Bleecker Street Cinema

Mori (1883 – 1937) was a Greenwich Village eating establishment that featured Italian cooking. It became bankrupt during the aftermath of the Great Depression. Its building later housed the Bleecker Street Cinema.

The Garrick Cinema (periodically referred to as the New Andy Warhol Garrick Theatre, Andy Warhol's Garrick Cinema, Garrick Theatre, or Nickelodeon) was a 199-seat movie house at 152 Bleecker Street in the Greenwich Village neighborhood of Lower Manhattan in New York City. Andy Warhol debuted many of his notable films (including Bike Boy (1967), Blue Movie (1969), Flesh (1968), Lonesome Cowboys (1968), Loves of Ondine (1967) and others) in this building (as well as in other area theaters, including the 55th Street Playhouse) in the late 1960s. Frank Zappa and the Mothers of Invention played here nightly for 6 months in 1967. The Cafe Au Go Go was located in the basement of the theater building in the late 1960s, and was a prominent Greenwich Village night club, featuring many well known musical groups, folksingers and comedy acts.

Lord's is a British restaurant in New York City. It was named one of twelve best new restaurants in the United States by Eater in 2023.

The Cafe Au Go Go was a Greenwich Village night club located in the basement of the New Andy Warhol Garrick Theatre building in the late 1960s, and located at 152 Bleecker Street in Manhattan, New York City. The club featured many musical groups, folk singers and comedy acts between the opening in February 1964 until closing in December 1970. The club was originally owned by Howard Solomon who sold it in June 1969 to Moses Baruch. Howard Solomon became the manager of singer Fred Neil.

The University Village is a complex of three apartment buildings located in Greenwich Village in the Lower Manhattan-part of New York City. The complex is owned by New York University and was built in the 1960s as part of the University's transition to a residential college. One of the towers, 505 LaGuardia Place, is a co-op that does not house students, and the other two towers, Silver Tower I and Silver Tower II, house faculty and graduate students of NYU. The buildings were designed by modern architects James Ingo Freed and I. M. Pei, and the central-plaza contains a sculpture by Carl Nesjär and Pablo Picasso. In 2008 the complex was designated a New York City Landmark by the Landmarks Preservation Commission.

The Bitter End is a 230-person capacity nightclub, coffeehouse and folk music venue in New York City's Greenwich Village. It opened in 1961 at 147 Bleecker Street under the auspices of owner Fred Weintraub. The club changed its name to The Other End in June 1975. However, after a few years the owners changed the club's name back to the more recognizable The Bitter End. It remains open under new ownership.

Bleecker Street was a station on the demolished IRT Sixth Avenue Line in Manhattan, New York City. It had two tracks and two side platforms. It was served by trains from the IRT Sixth Avenue Line and opened on June 5, 1878. It closed on December 4, 1938.

The Village Gate was a nightclub at the corner of Thompson and Bleecker Streets in Greenwich Village, New York. Art D'Lugoff opened the club in 1958, on the ground floor and basement of 160 Bleecker Street. The large 1896 Chicago School structure by architect Ernest Flagg was known at the time as Mills House No. 1 and served as a flophouse for transient men. In its heyday, the Village Gate also included an upper-story performance space, known as the Top of the Gate.Throughout its 38 years, the Village Gate featured such musicians as John Coltrane, Coleman Hawkins, Duke Ellington, Jimi Hendrix, Dizzy Gillespie, Bill Evans, Dave Brubeck, Charles Mingus, Sonny Rollins, Dexter Gordon, Art Blakey, Woody Shaw, Miles Davis, Stan Getz, Vasant Rai, Nina Simone, Herbie Mann, Woody Allen, Patti Smith, Velvet Underground, Edgard Varèse, and Aretha Franklin, who made her first New York appearance there. The show Jacques Brel is Alive and Well and Living in Paris, debuted at the Village Gate in 1968.

(Le) Poisson Rouge (often referred to as LPR) is a music venue and multimedia art cabaret in New York City founded in 2008 by Justin Kantor and David Handler on the former site of the Village Gate at 158 Bleecker Street. The performance space was designed and engineered by John Storyk/WSDG. It has become known for its focus on artistry, bringing contemporary classical music into the club setting, and offering a variety of set ups so that a seated classical performance can be followed by a standing set by a rock band or a DJ. Responding to a performance of Olivier Messiaen's Quartet for the End of Time featuring pianist Bruce Brubaker at LPR, The Wall Street Journal reported: "The crowd – many of whom wouldn't even have known who Messiaen was – sat in rapt silence, and roared their approval at the end."Kantor and Handler, both graduates of Manhattan School of Music, founded LPR with the stated desire of creating a venue that would foster the fusion of "popular and art cultures" in music, film, theater, dance, and fine art.The venue is home to a myriad variety of genres focusing on classical, new music, avant garde music, indie rock, and jazz, but also playing host to readings, comedy, film, DJs, parties, theater, and burlesque.A number of live albums have been recorded at (Le) Poisson Rouge, including an improvised album by J. Spaceman and Kid Millions and Grand Valley State University's New Music Ensemble recording of Terry Riley's In C.

The Renee and Chaim Gross Foundation is a non-profit organization incorporated in 1989 dedicated to the study of modern American sculptor Chaim Gross (1902–91), his contemporaries, and the history of 20th-century American art. It is located in the sculptor's four-story historic home on LaGuardia Place in Manhattan's Greenwich Village neighborhood and is open to the public. In addition to the artist's sculpture and drawings, it also exhibits important works of American, European, Pre-Columbian and African art that the artist collected. In 2015, the Foundation won a Village Award from the Greenwich Village Society for Historic Preservation for its contributions as a resource to the downtown community. The townhouse was built in the 1830s and was converted to an industrial loft in the 1880s. The Gross family converted it into a residential space when they purchased the building in 1963. The first floor is the artist's sculpture studio, featuring a dramatic skylight and an array of tools and materials related to the process of direct carving, which Gross pioneered in America in the late 1920s. Adjacent to the studio is a permanent installation of Gross' sculpture from the 1920s through the 1980s. The second floor features changing exhibits exploring themes in modern American art; past exhibits have examined the photography of sculpture, American surrealism, and direct carving. The Foundation also hosts related programs including artist's talks and poetry readings, as well as joint programs with the SoHo Arts Network, a consortium of downtown arts non-profits founded in 2015. The third floor is the family's living and dining space which remains as it was during the artist's lifetime, featuring a Salon-style installation by Gross of his wide-ranging collection. All three floors are open to the public during regular gallery hours or by appointment. The building and collections are actively used by students and artists studying at the New York Studio School, New York University, CUNY Staten Island, and a number of other schools.

Carbone is an Italian restaurant chain with locations in the Greenwich Village neighborhood of Manhattan and elsewhere. It is operated by Major Food Group, which also operates ZZ's Clam Bar. The original restaurant opened in 2013, and replaced another Italian establishment, the 90-year-old Rocco Restaurant. Founders Mario Carbone and Rich Torrisi say that they modeled the menu, decor, and atmosphere on mid-century Italian restaurants popular in New York City.

Rocco Restaurant was an Italian restaurant on Thompson Street (Manhattan) in Greenwich Village.Ralph Redillo, the superintendent of the building, has said it was a “big mob joint” and in the 1950s, attracted Marilyn Monroe and Joe DiMaggio. Later celebrity guests included Johnny Depp, Robert De Niro and Screw Magazine editor Al Goldstein.Mario Batali worked there as a chef.It is said that in 1952, Anthony "Tony Bender" Strollo ordered a hit there. In September 1952, he met with Joseph Valachi for dinner. He was given a hit on Eugenio Giannini, a Bureau of Narcotics informer from the Lucchese crime family.