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Micheltorena Steps

Los Angeles building and structure stubsMonuments and memorials in Los AngelesSilver Lake, Los Angeles

The Micheltorena Steps is an outdoor staircase in Silver Lake, Los Angeles, in the U.S. state of California. It is one of 52 historic public stairways in Silver Lake. The staircase has 204 steps. It connects Sunset Boulevard to Micheltorena Street. The iconic heart on the stairs vertical part was painted in 2013 by Corinne Carrey. In 2015, with artists Carla O’Brien and Mandon Bossi, Carrey painted the stairs in bright colors, and unofficially renamed it Stair Candy. The stairs were approved as a public arts project by the city in 2019. In April 2022, the stairs were painted over with white paint. The artists and the city were not involved in this act, leaving only vandalism to explain the act. The following month, the stairs' painting was restored. Anti-graffiti coating was applied to prevent future acts of vandalism.

Excerpt from the Wikipedia article Micheltorena Steps (License: CC BY-SA 3.0, Authors).

Micheltorena Steps
Micheltorena Steps, Los Angeles

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N 34.087147 ° E -118.276089 °
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Micheltorena Steps

Micheltorena Steps
90029 Los Angeles
California, United States
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Silverlake Lounge
Silverlake Lounge

Silverlake Lounge is a music venue in Silver Lake, Los Angeles. Located in the heart of Los Angeles's Silver Lake neighborhood, at the corner of Sunset Boulevard and Silver Lake, Silverlake Lounge is one of the most storied venues in the area. The bar, originally noted for its drag and burlesque shows (which continue to this day) and divey atmosphere, gained notoriety in the early 2000s, as one of the central hubs for the neighborhood's blossoming arts scene. Silver Lake became the cynosure of the LA music scene after Rilo Kiley's first album, and Silverlake Lounge was the home to many of the era's most well recognized acts, thanks to booking company The Fold. Of all the Silver Lake music venues that existed during this early period, Silverlake Lounge remains the longest standing (although Spaceland, just down the street, did close, remodel and rebrand itself The Satellite and continues to showcase local music to this day). The band Silversun Pickups famously took their name from the liquor store across the street from Silverlake Lounge. Black Rebel Motorcycle Club played there regularly (often with bands such as Brian Jonestown Massacre and The Warlocks), including a three night weekend stint, just before they were signed to their record contract. Later, bands such as Local Natives, Lord Huron, King Washington, Nacosta, and Silver Snakes played weekly Monday night residencies at the venue. Silverlake Lounge was often the setting for wild antics and other happenings that have become part of local folklore. Booker Scott Sterling once threatened Black Lips that he would "kick their amps in if they pissed on the stage. They did, and I did." Just before a show by Metric, the club installed a new subwoofer system without time to adequately test it. When the band began playing, the excessive bass knocked the liquor bottles off the shelf behind the bar. The lounge was known for its dark, low stage and its "Salvation" sign, first used for a show by hardcore band 400 Blows. LA band The Movies once were so upset with Sterling that they threatened to smash the sign to bits, but they were prevented in doing so. When Sterling left Silverlake Lounge, he took the iconic Salvation sign with him; it has been replaced by a new, arched sign reading "Silverlake".

Club Fuck!

Club Fuck! (also known as Club FUCK!) was a nightclub that officially began the summer of 1989 and was hosted by Miguel Beristain, Cliff Diller, and James Stone.The weekly party was located at Basgo's Disco in the Silver Lake neighborhood of Los Angeles. It later moved to Dragonfly Bar in West Hollywood and lasted until 1993, when it was raided by the Los Angeles Police Department's Vice Division. Fuck! constituted a gritty liminal space oppositional to both the neighborhood's largely men-only leather bars as well as the clean-cut bars of West Hollywood. At Fuck! the modified, pierced, and tattooed body was front and center. Scarring, mummification, and piercing were staples at Fuck!, confronting fears of contagion while revealing the temporality of the body during the height of the AIDS crisis. Performances at Fuck! were both transgressive and theatrical, pushing the limits of what the performer's body (and audience) could endure with a spirit of play. Notable performers at Fuck! included Bob Flanagan, Sheree Rose, Buck Angel, Ron Athey, Vaginal Davis, Daphne Von Rey, Jenny Shimizu, Durk Dehner, Catherine Opie, Michele Mills. In an April 1991 article in the LA Weekly, Fuck! was described as not simply “an existential exercise in bad attitudes,” but rather “a celebration of the primal life force amped up to overload,” with an “S&M/sexual subtext” that makes it “sociologically fascinating.”On August 5, 2009, Antebellum Hollywood presented Club Fuck! 20 year reunion, featuring photography, artworks, posters, and memorabilia from the people who created the once-in-a-lifetime club. Curated by Rick Castro, the event featuring live performance by Club Fuck original Linda Lesabre, original playlist from DJ John Mark, artwork and contributions from James Stone, Michelle Carr, Catherine Opie, Sheree Rose, Jenny Shimizu and many more. Club Fuck was the subject of the exhibition entitled "FUCK! Loss, desire and pleasure" curated by Lucia Fabio and Toro Castaño at USC's ONE Archives.

Cabaret Concert Theatre

The Cabaret Concert Theatre was a small cellar café/cabaret, located in the Silverlake district of Central Los Angeles, California. It operated between 1950 and 1961. It was created by dancer Miriam Schiller with the help of a group of young actors and dancers who wanted a place to showcase their talent, the 100-seat theatre became a popular nightspot among television and film producers, talent scouts, agents and celebrities, who came to eat, drink and enjoy a wide variety of sophisticated revues, plays and concerts.The long-running Billy Barnes Revue ran for two years before transferring to the larger Las Palmas Theatre, and subsequently to Broadway. Among the many talents whose careers benefited from being seen at the Cabaret Concert Theatre were Ann B. Davis (who was cast as "Schultzie" in the long-running Robert Cummings series, Love That Bob), Jackie Joseph ("Audrey" in the 1960 version of The Little Shop of Horrors), Ann Morgan Guilbert ("Millie Helper" on The Dick Van Dyke Show), Joyce Jameson (The Steve Allen Show), Bert Convy (the Broadway productions of Fiddler on the Roof and Cabaret) and Ken Berry (F Troop). The performers, who received little or no pay for their work, supplemented their income by waiting on tables, taking tickets and other essential activities. Located at 4212 Sunset Boulevard, at the intersection with Myra Street. The building was built around 1900. It was used for many years as a studio by D.W. Griffith, and his epic film The Birth of a Nation screened there in 1915. In 1961, the building was converted into an authentic replica of a 16th-century Spanish tavern and renamed El Cid. Still operating today, El Cid continues to present a variety of entertainers, from flamenco dancers and Spanish guitarists to rockabilly singers, burlesque performers and comedians.