Santa Maria Addolorata a piazza Buenos Aires

Santa Maria della Mercede e Sant'Adriano a Villa Albani ([ˈsanta maˈriːa ˈdɛlla merˈtʃeːde e santaˈdrjaːno a ˈvilla alˈbaːni]) is a 20th-century parochial church and titular church in north-central Rome, dedicated to Mary of Mercies and Adrian of Nicomedia.

Mondo TV is an Italian production and television distribution company. Founded by Orlando Corradi in 1985 and based in Rome, Mondo TV is a public company, quoted on the STAR segment of the Italian main stock exchange, Borsa Italiana. It distributes and produces, on its own or in co-production with international networks, cartoon series and feature films for television and theatrical release. Mondo TV also operates in other related sectors such as music and audiovisual distribution, exploitation, media, publishing and merchandising, and is one of the few branches of Italian audiovisual production companies or groups active in markets outside Italy.

The Villa Albani (later Villa Albani-Torlonia) is a villa in Rome, built on the Via Salaria for Cardinal Alessandro Albani. It was built between 1747 and 1767 by the architect Carlo Marchionni in a project heavily influenced by others – such as Giovanni Battista Nolli, Giovanni Battista Piranesi and Johann Joachim Winckelmann – to house Albani's collection of antiquities, curated by Winckelmann. The villa has been conserved intact into the 21st century by the Torlonia Family, who bought it in 1866. In 1870, the treaty following the Capture of Rome from the Papal States was signed here.

The Catacomb of Trasone is a catacomb on the left side of the ancient via Salaria, at its junction with via Yser, in the modern-day Parioli quarter of Rome. Begun in the 3rd century, is named after Trason or Thrason, a rich Christian Roman citizen under Diocletian and the owner of the land in which it was dug - he is named in a martyrdom account of Susanna of Rome. Ancient sources also call it Coemeterium Thrasonis ad s. Saturninum (the cemetery of Thrason at [the basilica of] saint Saturninus in memory of the main martyr buried there, the remains of whose above-ground basilica were still visible late in the 16th century.

The Museum of Contemporary Art of Rome, Italian: Museo d'Arte Contemporanea di Roma, usually known as MACRO, is a municipal contemporary art museum in Rome, Italy. The museum is housed in two separate places: a former brewery in Via Nizza, in the Salario quartiere of the city; and a former slaughterhouse in Piazza Orazio Giustiniani, in the quartiere of Testaccio.

The Catacomb of San Panfilo is one of the catacombs of Rome, sited under via Paisiello and via Spontini in the Pinciano quarter and along the line of the ancient route of the via Salaria. It is named after the Carthaginian martyr Pamphilus. The modern-day entrance is in Santa Teresa del Bambin Gesù in Panfilo. The ancient sources identify it as the first catacomb on the via Salaria starting from porta Pinciana. Its earliest nucleus dates to the 3rd century. It is not mentioned in the ancient liturgical sources, nor which martyrs were buried in it, and there are no remains of an above-ground basilica with the cult of a saint or martyr. Only the 7th century pilgrim itineraries mention it as containing saints Pamphilus, Candidus and Quirinus, alongside several other martyrs. One itinerary, De locis sanctis martyrum quae sunt foris civitatis Romae, mentions Candidus and Quirinus, but no trace of their graves has been found. The Martyrologium Hieronymianum for 21 September names Pamphilus. It has three levels, two of which are linked to each other, along with a third intermediate level. The lowest and earliest floor dates to the 3rd century and lies 20 metres below the present ground level - it is made up of a 60-metre-long main artery, like the decumanus of an ancient Roman town, with galleries opening off it at right-angles. During the 4th century this level was added to a new area made up of other galleries, including the famous 'cubiculum duplex' housing the remains of Pamphilus' wife and traces of Pamphilus' cult. The intermediate floor is made up of two ambulacra linked to each other by a series of galleries. The first floor, much damaged by above-ground construction, dates to 348-361.

Santa Teresa del Bambin Gesù in Panfilo is a church in the Pinciano quarter of Rome, at the junction of via Giovanni Paisiello and via Gaspare Spontini. It is dedicated to Teresa of Lisieux and since its inception has been run by the Discalced Carmelites, whose monastery next door was completed in 1929. The epithet in Panfilo derives from the catacomb of San Panfilo on which it was built to designs by Guglielmo Palombi between 1929 and 1932, though its crypt was opened on 16 May 1928. It was consecrated on 2 October 1932 by monsignor Adeodato Giovanni Piazza. It was made a parish church from 6 December 1952 to 30 September 2011 as a result of Omnium ecclesiarum, a decree by the Cardinal Vicar Clemente Micara.

Accademia Nazionale d'Arte Drammatica Silvio D'Amico (translation: Silvio d'Amico National Academy of Dramatic Arts) is a national drama school in Rome, Italy. Founded in 1936 by the theatrical theorist, critic, and writer Silvio D'Amico, the academy is the only state school for the training of actors and directors. Funded jointly by the Ministry of Education, Universities and Research (MIUR) and the Ministry of Cultural Heritage and Activities, the Academy grants academic degrees equivalent to Bachelor of Arts as well as master's degrees. Its value comes from being the only school in Italy to be recognized by the Prime Minister / Department of Performing Arts and the Ministry of University and Scientific and Technological Research.

Porta Salaria was a gate in the Aurelian Walls of Rome, Italy. Constructed between 271 AD and 275 AD, it was finally demolished in 1921.

The Monument to the Porta Pia Breach of Breach of Porta Pia (in Italian, Monumento a la Breccia di Porta Pia) is a memorial located on 101 Corso d'Italia, just Southwest of Porta Pia, in Rome, Italy. It commemorates the breach of the Aurelian Walls by Italian army on September 20, 1870. The Italian army quickly subdued the papal forces; the Capture of Rome leading to the annexation of nearly all of Rome and the Papal States into the Kingdom of Italy. After the breach, a wall was rebuilt with brick and a plaque recalling the event was placed facing outward. Further plaques were added in 1900. On the 25th anniversary of the breach, the City Council of Rome, commissioned from the sculptor Ettore Ferrari, another plaque, recalling the Italian soldiers who had died during the brief attack on the city, and planned for the erection of a tall corinthian memorial column with a bronze winged victory holding a palm leaf atop. The monument was not inaugurated until 20 September 1920, fifty years after the event. Giovanni Battista Giovenale , Giuseppe Guastalla and Adolfo Apolloni completed some of the sculptures. The wall has now four doric pilasters flanking the plaques, with a lower bronze frieze depicting eagle-shields and swords. The marble frieze above shows palm leaves, helmets, and above at the roofline, four antefixes flanked below by lion heads.At the site of Porta Pia itself, is a museum (since 1921) and a monument (Since 1932) dedicated to the Bersaglieri.

San Saturnino is a 20th-century parochial church and titular church in northern Rome, dedicated to Saturninus the Martyr (died on the Via Salaria in AD 304).

The Monument to the Bersagliere is a statuary monument located in Piazzale di Porta Pia, near the spot, where Italian soldiers were able to breach the city walls of Rome in 1870, thus leading to the integration of Rome into the Kingdom of Italy. The monument stands to the north of the gate, outside the walls. Attached to the gate buildings, designed by Michelangelo, that once represented Porta Pia, is a Museum of the History of the Bersaglieri (Museo Storico dei Bersaglieri), established here in 1921. Plans for a monument were proposed as early as 1923, but placed in abeyance by Mussolini in order not to antagonize the papal administration. Starting in 1926, negotiations led to the 1929 Lateran treaty between Italy and the Vatican. In 1930, a public competition for a design garnered 24 submissions. The committee, influenced by Mussolini, chose the design by Publio Morbiducci. The statue was inaugurated on 18 September 1932 in the presence of King Vittorio Emanuele III, Prince Umberto, Benito Mussolini, Achille Starace, and the Governor of Rome Francesco Boncompagni Ludovisi. The fascist government favored virile and bellicose monuments, recalling or inspiring the dreams of empire. The monument has a statue of a dynamic and stern bersaglieri or marksman, running towards the gate, made of bronze, with the rifle in his right hand and the trumpet in his left. The large oval travertine base was made by the sculptor Mancini, with a series of bas-reliefs in Trani stone depicting Bersaglieri-linked battles or soldiers, sculpted by Morbiducci, including the Battle of Ponte di Goito, the death of Luciano Manara, the breach of Porta Pia, on the left; and the Battle of Sciara Sciat (Shar al-Shatt), the wounding of Enrico Toti, the death of Alberto Riva di Villasanta, on the right. Under the reliefs, are two inscriptions in geometric sans serifs (with the V substituting for U: one by Mussolini himself: "Just a century of history, but how many sacrifices, how many battles and how much glory!". The other by Emanuele Filiberto of Savoy, Duke of Aosta: "Nothing resists the sharpshooter".