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Grace and St. Peter's Church

19th-century Episcopal church buildingsAnglo-Catholic church buildings in the United StatesBuildings and structures in BaltimoreChristian organizations established in 1912Churches in Baltimore
Episcopal church building in BaltimoreGothic Revival church buildings in MarylandReligious organizations established in 1803Religious organizations established in 1850
Grace & St Peter's Church, Nave
Grace & St Peter's Church, Nave

Grace & St. Peter's Church is an Anglo-Catholic Episcopal parish in the city of Baltimore, in the Episcopal Diocese of Maryland. The congregation is the product of the 1912 amalgamation of two earlier parishes, St. Peter's Church (founded in 1803) and Grace Church (founded in 1850). Its building, constructed in Brownstone, is an elaborate example of English Gothic Revival architecture dating from 1852. Today, Grace & St. Peter's is distinguished by its Anglo-Catholic liturgy and professional choir. From 1940 to 2020, it was also home to the Wilkes School at Grace & St. Peter's, an Episcopal day school which closed in the midst of the COVID-19 pandemic.

Excerpt from the Wikipedia article Grace and St. Peter's Church (License: CC BY-SA 3.0, Authors, Images).

Grace and St. Peter's Church
Park Avenue, Baltimore

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N 39.297777777778 ° E -76.618055555556 °
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Grace and Saint Peters School

Park Avenue 709
21201 Baltimore
Maryland, United States
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Grace & St Peter's Church, Nave
Grace & St Peter's Church, Nave
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First Presbyterian Church and Manse (Baltimore, Maryland)
First Presbyterian Church and Manse (Baltimore, Maryland)

First Presbyterian Church and Manse is a historic Presbyterian church located at West Madison Street and Park Avenue in the Mount Vernon-Belvedere neighborhood of Baltimore, Maryland, United States. The church is a rectangular brick building with a central tower flanked by protruding octagonal turrets at each corner. At the north end of the church is a two-story building appearing to be a transept and sharing a common roof with the church, but is separated from the auditorium by a bearing wall. The manse is a three-story stone-faced building. The church was begun about 1854 by Nathan G. Starkweather and finished by his assistant Edmund G. Lind around 1873. It is a notable example of Gothic Revival architecture and a landmark in the City of Baltimore.The steeple is the tallest in Baltimore at 273 feet (83 m) and was completed by 1875, supported by clusters of cast iron columns. A subsidiary spire to the right is 125 feet (38 m) high, and the smaller, on the southwest corner, is 78 feet high. Wendel Bollman fabricated much of the ironwork at his Patapsco Bridge and Ironworks and is famous for several iron truss bridges throughout the region especially on the Baltimore and Ohio Railroad. The manse, or rectory, is located to the left, or west of the entrance. Stonework is a red freestone or sandstone from New Brunswick.First Presbyterian Church and Manse was listed on the National Register of Historic Places in 1973. It is now known as the First and Franklin Presbyterian Church, after merging in 1973 with the former Franklin Street Presbyterian Church several blocks to the south at the northwest corner of West Franklin and Cathedral Streets, across from the central Enoch Pratt Free Library and the Old Baltimore Cathedral (now the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary which was used by the merged congregation for a time and then sold to a fundamentalist Protestant congregation. Franklin Street Church was built in 1847 and designed in English Tudor Revival style by Robert Cary Long, Jr. and Col. Robert Snowden Andrews, C.S.A. (who also designed the earliest Eastern High School on Aisquith and Orleans Streets). First Presbyterian Church is the oldest Presbyterian congregation in Baltimore, founded in 1761, then located after 1763 at East Fayette and North Streets (later Guilford Avenue) on the northwest corner in downtown which was the site for three its succeeding buildings until 1859, when the site was purchased by the Federal Government and constructed a U.S. Courthouse there, dedicated by President James Buchanan in 1860, later replaced by another courthouse on the entire block in 1889 and finally the current one in 1932, which is now "Courthouse East" for the Circuit Court of Maryland for Baltimore City. It was instrumental in the establishment of the local Presbytery of Baltimore and many "daughter congregations" such as Second Presbyterian Church and others. The church and manse were listed on the National Register of Historic Places on June 18, 1973. They are included in the Baltimore National Heritage Area.

The Stafford Apartments

The Stafford Hotel, now The Stafford Apartments, is a historic building in Baltimore, Maryland which was constructed in 1894. The Stafford Hotel building was the tallest building on Mount Vernon Place at the time of its inception. It was designed by architect Charles E. Cassell (1838–1916), who was a founding member of the AIA Baltimore chapter, and also designed the Christian Science Temple, Chamber of Commerce building, and Stewart's Department Store in Baltimore. The building itself is clad in brown Roman brick, and features arched windows and balustrade balconies – all of which is done in the Richardsonian/Romanesque architectural style. The building is located on the north face of Mount Vernon Place, a cross-shaped park composed of 4 landscaped squares, featuring the Washington Monument at its center. The park itself is located in the heart of Baltimore's historic district, and many of the most historically and architecturally significant structures in Baltimore line its sides. Mount Vernon Place represents Baltimore's history and development during the 19th and 20th centuries, and can be seen as the finest surviving example of Maryland's 19th century urban planning efforts.The hotel opened on November 5, 1894, and was considered the grandest hotel in all of Baltimore. The hotel opened with highly decorated halls, foyer, dining rooms, a bar, a café, a ladies reception, a drawing room, smoking rooms, lounges, a barber, a coatroom, a newsstand, offices, a writing room, private dining rooms, reception rooms, 140 bedrooms, 30 private parlors in suites (with 80 baths among the suites on the upper floors), a basement finished in marble, and a central rotunda featuring an open curved stair illuminated by a large rooftop skylight. It was preferred by the famous and wealthy while visiting Baltimore. F. Scott Fitzgerald is even known to have resided in the hotel from 1935-1936.Throughout the years the hotel received numerous renovations, and in 1968 the building was sold at auction. At the time of sale, it had 117 guest rooms. It is a contributing building in the Mount Vernon Place Historic District, a U.S. National Historic Landmark District designated in 1971. Today, The Stafford is a 96-unit apartment building; housing primarily students from the nearby Johns Hopkins University's Peabody Institute. While it is owned by the university, it is managed and leased by LandMark Property Management, Inc. In 2016, Stafford Capital Partners, LLC, an investment group led by Luis A. Cozza purchased the leasehold interest in The Stafford from Apartment Investment and Management Company (AIMCO). The community consists of studios, 1-bedroom, and 2-bedroom apartments, that range from 390 sq ft (36 m2) to 696 sq ft (64.7 m2). Community amenities include a fitness center, laundry facility, and common room. While the interior has been recently renovated, the historic exterior is very much intact and in good condition.

Walters Art Museum
Walters Art Museum

Walters Art Museum is a public art museum located in the Mount Vernon section of Baltimore, Maryland. Founded and opened in 1934, it holds collections from the mid-19th century that were amassed substantially by major American art and sculpture collectors, including William Thompson Walters and his son Henry Walters. William Walters began collecting when he moved to Paris as a nominal Confederate loyalist at the outbreak of the American Civil War in 1861, and Henry Walters refined the collection and made arrangements for the construction what ultimately was Walters Art Museum. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place mansion during the late 1800s, Henry Walters arranged for an elaborate stone palazzo-styled structure to be built for this purpose in 1905–1909, located a block south of the Walters mansion on West Monument Street/Mount Vernon Place, on the northwest corner of North Charles Street at West Centre Street. The mansion and gallery were also just south and west of the landmark Washington Monument in the Mount Vernon-Belvedere neighborhood, just north of the downtown business district and northeast of Cathedral Hill. Upon his 1931 death, Henry Walters bequeathed the entire collection of then more than 22,000 works, the original Charles Street Gallery building, and his adjacent townhouse/mansion just across the alley to the north on West Mount Vernon Place to the City of Baltimore, "for the benefit of the public." The collection includes masterworks of ancient Egypt, Greek sculpture and Roman sarcophagi, medieval ivories, illuminated manuscripts, Renaissance bronzes, Old Master European and 19th-century paintings, Chinese ceramics and bronzes, Art Deco jewelry, and ancient Near East, Mesopotamian, or ancient Middle East items. Dorothy Miner became its first Keeper of Manuscripts in 1934 and held the post until her death in 1973. In 2000, "The Walters Art Gallery" changed its long-time name to "The Walters Art Museum" to reflect its image as a large public institution and eliminate confusion among some of the increasing out-of-state visitors. The following year, "The Walters" (as it is often known locally) reopened its original main building after a dramatic three-year physical renovation and replacement of internal utilities and infrastructure. The Archimedes Palimpsest was on loan to the Walters Art Museum from a private collector for conservation and spectral imaging studies. Starting on October 1, 2006, the museum was enabled to make admission free to all, year-round, as a result of substantial grants given by Baltimore City and the surrounding suburban Baltimore County arts agencies and authorities. In 2012, "The Walters" released nearly 20,000 of its own images of its collections on a Creative Commons license, and collaborated in their upload to the world-wide web and the Internet on Wikimedia Commons. This was one of the largest and most comprehensive such releases made by any museum.