Molino Stucky

Santi Biagio e Cataldo or San Biagio e Cataldo was a church on the western corner of the Giudecca island in Venice, Italy. It was dedicated to saint Blaise and saint Catald.

Palazzo Foscari (also called Palazzetto Foscari) is a Gothic style palace in Venice, built in the 14th century; it is located at the civic number 795 in the island of Giudecca, near the Molino Stucky. Originally one of the palaces built for the 65th doge of Venice Francesco Foscari and his family, in the late 19th century Palazzo Foscari in Giudecca was also inhabited by Giovanni Stucky, the Swiss engineer who completely renovated and enlarged the flour mills of Venice, applying modern manufacturing concepts and techniques (source: mosaic in the staircase, datation 1898). From 1992 to 2006, the palace hosted the Archivio musicale Luigi Nono, the musical archive of the Venetian composer. Since 2006, the palazzo has hosted a modern and contemporary art gallery, named after the address Giudecca 795.

Sant'Eufemia (Italian: Chiesa di Sant'Eufemia) is a Roman Catholic church located in the island of Giudecca in Venice, Veneto, Italy and dedicated to saint Euphemia. It was initially built in the 9th century in the Venetian-Byzantine style. It was restored and rebuilt several times, finally in the 18th century, when the façade was altered, stucco applied to the central nave and the ceiling vaults of the interior and three altarpieces added - 'Jesus among the Doctors' in the Chapel of St Francis, a 1771 'Visitation of the Virgin' by Giambattista Canal and 'The Adoration of the Magi' by Jacopo Marieschi (the third of these has now been moved elsewhere). The ceiling painting is also by Canal in the style of Tiepolo and shows scenes relating to the church's patron saint - her baptism in the left aisle, the saint in glory in the central nave and episodes from her life in the right aisle. Its right side overlooks the Giudecca canal and has a portico with Doric style columns, taken from the nearby church and monastery of Santi Biagio e Cataldo during the latter's 1593 restoration. In a niche inside the porch is a Gothic-style image of the 'Holy Bishop' below a 14th-century crucifixion with donors in the Byzantine style, set in a three-faceted bezel. Its interior is a three-nave basilica, whose original columns and capitals survive. A chapel now houses the remains of Blessed Giuliana of Collalto, translated there in 1822, again from santi Biagio e Cataldo. The left aisle also houses an 18th-century marble sculpture of the Virgin Mary and Christ by Gianmaria Morlaiter in the left, whilst the firsts altarpiece in the right aisle houses the central part of a triptych of saint Roch and the angel under a lunette of the Virgin and Child, both by Bartolomeo Vivarini and dating to 1480. The presbytery also houses a painting of the Last Supper by Benfatto Alvise Dal Friso, from the Veronese school.

The Chiesa di San Sebastiano (English: Church of Saint Sebastian) is a 16th-century Roman Catholic church located in the Dorsoduro sestiere of the Italian city of Venice. The church houses a cycle of paintings by the artist Paolo Veronese, as well as paintings by Tintoretto and Titian. The church is also a member of the Chorus Association of Venetian churches. It stands on the Campo di San Sebastiano by the Rio di San Basilio, close to the Giudecca Canal. It is one of the five votive churches in Venice, each one built after the passing of a plague through the city. Following construction, the church was dedicated to a saint associated with the disease; in this case St. Sebastian.

Ognissanti (Italian: Chiesa di Ognissanti) is a 16th-century Roman Catholic church located in the Dorsoduro sestiere of the Italian city of Venice.

The Chiesa dell'Angelo Raffaele (English: "Church of the Angel Raphael") is a church in Venice, northern Italy, located in the Dorsoduro sestiere. San Raffaele Arcangelo church is one of the only two churches in Venice that are possible to walk all around. It is located in Dorsoduro neighbourhood, close to San Basilio water bus stop.

The Palazzo Clary (Clary Palace ) is a Late Renaissance Venetian palace facing the Giudecca Canal alongside the fondamenta Zattere by the ponte longo in Venice's Dorsoduro. It was originally built in the 17th century for a Venetian noble family. In the early 19th century, the palazzo is known as Palazzo Clary, named after it was bought by the prince Clary-Aldringen. The neighboring building is Palazzo Giustinian Recanati.

Palazzo Ariani, also known as Palazzo Ariani Minotto Cicogna (in Venetian, Palazzo Arian), is a palace in Venice, located in the Dorsoduro district, almost opposite to the church of Angelo San Raffaele and not far from San Sebastiano. The nearby bridge Ponte del Soccorso connects it to the Palazzo Zenobio.

Sacca Fisola is an artificial island in the Venetian Lagoon. It is a largely modern residential area.

The Ca' Zenobio degli Armeni (Palazzo Zenobio, Ca' Zenobio) is a Baroque-style palace structure in the sestiere of Dorsoduro, in Venice, Italy. The nearby bridge Ponte del Soccorso connects it to the Palazzo Ariani.

Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former Scuola Grande di Santa Maria del Carmelo, also known as the Scuola dei Carmini. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the Pinzocchere dei Carmini. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites.

Le Eremite is a small Catholic church in the Dorsoduro area of Venice, Italy. It was built at the end of the 17th century for Augustinian nuns. It formed part of a larger complex which included a convent and schools run by the nuns. The schools ran until the middle of the last century and taught children of all ages - from infants to high school. The church is dedicated to Jesus, Mary and Joseph. Construction was completed in 1694.