Betony (restaurant)

La Martinique was a popular nightclub in New York City, United States during the 1940s. Situated in a basement at 57 West 57th Street, the club was owned and operated by Dario Goldfarb and Jim Vernon. It was at La Martinique that Mr. & Mrs. Walt Disney would host the after party following the October 23, 1941 premiere of Dumbo at the Broadway theatre. The club is remembered for launching the careers of many singers of the era, including Dick Haymes, Danny Kaye, Jackie Miles and Zero Mostel, as well as playing host to more established performers, such as Jo Stafford who had a six-month residency there beginning in February 1945. La Martinique was one of several clubs to hold special events on Sunday evenings, generally considered a slow night for the clubs. An edition of the Sunday Frolics from April 1946 advertised one such evening, with Joey Adams as the host, and Rolly Rolls, the Merry Parisian, as the "honored guest". In addition the evening featured "celebrities of the stage and screen" and the club's new spring revue. The club was closed by the early 1950s, with Josephine Baker opening a new establishment on the original La Martinique site in 1952.

The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.

The Sherwood Studio Building was an artists' apartment building at 58 West 57th Street, at the southeast corner with Sixth Avenue (Avenue of the Americas) in Midtown Manhattan, New York City. The building was constructed in 1879 as artists' apartments. It was demolished in 1960 to permit the construction of a large apartment building called Hemisphere House. It differed from the other studio buildings of its time in its extent and in the amenities it offered. It was taller than most, with great floor-to-ceiling windows, many of which gathered northern light across an unusually broad street. In addition to spacious studios, its apartments contained bedrooms, bathrooms, and reception rooms. Each apartment had central heating, gas light, and, for internal communication, electric bells and speaking tubes. The building's elevator was large enough to fit oversize works of art. There was an exhibition hall that could also be used for receptions and parties. An on-site café-restaurant helped to compensate for the building's lack of kitchenettes and became popular for the social interaction it enabled as well as the meals it provided. In its early years, the building adjoined the homes of prosperous art collectors and a later transformation brought luxury shops and tony cultural institutions as its neighbors. With all these advantages, "the Sherwood", as it came to be called, succeeded in attracting artists who were comfortably well off, whether because they had already established successful careers or because they benefited from inherited wealth. Moreover, its location and amenities made it particularly attractive to single women and small families.

Galerie St. Etienne is an Expressionism art gallery operating in the United States, founded in Vienna in 1923 by Otto Kallir (originally Otto Nirenstein) as the Neue Galerie. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, where he reestablished the Galerie St. Etienne on 46 West 57th Street in New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane and Hildegard Bachert on 24 West 57th Street. It maintains a reputation as a principal harbinger of Austrian and German Expressionism to the US.

The Green Gallery was an art gallery that operated between 1960 and 1965 at 15 West 57th Street in Manhattan, New York City. The gallery's director was Richard Bellamy, and its financial backer was the art collector Robert Scull. Green Gallery is noted for giving early visibility to a number of artists who soon rose to prominence, such as Yayoi Kusama, Mark di Suvero, Donald Judd, and George Segal.

58th Street Terminal or 58th Street was a station on the demolished IRT Sixth Avenue Line in Manhattan, New York City. It had three tracks and two side platforms. The center track was used for storage. The station was opened by the Gilbert Elevated Railway on June 5, 1878, and served as the northern terminus of the IRT Sixth Avenue Line trains until the line was acquired by the Manhattan Railway Company and built a connecting spur from 50th Street Station (the next southbound stop) along 53rd Street to the Ninth Avenue Elevated. It was replaced as the northernmost station on the line by the Eighth Avenue station in 1881, and closed on June 16, 1924. Though there are no longer any New York City Subway stations explicitly named 58th Street, the area is now served by the underground 57th Street subway station, one block to the south of the former 58th Street Terminal.

The 57th Street station is a station on the IND Sixth Avenue Line of the New York City Subway. Located at the intersection of 57th Street and Sixth Avenue (Avenue of the Americas) in Manhattan, it is served by the F train at all times and the train during rush hours in the peak direction. North of the station, the Sixth Avenue Line turns east and becomes the IND 63rd Street Line. First announced in 1962, the 57th Street station was opened on July 1, 1968, at the cost of $13.2 million. The station was a terminal station until 1989, after which all service was extended to 21st Street–Queensbridge. The station was temporarily served by shuttle trains in the 1990s during the 63rd Street Line's reconstruction. From July to December 2018, the station was closed for an extensive five-month renovation.

Stux Gallery is a contemporary fine art dealership located on 520 West End Avenue on the Upper West Side of Manhattan, New York City. Artists represented/exhibited by the gallery have included Doug and Mike Starn, Vik Muniz, Andres Serrano, Dennis Oppenheim, Elaine Sturtevant, Inka Essenhigh, and Orlan.

Bykert Gallery was a contemporary art gallery in New York City between 1966 and 1975, run by Klaus Kertess (1940 - 2016) and Jeff Byers who had been classmates at Yale College, class of 1958. The gallery originally was located at 15 West West 57th Street in Manhattan, (in the same space as the defunct Green Gallery that closed in 1965); it later moved to East 81st Street between Madison and Fifth Avenues. Among the artists who were represented at Bykert are Brice Marden, Chuck Close, Ralph Humphrey, David Novros, and Dorothea Rockburne. Artists who showed there with solo exhibitions or in group shows include Jared Bark, Bill Bollinger, Robert Duran, Richard Van Buren, Peter Gourfain, Alan Saret, Michael Goldberg, Ronnie Landfield, Gary Stephan, Deborah Remington, Bob Neuwirth, Paul Mogensen, Judy Rifka, Arleen Schloss, Alan Uglow, Barry Le Va, Thornton Willis, David Novros and Joe Zucker. During the 1960s Lynda Benglis began her career by working for the Bykert Gallery as a secretary before launching her own successful artistic career; and during the 1970s Mary Boone began her career by working for the Bykert Gallery as a secretary before opening her own successful gallery.

Billionaires' Row is a set of ultra-luxury residential skyscrapers, constructed or in development, that are arrayed roughly along the southern end of Central Park in Manhattan, New York City. Several of these buildings are in the supertall category, taller than 1,000 feet (300 m), and are among the tallest buildings in the world. Since most of these pencil towers are on 57th Street, the term has been used to refer to the street itself as well.

The Park Lane Hotel is a New York City luxury hotel at 36 Central Park South, between Fifth and Sixth Avenues in Midtown Manhattan, overlooking Central Park. Constructed in 1971, the hotel was designed by the prolific architecture firm, Emery Roth & Sons, for prominent New York City real estate developer Harry Helmsley. The hotel operates under the ownership of Steve Witkoff’s real estate investment firm, the Witkoff Group. A supertall skyscraper has been planned for the site, though that has been placed on hold.

Associated American Artists (AAA) was an art gallery in New York City that was established in 1934 and ceased operation in 2000. The gallery marketed art to the middle and upper-middle classes, first in the form of affordable prints and later in home furnishings and accessories, and played a significant role in the growth of art as an industry.