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National Historical Museum (Brazil)

1922 establishments in BrazilHistory museums in BrazilMuseums established in 1922Museums in Rio de Janeiro (city)National museums of Brazil
Museu Histórico Nacional Pátio Gustavo Barroso
Museu Histórico Nacional Pátio Gustavo Barroso

The National Historical Museum (Portuguese: Museu Histórico Nacional) of Brazil was created in 1922, and possesses over 287,000 items, including the largest numismatic collection of Latin America. The architectural complex that houses the museum was built in 1603 as the St. James of Mercy Fort; earlier structures date back to 1567, erected by order of King Sebastian I of Portugal. In 1693, the Calaboose Prison, for slaves, was built. In 1762, the Casa do Trem was added as a depot of weapons and ammunition. The last additions are the War Arsenal (1764) and the Barracks (1835).

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National Historical Museum (Brazil)
Praça Marechal Âncora, Rio de Janeiro Centro (Zona Central do Rio de Janeiro)

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N -22.905908333333 ° E -43.169522222222 °
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Museu Histórico Nacional

Praça Marechal Âncora
20021-200 Rio de Janeiro, Centro (Zona Central do Rio de Janeiro)
Rio de Janeiro, Brazil
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museuhistoriconacional.com.br

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Museu Histórico Nacional Pátio Gustavo Barroso
Museu Histórico Nacional Pátio Gustavo Barroso
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Empire of Brazil
Empire of Brazil

The Empire of Brazil was a 19th-century state that broadly comprised the territories which form modern Brazil and Uruguay until the latter achieved independence in 1828. The empire's government was a representative parliamentary constitutional monarchy under the rule of Emperors Pedro I and his son Pedro II. A colony of the Kingdom of Portugal, Brazil became the seat of the Portuguese Empire in 1808, when the Portuguese Prince regent, later King Dom John VI, fled from Napoleon's invasion of Portugal and established himself and his government in the Brazilian city of Rio de Janeiro. John VI later returned to Portugal, leaving his eldest son and heir-apparent, Pedro, to rule the Kingdom of Brazil as regent. On 7 September 1822, Pedro declared the independence of Brazil and, after waging a successful war against his father's kingdom, was acclaimed on 12 October as Pedro I, the first Emperor of Brazil. The new country was huge, sparsely populated, and ethnically diverse. Unlike most of the neighboring Hispanic American republics, Brazil had political stability, vibrant economic growth, constitutionally guaranteed freedom of speech, and respect for civil rights of its subjects, albeit with legal restrictions on women and slaves, the latter regarded as property and not citizens. The Empire's bicameral parliament was elected under comparatively democratic methods for the era, as were the provincial and local legislatures. This led to a long ideological conflict between Pedro I and a sizable parliamentary faction over the role of the monarch in the government. He also had to face other obstacles. The unsuccessful Cisplatine War against the neighboring United Provinces of the Río de la Plata in 1828 led to the secession of the province of Cisplatina (later to become Uruguay). In 1826, despite his role in Brazilian independence, he became the king of Portugal; he abdicated the Portuguese throne in favor of Maria, his eldest daughter. Two years later, she was usurped by Pedro I's younger brother Miguel. Unable to deal with both Brazilian and Portuguese affairs, Pedro I abdicated his Brazilian throne on 7 April 1831 and immediately departed for Europe to restore his daughter to the Portuguese throne. Pedro I's successor in Brazil was his five-year-old son, Pedro II. As the latter was still a minor, a weak regency was created. The power vacuum resulting from the absence of a ruling monarch as the ultimate arbiter in political disputes led to regional civil wars between local factions. Having inherited an empire on the verge of disintegration, Pedro II, once he was legally declared of age, managed to bring peace and stability to the country, which eventually became an emerging international power. Brazil was victorious in three international conflicts (the Platine War, the Uruguayan War, and the Paraguayan War) under Pedro II's rule, and the Empire prevailed in several other international disputes and outbreaks of domestic strife. With prosperity and economic development came an influx of European immigration, including Protestants and Jews, although Brazil remained mostly Catholic. Slavery, which had initially been widespread, was restricted by successive legislation until its final abolition in 1888. Brazilian visual arts, literature and theater developed during this time of progress. Although heavily influenced by European styles that ranged from Neoclassicism to Romanticism, each concept was adapted to create a culture that was uniquely Brazilian. Even though the last four decades of Pedro II's reign were marked by continuous internal peace and economic prosperity, he had no desire to see the monarchy survive beyond his lifetime and made no effort to maintain support for the institution. The next in line to the throne was his daughter Isabel, but neither Pedro II nor the ruling classes considered a female monarch acceptable. Lacking any viable heir, the Empire's political leaders saw no reason to defend the monarchy. After a 58-year reign, on 15 November 1889 the Emperor was overthrown in a sudden coup d'état led by a clique of military leaders whose goal was the formation of a republic headed by a dictator, forming the First Brazilian Republic.

Academia Brasileira de Letras
Academia Brasileira de Letras

Academia Brasileira de Letras (ABL) (Portuguese pronunciation: [akadeˈmiɐ bɾaziˈlejɾɐ dʒi ˈletɾɐs] (listen) English: Brazilian Academy of Letters) is a Brazilian literary non-profit society established at the end of the 19th century. The first president, Machado de Assis, declared its foundation on December 15, 1896, with the by-laws being passed on January 28, 1897. On July 20 of the same year, the academy started its operation. According to its statutes, it is the pre-eminent Portuguese council for matters pertaining to the Portuguese language. The academy is considered the foremost institution devoted to the Portuguese language in Brazil. Its prestige and technical qualification gives it paramount authority in Brazilian Portuguese, even though it is not a public institution and no law grants it oversight over the language. The academy's main publication in this field is the Orthographic Vocabulary of the Portuguese Language (Vocabulário Ortográfico da Língua Portuguesa) which has five editions. The Vocabulary is prepared by the academy's Commission on Lexicology and Lexicography. If a word is not included in the Vocabulary, it is considered not to exist as a correct word in Brazilian Portuguese. Since its beginning and to this day, the academy is composed of 40 members, known as the "immortals". These members are chosen from among citizens of Brazil who have published works or books with recognized literary value. The position of "immortal" is awarded for the lifetime. New members are admitted by a vote of the academy members when one of the "chairs" become vacant. The chairs are numbered and each has a Patron: the Patrons are 40 great Brazilian writers that were already dead when the academy was founded; the names of the Patrons were chosen by the Founders as to honour them post mortem by assigning patronage over a chair. Thus, each chair is associated with its current holder, her or his predecessors, the original Founder who occupied it in the first place, and also with a Patron. The academicians use formal gala gilded uniforms with a sword (the uniform is called "fardão") when participating in official meetings at the academy. The body has the task of acting as an official authority on the language; it is charged with publishing an official dictionary of the language. Its rulings, however, are not binding on either the public or the government.