Palazzo Borghese-Aldobrandini

San Proculo, previously dedicated to the saints Proculus and Nicomedes, is a Romanesque-style, Roman Catholic church located in Via de' Giraldi in Florence, region of Tuscany, Italy.

The Bust of Costanza Bonarelli is a marble portrait sculpture by the Italian artist Gian Lorenzo Bernini, created in the 1630s. It is now in the Museo Nazionale del Bargello in Florence, Italy. Considered among the most personal of Bernini's work, the bust depicts Costanza Piccolomini Bonarelli, the wife of Matteo Bonarelli, one of Bernini's pupils and coworkers. Bernini fell passionately in love with her. It is an exceptional sculpture in that it breaks with the tradition of seventeenth century portrait sculpturing and previews the style of the next century.

The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy.

The Palazzo Ramirez de Montalvo, also known as Palazzo Matteucci is a palace located on Borgo degli Albizi #26 in central Florence, region of Tuscany Italy.The palace was designed by the architect Bartolomeo Ammanati.

Casa Carlini is a historical building in Florence, located in via de' Pandolfini 33 corner via del Proconsolo 12r-14r. It was the seat from 1497 of the stamperia Giunti. The house appears (as Palazzo Carlini) in the list compiled in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered national artistic heritage.

The Palazzo Pazzi, also known as the Palazzo della Congiura or Palazzo Pazzi-Quaratesi is a Renaissance-style palace. It is located on Via del Proconsolo 10 at the corner with Borgo Albizzi in Florence, region of Tuscany, Italy. The palace is between the Palazzo Nonfinito and the Palazzo Pazzi-Ammannati to the north.

The Roman Amphitheatre of Florence was an Roman amphitheatre in Florence, central Italy. It was located between Piazza dei Peruzzi, Via De' Bentaccordi and Via Torta; its remains are visible in Via De' Bentaccordi. When it was built between 124 and 130 AD, it was located outwith the walls of Florentia and it marked the point of maximum expansion east. It had an elliptical shape with a diameter of 126 meters, with a capacity of about 20,000 seats (compared to 87,000 in the Flavian Amphitheatre in Rome. It was incorporated into other buildings during the medieval period. It has not been systematically excavated, but occasional discoveries have been made, such as in 1887. In the second half of the 19th century, the area was at risk of being demolished during the work of the so-called Rehabilitation of Florence, to build a grand avenue between the Piazza della Signoria and Piazza Santa Croce, but the plan was never realized. A reconstruction of the amphitheatre in the Roman era and some related works are located in the Museo di Firenze com'era.

The Badìa Fiorentina is an abbey and church now home to the Monastic Communities of Jerusalem situated on the Via del Proconsolo in the centre of Florence, Italy. Dante supposedly grew up across the street in what is now called the 'Casa di Dante', rebuilt in 1910 as a museum to Dante (though in reality unlikely to be his real home). He would have heard the monks singing the Mass and the Offices here in Latin Gregorian chant, as he famously recounts in his Commedia: "Florence, within her ancient walls embraced, Whence nones and terce still ring to all the town, Abode aforetime, peaceful, temperate, chaste." In 1373, Boccaccio delivered his famous lectures on Dante's Divine Comedy in the subsidiary chapel of Santo Stefano, just next to the north entrance of the Badia's church.

The Palazzo Nonfinito (Italian: lit. Unfinished Palace) is a Mannerist-style palace located on Via del Proconsolo #12, (corner with Via del Corso) in central Florence, region of Tuscany, Italy. Begun in 1593 using designs by the architect Bernardo Buontalenti, only the first floor was completed, and additional construction was added later by different architects. The Palace is presently the home of the Anthropology and Ethnology section of the Museum of Natural History of Florence.

The Complesso di San Firenze (Complex of San Firenze) is a 17th-century Baroque-style building, consisting of a church, palace, and former oratory, located on the southeast corner of the saucer-shaped piazza of San Firenze, located in the quartiere of Santa Croce in central Florence, region of Tuscany, Italy. The buildings were commissioned by the Oratorians of Saint Philip Neri.

Santi Simone e Giuda (Saints Simon and Jude) is a church in Florence, situated on the Piazza San Simone in an area of narrow streets between the Piazza Santa Croce and the Piazza della Signoria. The present structure dates from 1243 but underwent a major renovation designed by Gherardo Silvani in 1630. Today it is affiliated with the Ukrainian Greek Catholic Church.

The Palazzo degli Alessandri is an early-Renaissance-style palace located on Borgo degli Albizi number 15 in Florence, Region of Tuscany, Italy. The Alessandri family derived from a branch of the Albizzi family; documents for the foundation of this branch date from 1372. The two brother Alessandro and Bartolomeo degli Albizi (after 1372 called 'degli Alessandri') built the palace after the purchasing of three lots between 1368-72 and probably completed by 1376. During the Ciompi rebellion of 1378 the palace was ransacked and arson, the west side of the structure collapsed (the lack of rustication is still visible today). The Alessandri (and Albizzi) had been prominent Guelf families linked to the wool production, and thus the Guild of Wool. The coat of arms of the Alessandri was a two heads lamb on a blue field with a gold crown and palm leaves. The family produced twenty-three Priors and nine Gonfaloniers. The palace was enlarged in the 1700s by Cosimo Alessandri. The palace was restored in the 19th century by Giuseppe Poggi. Antonio Canova was patronized by the Alessandri family. The Palace is still owned by descendants of the Alessandri.