Queen's Chapel

The Queen Alexandra Memorial on Marlborough Road, London, which commemorates Queen Alexandra of Denmark, was executed by the sculptor Sir Alfred Gilbert between 1926 and 1932. It consists of a bronze screen incorporating allegorical figures, set into the garden wall of Marlborough House. A late example of a work in the Art Nouveau style, it was regarded by the sculptor as his "Swan song".Before 1926 Gilbert was living in exile abroad, having fled Britain in 1901 bankrupt and disgraced after failing to complete the tomb of the Duke of Clarence in St George's Chapel, Windsor Castle. Gilbert later claimed that the Duke's mother, Princess Alexandra (Queen Alexandra after her husband's accession to the throne as Edward VII), was the only member of the royal family who supported him after this debacle. She is also supposed to have expressed a wish in her old age that Gilbert might execute her memorial, should he outlive her.In 1926 Gilbert was invited to return to Britain, a result of the machinations of his biographer, the journalist Isabel McAllister. She had the twofold aim of getting Gilbert to complete the Clarence tomb (which he had succeeded in doing by 1928) and to receive the commission for a memorial to Queen Alexandra, who had died the previous year. The artist Lady Helena Gleichen offered her studio in St James's Palace for Gilbert's use. The committee to Erect a Memorial to Queen Alexandra was set up in late 1926 and approached Gilbert in December of that year.The symbolism of the central sculptural group is explained by Gilbert in an "exegesis" he prepared for the Committee in 1927: Central Group—represents "Love Enthroned", supported by Faith and Hope, on either side, and Love is directing a Boy sent out across the "River of Life", which springs from beneath Her Throne—symbolizing Queen Alexandra's charity to Children, also the water typifies Her advent to Great Britain from across the water. The composition is in a style adapted from Perpendicular Gothic architecture, with three buttressed and pinnacled canopies over the figures and linenfold motifs on the screen. Two further allegorical statuettes appear on finials on the throne, that on the left representing Religion and the other without an attribute to help with identification, though Truth has been proposed as its subject.The two main inscriptions read QUEEN ALEXANDRA/ 1844 A TRIBUTE TO THE EMPIRE'S LOVE 1925 (on the bronze base) and FAITH, HOPE, LOVE./ THE GUIDING VIRTUES OF QUEEN ALEXANDRA (on the granite base below). A further inscription at the side of the bronze base reads A. B. BURTON. FOUNDER.The memorial was cast by A. B. Burton at the Thames Ditton Foundry. It was unveiled on 8 June 1932 (Alexandra Rose Day) by George V. At the unveiling ceremony the memorial was blessed by the Archbishop of Canterbury, Cosmo Gordon Lang, and the choir of the Chapel Royal gave the first performance of Queen Alexandra's Memorial Ode, which had been composed for the occasion by the Master of the King's Music, Sir Edward Elgar, with lyrics by the Poet Laureate, John Masefield. On the following day Gilbert received his knighthood from the King at Buckingham Palace. The memorial was Gilbert's last completed public artwork, as he died in November 1934.

The Beaconsfield Club was a London gentlemen's club, now dissolved, which was established in 1880 and was disbanded circa 1887-8. For most of its existence, between 1880 and 1887, it occupied 66-68 Pall Mall, London. The Club was formally linked to the Conservative party, with members having to pledge allegiance to join. It was named in honour of Benjamin Disraeli, 1st Earl of Beaconsfield. It purchased its clubhouse from a Captain John Elliott, who had built it for the short-lived Junior Naval and Military Club, but went bankrupt as a direct result of constructing the building.However, the Beaconsfield Club was not as successful as had been hoped, and was forced to leave the premises by 1887, closing within a year. The building in turn was then passed on to the equally short-lived Unionist Club, before being demolished in 1930.Correspondence relating to the Beaconsfield Club is held by the University of Glasgow.

Full Fact is a British charity, based in London, which checks and corrects facts reported in the news as well as claims which circulate on social media.

The Oxford and Cambridge Club is a traditional London club. Membership is largely restricted to those who are members of the Universities of Oxford and Cambridge, including men and women who have a degree from or who are current undergraduates of either university. The Club is the result of a number of amalgamations of university clubs, most recently that of 1972 between the United University Club, founded in 1821, and the Oxford and Cambridge University Club, founded in 1830. From 1972 until 2001 the Club was known as the United Oxford and Cambridge University Club. Women have been admitted as full members since 1997. The Club is based at 71–77 Pall Mall, in a purpose-built, Grade II* listed club house designed by Sir Robert Smirke.

The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting. In addition to the establishment of the gallery, Boydell planned to produce an illustrated edition of William Shakespeare's plays and a folio of prints based upon a series of paintings by different contemporary painters. During the 1790s the London gallery that showed the original paintings emerged as the project's most popular element. The works of William Shakespeare enjoyed a renewed popularity in 18th-century Britain. Several new editions of his works were published, his plays were revived in the theatre and numerous works of art were created illustrating the plays and specific productions of them. Capitalising on this interest, Boydell decided to publish a grand illustrated edition of Shakespeare's plays that would showcase the talents of British painters and engravers. He chose the noted scholar and Shakespeare editor George Steevens to oversee the edition, which was released between 1791 and 1803. The press reported weekly on the building of Boydell's gallery, designed by George Dance the Younger, on a site in Pall Mall. Boydell commissioned works from famous painters of the day, such as Joshua Reynolds, and the folio of engravings proved the enterprise's most lasting legacy. However, the long delay in publishing the prints and the illustrated edition prompted criticism. Because they were hurried, and many illustrations had to be done by lesser artists, the final products of Boydell's venture were judged to be disappointing. The project caused the Boydell firm to become insolvent, and they were forced to sell the gallery at a lottery.

Friary Court is a part of St James's Palace in London, England. It is used after the death of a reigning monarch. The Accession Council meets to declare the new monarch from the deceased monarch's line. Once the monarch has made a sacred oath to the council, the Garter King of Arms steps onto the Proclamation Gallery which overlooks Friary Court to announce the new monarch. Friary Court has also been used in association with several other ceremonial functions, such as the christening of Prince George of Wales in the adjoining Chapel Royal. Aside from ceremonial functions it hosts royal charity events of which the Royal Family are an integral part.

The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to attract members and visitors, in 1867, when the lease on its quarters expired, instead of renewing the society wrapped up its affairs.

St James's Palace is the most senior royal palace in London, the capital of the United Kingdom. The palace gives its name to the Court of St James's, which is the monarch's royal court, and is located in the City of Westminster in London. Although no longer the principal residence of the monarch, it is the ceremonial meeting place of the Accession Council, the office of the Marshal of the Diplomatic Corps, and the London residence of several members of the royal family. Built by order of Henry VIII in the 1530s on the site of an isolated leper hospital dedicated to Saint James the Less, the palace was secondary in importance to the Palace of Whitehall for most Tudor and Stuart monarchs. Initially surrounded by a deer park and gardens, it was generally used as a hunting lodge and retreat from the formal court and occasionally a royal guest house. After the destruction by fire of Whitehall, the palace increased in importance during the reigns of the early Hanoverian monarchs but was displaced by Buckingham Palace in the late 18th and the early 19th centuries. After decades of being used increasingly for only formal occasions, the move was formalised by Queen Victoria in 1837. The palace now houses a number of official offices, societies and collections, and all ambassadors and high commissioners to the United Kingdom are still accredited to the Court of St James's. The palace's Chapel Royal is still used for functions of the British royal family. The palace was mainly built between 1531 and 1536 in red-brick, and its architecture is primarily Tudor in style. The Queen's Chapel was added in 1620s, and Clarence House was built directly next to it in the 1820s. A fire in 1809 destroyed parts of the palace, including the monarch's private apartments, which were never replaced. Some 17th-century interiors survive, but most were remodelled in the 19th century.

77–78 Pall Mall is a grade II listed building in Pall Mall, London. It is currently used as a business centre.

The Guards Club, established in 1810, was a London Gentlemen's club for officers of the Guards Division, originally defined by the club as being the Coldstream Guards, Grenadier Guards or Scots Guards, traditionally the most socially elite section of the British Army. Officers of the Welsh and Irish Guards were not able to join until the second half of the 20th century. Its clubhouse at 70 Pall Mall was the first to be built on that street, which later became noted for its high concentration of clubs; earlier clubs had been focused on the adjoining St James's Street.Stephen Hoare states that: "Three Guards officers, Captain Rees Howell Gronow, Jack Talbot and that well-known acrobatic dandy Colonel Dan MacKinnon established the Guards Club at the St James's Coffee-House at number 88 St James's Street opposite Lock's the hatter. The link between coffee-houses and the club formation remained as strong as it was a century earlier. The establishment provided exactly the kind of relaxing and informal atmosphere where officers home on leave or waiting to be posted could enjoy decent hospitality. In fact, not long afterwards St James's Coffee-House became the St James's Club in 1840. Meanwhile, the Guards Club acquired premises at 49 St. James's Street, opposite Whites, finally moving to a newly commissioned clubhouse at 70 Pall Mall in 1849".In 1975 it gave up its premises and merged with the Cavalry Club in nearby Piccadilly to form the present-day Cavalry and Guards Club.

Marlborough House, a Grade I listed mansion in St James's, City of Westminster, London, is the headquarters of the Commonwealth of Nations and the seat of the Commonwealth Secretariat. It was built in 1711 for Sarah Churchill, Duchess of Marlborough, the favourite and confidante of Queen Anne. For over a century it served as the London residence of the dukes of Marlborough. It became a royal residence through the 19th century and first half of the 20th. The house was expanded for the Prince of Wales, the future king Edward VII, and became closely associated with the prince in the Victorian era. Queen Mary lived there when she was Princess of Wales and took a special interest in the house; she returned to live there in her widowhood. The building was leased by Queen Elizabeth II to the Commonwealth Secretariat beginning in 1965.

79 Pall Mall is a grade II listed building in Pall Mall, London. It was designed by David Brandon for the Eagle Insurance Company in 1866–68. There formerly stood on the site a brick townhouse occupied by Nell Gwynne after her retirement from the stage and a blue plaque notes the fact.