Mercato (Naples)

Napoli Porta Nolana station is the main and terminal station of the Circumvesuviana railways, today managed by the Ente Autonomo Volturno (EAV). The station bears this name (derived from nearby Porta Nolana) since 2003; previously the station was simply called Napoli, although it was known colloquially as Napoli Terminale.

The Carmine Castle was a castle in Naples, Italy. It was one of the fortifications built by the Spaniards under viceroy Pedro Álvarez de Toledo in the mid-16th century as part of the Spanish plans to surround the city with walls and forts. It stood at what was then the south-east corner of the walled city, that wall then turning in to the north. The fortress had great strategic value in the military history of the city up to and including the defense of the Neapolitan Republic of 1799 against the returning royalist forces of king Ferdinand IV. In order to make room for a modern road along the sea and the port of Naples, the fortress/castle was demolished in 1900 as part of the great urban renewal of Naples of that period. Two towers and fragmentary ruins still stand as historic markers.

The church of Santi Cosma e Damiano a Porta Nolana is a Baroque-style church in central Naples. The church was commissioned by the guild of physicians, and built in 1611. The church was located across the Corso Giuseppe Garibaldi from the gate of Porta Nolana. During the 19th century urban renewal, the church was moved (1852) to widen Corso Garibaldi. The interior still contains many frescoes and original canvases. The belltower was added in the 19th century.

Santa Maria del Carmine (Our Lady of Mount Carmel) is a church in Naples, Italy. It is at one end of Piazza Mercato (Market Square), the centre of civic life in Naples for many centuries until it was cut off from the rest of the city by urban renewal in 1900. The church was founded in the 13th century by Carmelite friars driven from the Holy Land in the Crusades, presumably arriving in the Bay of Naples aboard Amalfitan ships. Some sources, however, place the original refugees from Mount Carmel as early as the eighth century. The church is still in use and the 75–metre bell tower is visible from a distance even amidst taller modern buildings. The square adjacent to the church was the site in 1268 of the execution of Conradin, the last Hohenstaufen heir to the throne of the kingdom of Naples, at the hands of Charles I of Anjou, thus beginning the Angevin reign of the kingdom. Conrad's mother, Elisabeth of Bavaria, founded the church for the good of the souls of her young son and his companion, Frederick of Baden as well as a resting place for their remains, where they remain today. A statue was erected to Conrad's memory, commissioned by then crown-prince, Maximilian II of Bavaria, designed by the Neoclassic sculptor Thorvaldsen, and completed by his pupil Schopf in 1847. In 1647 the square was the site of battles between rebels and royal troops during Masaniello's revolt, and later, in 1799, it was the scene of the mass execution of leaders of the Neapolitan Republic of 1799. The area – including parts of the church premises – was heavily bombed in World War II and still shows the scars of the devastation. The old monastic grounds adjacent to the church now serve as a shelter for the needy and homeless. The church is home to two renowned religious relics: one, the painting of the "Brown Madonna" (Italian: Madonna Bruna), is said to have been brought by the original Carmelites; the second is a figure of the Crucifixion in which the crown of thorns is missing. According to legend, the crown fell off as Christ's head moved when the building was struck by a cannonball in 1439 during the Aragonese siege.

Garibaldi is an underground metro station that serve Line 1 on the Naples Metro, adjacent and connected through an underground passage to the Central railway station, Circumvesuviana and Line 2. It was opened on 31 December 2013 as a one-station extension from Università.

Napoli Centrale (Naples Central Station) (IATA: INP) is the main railway station in the city of Naples and in southern Italy and the sixth largest station in Italy in terms of passenger flow with an annual ridership of 50 million. It is located next to Piazza Garibaldi to the east of the old city. It is the primary rail terminus and station for Naples, and serves Trenitalia national railways and EAV. This one has an underground section known as Stazione di Napoli Piazza Garibaldi (Naples Garibaldi Piazza station), which is served by the metropolitan trains of the line 2, line 1 (Garibaldi), and 3, 12, 14, and 15 EAV Circumvesuviana lines which is accessible from 2 entrances inside the Centrale station, 1 outside in glass, and from the new Garibaldi Square.

The Porta Nolana is the remnant of one of the medieval city gates in Naples, Italy. It is located in Piazza Nolana, near a local train station, Napoli Porta Nolana with the Circumvesuviana lines, and a bustling local pedestrian market, Mercato di Porta Nolano, known for seafood. It takes its name from the road that lead to Nola. The gate was erected in the 15th century by the Spanish authorities using designs of Giuliano da Maiano, to encompass the growing city, and replace the interior gate of the district of Forcella, also known as del Cannavaro, which had been located near the Basilica dell'Annunziata. This gate, unlike it contemporary Porta San Gennaro has lost its frescoes by Mattia Preti, but like Porta Capuana, it retains the flanking bastions (towers) made of Piperno rock: the Torre della Fede (Tower of Faith) to the south, and the Torre della Speranza (Tower of Hope) to the North. The external facade of the arch has a relief of Ferrante I on horseback.

The Ponte della Maddalena was a bridge on the south east of Naples, Italy, spanning over what was once the River Sebeto, and now reflected by the path of the Via Marinella. For centuries it was one of the entry points into Naples from the South, but was obliterated during the late 19th-century urban renewal of the city. Prior to Norman times, the bridge was known as pons padulis. Then it was named Guizzardo bridge, for a bridge built by Robert Guiscard, Duke of Puglia, when he lay siege to the city in 1078. It stood near the shoreline to the east of the city where the Via Marinella crossed the River Sebeto (within the present-day Vittorio Emanuele III docks and Piazza Mercato). The bridge was rebuilt in 1555 under the Viceroy Don Bernardino di Mendoza, to span the marsh ground where the Sebeto river arose during the rainy season. The bridge was rebuilt again in 1747 under Charles III and once again in the second half of the 19th century. No longer in existence, it was an established and popular vantage point for topographical artists.The bridge was an excellent point at which to deny entry to invading forces into the city. The most famous of these was the stand in 1799 of the forces of the short-lived Neapolitan republic against the returning royalist Bourbon army. The Miracle of the Magdalene bridge recalls an incident in December 1631, when the cardinal of Naples, led a procession dedicated to San Gennaro to the bridge to plead for the end to an eruption of Vesuvius. The ebbing of the eruption was interpreted as a miraculous intercession. A shrine was erected in 1777 with San Gennaro with his arms pacifying the volcano.

Santa Croce e Purgatorio al Mercato is a church in the center of the Piazza Mercato, in Naples, Italy. A religious building has stood at this site since the 13th century when Conradin of Swabia was decapitated by orders of Charles I d'Anjou, on October 29, 1268. A porphyry column at the site read: Asturis ungue, leo pullum rapiens aquilinum; hic deplumavit acephalumque dedit which loosely translates: At the point of Astura, the lion seized the eagle, here without feathers, gave his head. This references the capture of Conradin (eagle) by the Angevin (Lion) at the Torre Astura, and subsequent beheading here without honor. In 1786 it was reconstructed by Francesco Sicuro, and again in 1781, after a fire destroyed the piazza and church. The church was damaged by the earthquake in 1980, and has been closed since then. Originally the church held paintings by Luca Giordano, but these have been transferred to the Museo Civico di Castel Nuovo.

Santa Maria la Scala is a Baroque style church in a Piazzetta of the same name in Naples, Italy. The complex was built in 1054, when merchants of the town of Scala in the peninsula of Sorrento, traded with Neapolitans, thus were granted a plot which then stood outside the city walls, to erect a church complex. By the 15th century, the church stood inside the walls of the city. As trade between Naples and Scala declined, the church fell in disuse. The church was reconstructed in the 17th and 18th century as the home of various lay and religious confraternities. The interior is decorated in an elaborate Baroque style. In the 19th century, the church was restored by the architect Francesconi. The interior was redecorated by Lorenzo De Caro. Among those buried in the church are men who were faithful to the Bourbon Monarchy, and who were arrested on June 13, 1799, and the next day executed on the grounds of Capodimonte by a firing squad set up by the Neapolitan Republic of 1799. The executed were Antonio di Lieto, Carloantonio Genovese, Saverio Greco, Carmine Ruggiero, Antonio Russo, and Francesco Vigliotto. Among the interior decorations are a number of paintings from the school of Solimena. Next to the sacristy is an altarpiece depicting St Matthew by Antonio Pascucci. The canvases in the second and third chapels on the right, depicting Madonnas with Saints Francis and John the Baptist, and with Saints Anthony and Phillip were painted by Nicola de Mattheis. The third chapel also has a canvas depicting the Resurrection by Paolillo, a pupil of Andrea di Salerno. The first chapel on the right has a St Anthony by the school of Massimo Stanzione.

The Basilica of San Pietro ad Aram is a Baroque-style, Roman Catholic church in Naples, Italy. It is located about a block from the church of the Santissima Annunziata on Corso Umberto I.

Sant’Eligio Maggiore is a church in Naples, southern Italy. It is located near Piazza Mercato (Market Square), and was built during the reign of Charles of Anjou by the same congregation that built the nearby Sant’Eligio hospital in 1270. It is the first church built in Naples by the Angevin dynasty and therefore the first one in Gotico Angioiano style. The arched passageway that opens onto Piazza Mercato is through the original façade of the church and has since been incorporated into the structure of the ancient hospital. Many of the lines of the original structure came to light in the course of restoration after the bombardments of the World War II.