Embassy of Indonesia, Bucharest

Quito Square (Piața Quito) is located in the center of Bucharest, near Victory Square, right in the middle of Paris street. At its centre is a sculpture dedicated to Mircea Zorileanu (October 14, 1883 – February 10, 1919), one of the pioneers of aviation in Romania, the second best aviator in Romania. On June 22, 1905, Mircea Zorileanu was promoted to the rank of second lieutenant, being assigned to the 1st Red regiment in Galați. In the summer of 1910, he suffered an injury during horse riding; due to his fractures he was declared unfit for riding. While recovering in the summer of 1910, he became interested in aviation, especially after Louis Blériot's first flight to Romania on October 31, 1909. In the autumn of 1910, with the little money he had, he traveled to France to attend Roger Sommer's Blériot aviation school, at Mourmelon-le-Grand. He attended the school from November 12, 1910 to February 13, 1911, but did not obtain a pilot's license at that time. When he returned to Romania, Zorileanu was asked to demonstrate his skills at Prince George Valentin Bibescu's flight school in Bucharest. on July 15, 1911 he executed before a military commission a flight with a Blériot monoplane, following which he received the second flight license granted in Romania.

The Nicolae Iorga Institute of History (Romanian: Institutul de Istorie „Nicolae Iorga”; abbreviation: IINI) is an institution of research in the field of history under the auspices of the Romanian Academy. The institute is located at 1 Bulevardul Aviatorilor in Sector 1 of Bucharest, Romania.

The Victoria Palace (Romanian: Palatul Victoria) is a government building on the large Victory Square (Piața Victoriei) in Bucharest, housing the Prime Minister of Romania and his cabinet. The Victory Palace was designed in 1937 to house the Foreign Ministry, and nearly complete in 1944. It was designed by architect Duiliu Marcu (1885–1966), who had designed many major buildings in 1920s and 30s Romania, including many major government projects in the 1930s and 40s. The Victory Palace is a stylised monumental classical design, with an arcaded ground level, a long colonnade of slim piers on the main front, and two recessed top floors. The facades were entirely clad in Carrara marble, with reliefs in the panels at either end, and there were generously decorated interiors.The building suffered heavy damage in the 1944 Bombing of Bucharest in World War II. It then underwent significant restoration and reconstruction works, being reclad in travertine, without the reliefs and less ornate interiors, finally opening in 1952, housing the headquarters of Foreign Ministry and the Council of Ministers. Following the Romanian Revolution, in 1990 it became the headquarters of the first government of post-communist Romania, a role it still fulfils, housing the office of the Prime Minister of Romania. The palace was declared a historical monument in 2004.

The National Geology Museum in located on Şoseaua Kiseleff (street), in Bucharest, Romania. It is located near Victory Square and Kiseleff Park, in central Bucharest. The museum hosts a collection of 80,000 samples of rocks, fossils, and minerals from Romania.

The French Church of the Sacred Heart (Romanian: Biserica Franceză "Sacré-Cœur") is a Roman Catholic parish church located at 3 Gheorghe Demetriade Street, Bucharest, Romania. It is classified as a historic monument by the Ministry of Culture and Religious Affairs.In the spring of 1906, Monsignor Vladimir Ghika, working with Sister Elisabeta Pucci, whom he had called from Thessaloniki, began work on a building for the Daughters of Charity of Saint Vincent de Paul on land donated by Maria Pâcleanu. In 1922, work began on the Saint Vincent de Paul Sanatorium, inside of which there was a chapel where masses were held until 1930. Additionally, there was a chapel in Pâcleanu's adjacent residence. In 1930, next to the sanatorium's eastern wall, the Daughters of Charity built the parish church, with the altar facing north.On November 12, 1946, the C. I. Parhon Endocrinology Institute was established in the building of the sanatorium. Thus, the area retained a charitable focus, but the church was closed in 1957, a decade into the Communist regime; all charitable activity "by superiors for the poor, orphans and the sick" had been outlawed. On rare occasions, services were held for foreign delegations passing through the country. On December 1, 1991, following the collapse of Communism, the church was reopened and the parish re-established. In 2004, fifty years after he died a political prisoner in Jilava prison, a statue depicting Ghika was placed on a square near the church. As of 2009, the parish has nearly 2000 members, and services are regularly held in Romanian, French, English, Latin and Arabic.The church is in the style of a basilica, with three naves preceded by a small vestibule. The central nave is 6 m wide and has a slightly vaulted ceiling. The others are lower, have flat ceilings, are 3 m wide and are each separated by four square-shaped pillars with Byzantine-style capitals. An extension of the central nave, marked by an arch, features the apse, which has stained-glass windows and a horizontal ceiling. The choir is above the entry into the nave, and there is a small organ to the right of the entrance. Light comes in through large, rectangular windows adorned in stained glass with floral Art Nouveau motifs. The walls and ceilings are painted without decoration. Fourteen bas-relief panels on the walls depict the Stations of the Cross.The exterior is painted simply, in white. The roof has two slopes and is covered in terracotta tiles. Above the roof, behind the entrance facade, there is a small tower with square sides. This has four small, open three-lobed arches, and sharp-angled pediments on each side. On top is a cross and a Gallic rooster. The vestibule is lower, also has a two-sloped roof, and a rounded door. It is located on the southern side before the main facade and provides entry into the church. On either side are two niches surrounded by multiple arches in relief.

The Monument to the Heroes of the Air (Romanian: Monumentul Eroilor Aerului), located in the Aviators' Square, on Aviators' Boulevard, Bucharest, Romania, was built between 1930 and 1935 by sculptors Lidia Kotzebue (1885–1944), and by Iosif Fekete. The structure, 20 m (65.6 ft) high, is made up of bronze sculptures resting on an obelisk-shaped stone pedestal, which in turn stands atop four trapezoidal prisms linked to each other by arcs. Beneath this entire complex is a circular stone base. Attached to the top of the obelisk, which reaches 15 m, is a 5-meter, 5-ton statue depicting a flying man, his wings outstretched. The folds of a shawl fall from his waist onto the obelisk. Three aviators, each in a different stage of flight attempt, are depicted around the base of the obelisk. On the pedestal are the aviators' insignia, helmet and equipment, as well as engraved plaques with the names of Romanian airmen who had crashed to their deaths by the time the monument was built. These men died pursuing various goals: skill development, performance, adventure and fighting in World War I. The first name is that of Gheorghe Caranda, killed on 20 April 1912 on an airfield during a training flight; the last is that of Sava Rotaru, killed on 29 May 1934 in thick fog in the hills around Cernavodă. After the official dedication, 99 additional names have been posted on the North bottom side of the pedestal.

The Zambaccian Museum in Bucharest, Romania is a museum in the former home of Krikor Zambaccian (1889 –1962), a businessman and art collector. The museum was founded in the Dorobanți neighbourhood in 1947, closed by the Ceauşescu regime in 1977, and re-opened in 1992. It is now a branch of The National Museum of Art of Romania. Its collection includes works by Romanian artists—including a masterful portrait of Zambaccian himself by Corneliu Baba—and works by several French impressionists. It is located not far from Piaţa Dorobanţilor on a street now renamed after Zambaccian. At the time the museum was founded, the act of donation stated that it must be housed in Zambaccian's former home. However, after the 1977 Bucharest earthquake (which did no detectable damage to the museum building), the Romanian government created the Museum of Art Collections, consolidating many of the city's smaller museums (and a good number of expropriated private collections). The Zambaccian collection still resided at the Museum of Art Collections at the time of the Romanian Revolution of 1989; it was returned to its historic location in 1992. Artists in the collection include Romanians Ion Andreescu, Corneliu Baba, Apcar Baltazar, Henri Catargi, Alexandru Ciucurencu, Horia Damian, Nicolae Dărăscu, Lucian Grigorescu, Nicolae Grigorescu, Iosif Iser, Ştefan Luchian, Samuel Mutzner, Alexandru Padina, Theodor Pallady, Gheorghe Petrașcu, Vasile Popescu, Camil Ressu, and Nicolae Tonitza, and French artists Pierre Bonnard, Paul Cézanne—the museum has the only Cézanne in Romania—, Jean-Baptiste-Camille Corot, Eugène Delacroix, André Derain, Raoul Dufy, Albert Marquet, Henri Matisse, Camille Pissarro, Pierre-Auguste Renoir, and Maurice Utrillo, as well as pieces by two other artists who worked in France, the Spaniard Pablo Picasso and the Englishman Alfred Sisley. The courtyard features a large sculpture by Romanian sculptor Oscar Han; other sculptors with works in the collection are Constantin Brâncuși, Cornel Medrea, Miliţa Pătraşcu, Dimitrie Paciurea, and Frederic Storck; Storck's own former home, also in the north end of Bucharest, is also now a museum.

Victory Square (Romanian: Piața Victoriei, pronounced [ˈpjat͡sa vikˈtori.ej]) is a major intersection in central Bucharest, where Calea Victoriei, Lascăr Catargiu Boulevard, Iancu de Hunedoara Boulevard, Kiseleff Boulevard, Ion Mihalache Boulevard and Nicolae Titulescu Boulevard cross. It is known for its proximity to major office towers and government buildings. The main government building dates back as far as 1937, when construction work for it started, but it was only completed in 1950. In 1987, the neighboring apartment buildings and Victoria Underpass were built, the underpass was completed sometime between 1987-1989 and the apartment buildings in 1992–1994. Much of the area that is not road is car-park, but green spaces to the north house three of Bucharest's museums.

Piața Victoriei is a metro station in Piața Victoriei (Victory Square), central Bucharest. It is near the Victoria Palace, the headquarters of the Romanian government. The metro station consists of two parts, set on different levels: Piața Victoriei 1, serving Line M2, is above; Piața Victoriei 2, serving Line M1, is below.Along with Piața Unirii, the Piața Victoriei station is one of the busiest metro stations in Bucharest. The station was opened in two stages: Piața Victoriei 1 on 24 October 1987 as part of the M2 extension from Piața Unirii to Pipera; Piața Victoriei 2 on 17 August 1989 as part of the then M3 line from Gara de Nord to Dristor, which later became the terminal section of the M1 line.The station was the setting for many parts of the documentary Children Underground.

The Grigore Antipa National Museum of Natural History (Romanian: Muzeul Național de Istorie Naturală „Grigore Antipa”) is a natural history museum, located in Bucharest, Romania. It was originally established as the National Museum of Natural History on 3 November 1834. It was renamed in 1933 after Grigore Antipa, who administered the museum for 51 years. He is the scientist who reorganized the museum in the new building, designed by the architect Grigore Cerchez and inaugurated by Carol I of Romania in 1908. It was reopened in 2011 after a $14 million renovation. The museum’s collection consists of over 2 million specimens. It is regarded as one of the most prestigious and well organized natural history museums in the world.

The National Museum of the Romanian Peasant (Romanian: Muzeul Național al Țăranului Român) is a museum in Bucharest, Romania, with a collection of textiles (especially costumes), icons, ceramics, and other artifacts of Romanian peasant life. One of Europe's leading museums of popular arts and traditions, it was designated "European Museum of the Year" for 1996.

The Mavrogheni Church (Romanian: Biserica Mavrogheni) is a Romanian Orthodox church located at 4 Monetăriei Street in Bucharest, Romania, north of Victory Square. It is dedicated to the Life-giving Spring. The church was built in 1786-1787 by Nicholas Mavrogenes, the Prince of Wallachia, and his wife Maria, in thanks for their daughter’s recovery from an incurable disease. It was initially a monastery attached to Panagia Ekatontapiliani on his native Paros, and the ktetor endowed it with land, stores and mills. It became a parish church after the 1863 secularization of monastic estates.The church was already deteriorated in 1794, when Prince Alexander Mourouzis ordered repairs. After the 1838 earthquake, it was repaired in 1847: the dome above the narthex was removed, and a portico was added, the latter being replaced in 1947. According to the new pisanie, massive repairs took place in 1890 and again in 1902. Further interventions were undertaken in 1941, following the 1940 quake, which destroyed the bell tower near the street; and in 1945, following the 1944 aerial bombardments. In 1971-1973, the interior was repainted after the 1927 frescoes had deteriorated. The 1977 earthquake affected the structure.The cross-shaped church has ample apses: these are rectangular on the exterior, semicircular on the interior, while the altar apse is elongated. The octagonal dome sits above the nave, while the narthex ceiling is curved on three sides. The small portico features an arch resting on two columns with capitals decorated florally. The facades are simple, with a cornice in profile and a sawtooth decoration. The large windows end in semicircles. An unusual element of the interior painting is a depiction of the zodiac in the choir area. The iconostasis was restored in 1977; it is a wall 80 centimeters thick, painted with five levels of icons in Baroque style. The oriental influences and stucco relief decorations of plants and animals are typical of the 18th century.The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs. Also listed is the tomb of Ion Heliade Rădulescu. The yard holds several other graves, belonging to Princess Zoe Bagration (Văcărescu), the Filipescu family, Prince Mihail Suțu and his wife. In 1997, a new bell tower was built in Neo-Brâncovenesc style.