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Birmingham School of Art building

Birmingham City UniversityBirmingham School of ArtGrade I listed buildings in BirminghamGrade I listed buildings in the West Midlands (county)Grade I listed educational buildings
Birmingham School of Art Rose
Birmingham School of Art Rose

The Birmingham School of Art building was designed for the school of art by architect John Henry Chamberlain from January 1882 until October 1883, and was built from May 31 1884 until its opening in September 1885.

Excerpt from the Wikipedia article Birmingham School of Art building (License: CC BY-SA 3.0, Authors, Images).

Birmingham School of Art building
Margaret Street, Birmingham Ladywood

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N 52.48113323 ° E -1.9032311 °
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Birmingham School of Art

Margaret Street
B3 3BX Birmingham, Ladywood
England, United Kingdom
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Birmingham School of Art Rose
Birmingham School of Art Rose
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Birmingham
Birmingham

Birmingham ( (listen) BUR-ming-əm) is a city and metropolitan borough in the metropolitan county of West Midlands in England. It is the second-largest city in the United Kingdom with a population of 1.145 million in the city proper, 2.92 million in the West Midlands metropolitan county, and approximately 4.3 million in the wider metropolitan area. It is the largest UK metropolitan area outside of London. Birmingham is commonly referred to as the second city of the United Kingdom.Located in the West Midlands region of England, approximately 100 miles (160 km) from London, Birmingham is considered to be the social, cultural, financial and commercial centre of the Midlands. Distinctively, Birmingham only has small rivers flowing through it, mainly the River Tame and its tributaries River Rea and River Cole – one of the closest main rivers is the Severn, approximately 20 miles (32 km) west of the city centre. Historically a market town in Warwickshire in the medieval period, Birmingham grew during the 18th century during the Midlands Enlightenment and during the Industrial Revolution, which saw advances in science, technology and economic development, producing a series of innovations that laid many of the foundations of modern industrial society. By 1791, it was being hailed as "the first manufacturing town in the world". Birmingham's distinctive economic profile, with thousands of small workshops practising a wide variety of specialised and highly skilled trades, encouraged exceptional levels of creativity and innovation; this provided an economic base for prosperity that was to last into the final quarter of the 20th century. The Watt steam engine was invented in Birmingham.The resulting high level of social mobility also fostered a culture of political radicalism which, under leaders from Thomas Attwood to Joseph Chamberlain, was to give it a political influence unparalleled in Britain outside London and a pivotal role in the development of British democracy. From the summer of 1940 to the spring of 1943, Birmingham was bombed heavily by the German Luftwaffe in what is known as the Birmingham Blitz. The damage done to the city's infrastructure, in addition to a deliberate policy of demolition and new building by planners, led to extensive urban regeneration in subsequent decades. Birmingham's economy is now dominated by the service sector. The city is a major international commercial centre and an important transport, retail, events and conference hub. Its metropolitan economy is the second-largest in the United Kingdom with a GDP of $121.1bn (2014). Its five universities, including the University of Birmingham, make it the largest centre of higher education in the country outside London. Birmingham's major cultural institutions – the City of Birmingham Symphony Orchestra, Birmingham Royal Ballet, Birmingham Repertory Theatre, Library of Birmingham and Barber Institute of Fine Arts – enjoy international reputations, and the city has vibrant and influential grassroots art, music, literary and culinary scenes. The city also successfully hosted the 2022 Commonwealth Games. In 2021, Birmingham was the third most visited city in the UK by people from foreign nations.

Ruskin Galleries

The Ruskin Galleries was a private art gallery located in what is now Chamberlain Square in Birmingham, England between 1925 and 1940. It provided a venue for the exhibition of modern art at a time when Birmingham's other major artistic institutions were marked by a high degree of artistic conservativism.Birmingham had been at the forefront of the emergence of several radical art movements in the 19th century, but during the early 20th century the city was largely resistant to emergining modernist trends in the visual arts. In 1917 the Royal Birmingham Society of Artists hosted an exhibition of Post-Impressionist works curated by Roger Fry, but it met a hostile reception, with a review in the Birmingham Post condemning its works for their "puerile insanities" and "the unbelievable squalor of their production". An editorial in the Birmingham Post in 1925 asked "Why is it that Birmingham has ceased to count as an important centre of Art?", criticising the RBSA as being controlled by "a small group of men who have arrogated to themselves the responsibility for deciding what is and isn't art ... entirely out of sympathy with modern movements .... having stood still for at least twenty years" The Ruskin Galleries were opened by John Gibbins in 1925 and exhibited work both by local artists and by artists from the international avant-garde. One of the first exhibitions put on by the gallery included works by Matisse, Bonnard and Vlaminck. In 1928 it hosted a nationally-groundbreaking exhibition of contemporary Russian artists, featuring 70 paintings by 15 artists including Filipp Malyavin, Konstantin Korovin, Natalia Goncharova, Mikhail Larionov.During the 1920s and 1930s it provided a venue for the local Artist-Craftsmen Group, which evolved into the Modern Group, providing an outlet for the emergence of progressive Birmingham artists such as the sculptors Gordon Herickx and Alan Bridgwater. The galleries hosted a one-man show by Joseph Southall in 1927.The gallery's immediate impact was noted in the national press in 1926: "when Birmingham seemed hopeless and the modernists felt like exiles in the desert, a miracle happened .... Mr Gibbons has almost revolutionised the artistic life of Birmingham".Although its founder John Gibbons died in 1932 the gallery continued to present exhibitions by local and international artists throughout the 1930s and remained open until 1940, when it was closed due to the onset of the Second World War. In November of that year the Birmingham Mail reviewed its influence: "For over a dozen years it has been an institution in the cultural life of Birmingham where contemporary art has been displayed and modern craftsmanship exhibited in greater variety than anywhere else ... more than one painter may be said to have been discovered there."