooms built above it, thus completely altering the open appearance of the palazzo to a plain closed façade. During the 18th century the palazzo formed the centre of a family complex of properties which were rented in their entirety to the Stuarts, pretenders to the British throne; thus for a time the palazzo was the home of a court in exile.In 1909 the palazzo was heavily restored which has changed de' Rossi's architectural concept of the original design by removing the pediments to the windows and the statuary decorating the roofline. The 17th and 18th century interior decoration of the palazzo has been preserved complete with their frescoed ceilings. The gallery, one of the principal reception rooms, has frescos depicting scenes from classical mythology attributed to Giovanni Francesco Grimaldi and Niccolò Berrettoni. Grimaldi was one of the most fashionable painters of his day having worked extensively for Cardinal Mazarin. Today the palazzo houses the Pontifical Biblical Institute.

The Pontifical Biblical Institute (also known as Biblicum) is a research and postgraduate teaching institution specialised in biblical and ancient Near Eastern studies. It is an institution of the Holy See entrusted to the Society of Jesus.

The Kircherian Museum was a public collection of antiquities and curiosities, a Wunderkammer, founded in 1651 by the Jesuit father Athanasius Kircher in the Roman College. Considered the first museum in the world, its collections were gradually dispersed over the centuries.

The Pontifical Gregorian University (Italian: Pontificia Università Gregoriana; also known as the Gregorian or Gregoriana) is a higher education ecclesiastical school (pontifical university) located in Rome, Italy. The Gregorian originated as a part of the Roman College, founded in 1551 by Ignatius of Loyola, and included all grades of schooling. Its chairs of philosophy and theology received given Papal approval in 1556, making it the first institution founded by the Society of Jesus (Jesuits). In 1584, the Roman College was given a new home by Pope Gregory XIII, after whom it was renamed the Gregorian University. It had distinguished scholars in ecclesiastical fields as well as in natural science and mathematics. Only the theology and philosophy departments of the Gregorian survived the political turmoil in Italy after 1870. Today, the Gregorian has an international faculty and around 2,750 students from over 150 countries.

The Pontifical Biblical Institute Library serves the scholars, faculty, and students of the Pontifical Biblical Institute (PBI). It is located in Piazza della Pilotta 35, Rome. The building was the former Palazzo Muti Papazzurri. The Library and the PBI have been part of the Gregorian Consortium since 1928 and have been included in the URBE network (Roman Union of Ecclesiastical Libraries; Italian: Unione Romana Biblioteche Ecclesiastiche) since 1991.

The Temple of Serapis on the Quirinal Hill in Rome was an sanctuary in Ancient Rome dedicated to the god Serapis and the goddess Isis.The temple was founded on an unknown date but known to have existed during the reign of Caracalla. It was known as the most monumental temple of the Quirinal Hill. In the 4th century, the temple was closed during the persecution of pagans in the late Roman Empire, after which it was torn down and used as building material.The gardens of the Palazzo Colonna contain what are believed to be the ruins of the Temple of Serapis.

The Saint Susanna is a marble sculpture by François Duquesnoy. The work is one of four sculptures of Roman virgin martyrs commissioned by the Bakers' Guild to decorate the church of Santa Maria di Loreto in Rome. It was completed in the course of four years from 1629 to 1633. Giovanni Pietro Bellori, comparing Duquesnoy's achievement with the Saint Susanna to that of Polyclitus with his Doryphoros and its Kanon, commented [Duquesnoy has] left to modern sculptors the example for statues of clothed figures, making him more than the equal of the best ancient sculptor. The statue is considered by modern scholars an exemplification of Duquesnoy's 'Greek ideal,' which included an approach to drapery unpopular at the time, established through the study of antique models selected by Duquesnoy.Duquesnoy's maniera greca would later influence Johann Joachim Winckelmann, and through him the Neoclassicism movement. Jacob Burckhardt regarded the sculpture as "the best statue of the 17th century." With its clinging drapery juxtaposed to her modest gaze and clothing, Duquesnoy's Santa Susanna was considered by contemporaries an "admixture of eroticism and modesty." The figure follows the concept whereby "the drapery should not be so thick as to make it appear like stone, but must be arranged around the body in folds, so that the nude underneath is sometimes discernible but sometimes artfully concealed without any hardness which can obscure the members of the figure." Such approach was at odds with the spectrum of contemporary sculpture, specifically Bernini's expressive use of heavy, billowing drapery. Duquesnoy's St. Susanna doesn't look upwards to heaven, but down at humanity, with her hand pointing down to the altar. This, too, was at odds with Bernini's exuberance and mystification of naturalness and humanity.The Santa Susanna made a powerful impression on contemporary artists and critics, provoking "admiration as well as critical debate over its style and relation to the antique." However, the sculpture did not become widely recognized outside Rome until 18th century. In the early 18th century, Domenico de Rossi's engraving of the statue helped to initially increase its celebrity, which was consolidated internationally when a copy by Coustou was completed and sent to the Paris' academy at the Louvre in 1739.

Santa Maria di Loreto is a 16th-century church in Rome, central Italy, located just across the street from the Trajan's Column, near the giant Monument of Vittorio Emanuele II.

The Church of the Most Holy Name of Mary at the Trajan Forum (Italian: Santissimo Nome di Maria al Foro Traiano, Latin: Ss. Nominis Mariae ad forum Traiani) is a Roman Catholic church in Rome, Italy. This church should not be confused with the church Santissimo Nome di Maria in Via Latina in south-east Rome. The pale marble church stands in front of the Column of Trajan, a few dozen steps from the similarly domed, but externally more colorful, church of Santa Maria di Loreto. The feast of the Holy Name of Mary was instituted by Pope Innocent XI after the victory of the Austrian-Polish armies under the command of John III Sobieski over the Turks at the Battle of Vienna in 1683. Abbot Giuseppe Bianchi instituted devotion to the most holy name of Mary in 1685 at Santo Stefano del Cacco, and soon afterwards established the Congregation of the Most Holy Name of Mary, which was formally approved in 1688.

The Forum Suarium was the pork forum venalium of ancient Rome during the empire, mentioned first in two inscriptions dating c. AD 200. This market was near the barracks of the cohortes urbanae in the northern part of the Campus Martius, probably close to the present Via di Propaganda, and its administration was in the hands of the prefect or of one of his officers.