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Reclining Figure (Lincoln Center)

1965 sculpturesAbstract sculptures in New York CityAbstract sculptures in the United StatesBronze sculptures in ManhattanBronze sculptures in Massachusetts
Massachusetts Institute of Technology campusOutdoor sculptures in Cambridge, MassachusettsOutdoor sculptures in ManhattanSculptures by Henry Moore
Charing Cross Hospital Henry Moore 23360
Charing Cross Hospital Henry Moore 23360

Reclining Figure (Lincoln Center) 1963–5 (LH 519) is a statue by Henry Moore. The original two-part bronze statue of a human figure was commissioned for the Lincoln Center for the Performing Arts in New York City, where it has been displayed outdoors since 1965 in a pool of water to the north of the new Metropolitan Opera House. Other copies in plaster or bronze exist, and are displayed in other cities.

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Reclining Figure (Lincoln Center)
West 64th Street, New York Manhattan

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N 40.7732 ° E -73.98367 °
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Lincoln Center for the Performing Arts

West 64th Street 10
10023 New York, Manhattan
New York, United States
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Charing Cross Hospital Henry Moore 23360
Charing Cross Hospital Henry Moore 23360
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Theatre on Film and Tape Archive
Theatre on Film and Tape Archive

The Theatre on Film and Tape Archive (TOFT), a collection within the Billy Rose Theatre Division of the New York Public Library for the Performing Arts, produces video recordings of New York and regional theater productions, and provides research access at its Lucille Lortel screening room. The core of the collection consists of live recordings of Broadway and Off-Broadway productions, with some additional productions from professional regional theaters. The Archive also records interviews and dialogues with notable theater professionals. The Archive was established in 1970 by Betty L. Corwin, who served as its Director until her retirement in 2000. Ms. Corwin and the Archive were subsequently awarded a Special Tony Award for "Excellence in the Theatre" at the 55th Annual Tony Awards. In 2001, Patrick Hoffman became TOFT Director. The collection maintains contracts with all theatrical unions and guilds, thus enabling clearances for the non-commercial videotaping of live theater. The collection is housed on the third floor of the New York Public Library for the Performing Arts. The recordings may be viewed by anyone with a professional or research interest, but may not be reproduced. Users consist of theater professionals, students, scholars, journalists, critics, and other researchers. The majority of the collection is cataloged online and searchable by visiting the NYPL website, www.nypl.org. The collection is considered one of the most comprehensive collections of videotaped theater productions in the world. Archives modeled on TOFT include the Museum of Performance & Design in San Francisco, the Washington Area Performing Arts Video Archive established in Washington, D.C., and the National Video Archive of Performance in London.

Vivian Beaumont Theater
Vivian Beaumont Theater

The Vivian Beaumont Theater is a Broadway theater in the Lincoln Center complex at 150 West 65th Street on the Upper West Side of Manhattan in New York City. Operated by the nonprofit Lincoln Center Theater (LCT), the Beaumont is the only Broadway theater outside the Theater District near Times Square. Named after heiress and actress Vivian Beaumont Allen, the theater was one of the last structures designed by modernist architect Eero Saarinen. The theater shares a building with the New York Public Library for the Performing Arts and contains two off-Broadway venues, the Mitzi E. Newhouse Theater and the Claire Tow Theater. The Beaumont occupies the southern and western sides of its building's first and second floors, while the library wraps above and on top of it. The main facade faces Lincoln Center's plaza and is made of glass and steel, with a travertine attic above. The main auditorium has approximately 1,080 seats across two levels, arranged in a steeply sloped semicircular layout. The Beaumont differs from traditional Broadway theaters because of its use of a flexible stage, which could be extended with a thrust stage of varying length. The layout led to complaints about inferior sightlines and acoustics in the theater's early years. The 299-seat Mitzi E. Newhouse Theater is in the basement and the 112-seat Claire Tow Theater is on the roof. Allen donated $3 million for the theater's construction in 1958 but died before its completion. The Beaumont opened on October 21, 1965, and was originally operated by Jules Irving and Herbert Blau of the Repertory Theater of Lincoln Center, generally presenting four shows a season. The Beaumont was managed by the New York Shakespeare Festival, under the direction of Joseph Papp, from 1973 to 1977. Richmond Crinkley took over the theater for the next eight years, with the Beaumont only operating for two seasons during that time. Due to a canceled renovation and financial difficulties led to the Beaumont being reorganized in 1985, with Gregory Mosher and Bernard Gersten of the LCT taking over. The Beaumont became much more profitable and was renovated in 1996. The theater has hosted several popular productions since the late 1980s, including Anything Goes, Contact, The Light in the Piazza, South Pacific, The King and I, and My Fair Lady.

Metropolitan Opera
Metropolitan Opera

The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th and 21st century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs. The Met's performing company consists of a large symphony orchestra, a chorus, children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others maintain a close long-standing association with the Met, appearing many times each season until they retire.