Bosque Alemão

RIC TV Curitiba (channel 7) is a Brazilian television station based in Curitiba, Paraná serving as an affiliate of the Record for the metropolitan region. The station is the flagship broadcasting property of the locally-based Grupo RIC, which owns three other stations under the RIC TV name, serving the entirety of the state with its studios being located in the Pilarzinho neighborhood of Curitiba.

The Centro Israelita do Paraná (English: Israelite Center of Paraná) is the main gathering place for Jews in the city of Curitiba, Brazil.

The Oscar Niemeyer Museum (Portuguese: Museu Oscar Niemeyer) is located in the city of Curitiba, in the state of Paraná, in Brazil. It was inaugurated in 2002 with the name Novo Museu or New Museum. With the conclusion of remodeling and the construction of a new annex, it was reinaugurated on July 8, 2003, with the current denomination to honor its famous architect who completed this project at 95 years of age, Oscar Niemeyer. It is also known as Museu do Olho or Eye Museum, due to the design of the main building.The museum focuses on the visual arts, architecture and design. For its magnificence, beauty and for the importance of the collection, it represents a cultural institution of international significance. The complex of two buildings, installed in an area of 35 thousand square meters (of which 19 thousand are dedicated to exhibition space), it is a true example of architecture allied with art. The first building was designed by Oscar Niemeyer in 1967, faithful to the style of the time, and conceived as an educational institute, which was opened in 1978.The museum features many of Niemeyer's signature elements: bold geometric forms, sculptural curved volumes placed prominently to contrast with rectangular volumes, sinuous ramps for pedestrians, large areas of white painted concrete, and areas with vivid murals or paintings. Though rooted in modern architecture since his involvement in the international style, Niemeyer's designs have much in common with postmodern architecture as well and this is as contemporary a building as the artwork it displays.

The Legislative Assembly of Paraná (Portuguese: Assembleia Legislativa do Paraná) is the unicameral legislature of Paraná state in Brazil. It has 54 state deputies elected by proportional representation. The Assembly began on December 19, 1853 when Paraná became a province (before it was a territory of São Paulo).

The Pedreira Paulo Leminski is a 25,000 capacity outdoor concert venue located in Curitiba, Brazil. It was partly named after Paulo Leminski, a twentieth century Brazilian writer, and because it served as the Municipal Pedreira, or rock quarry. Located in the neighborhood of Abranches, the site is about 103,500 metres long, its stage is around 480m², and it is surrounded by a rock wall thirty meters high. It was first opened in 1990. The Wire Opera House, which was opened in 1992 for the first Curitiba Theater Festival. Together, the two sites make up the Parque das Pedreiras. In July 2008, the holding of large events was prohibited in the place by an injunction in a Public Civil Action filed by the Public Ministry of Paraná, based on a request from the residents of the region, who alleged disrespect for the schedule of shows and riots caused by visitors. After a legal dispute between the space's neighbors and the municipal government, which had taken place since 2008, an agreement was reached, which included a renovation with new adaptations and some restrictions for shows and, thus, the quarry was released in September 2013. With the improvements made, at a cost of R$ 17 million, the space was reopened in March 2014.

Sei-Sociedade de Educação Integral, commonly known as Colégio Integral, is a Brazilian school in the city of Curitiba, Paraná.

The Ópera de Arame, in Portuguese, or the Wire Opera, in English, is a theatre house located in the city of Curitiba, the capital of the state of Paraná, in southern Brazil. It is one of the major tourist attractions of the city. The opera house has a capacity of 2,400 spectators.Situated in the middle of an urban green park, Parque das Pedreiras, which can be translated as "Rocky Mountains Park", the Wire Opera House theatre is built out of steel tubes. It is built on the site of a former rock quarry close to "Pedreira de Paulo Leminski." The structure was built in the center of an artificial lake and is accessed by a walkway. Designed by Domingos Bongestabs, the metallic structure weighs a total of 360 tons of steel. The structure was built in 75 days and opened on March 18, 1992. It underwent many changes until 2006. The idea in 1992 was to offer to the public an outdoor space, with a new and innovative perspective, where artists could present their music. The place was built almost "engraved" in the middle of a natural structure of rocky mountains. Some of the side "walls" of the rocks are used to place information the tourist can access while visiting, to know more about the Wire Opera. Currently, there are many plates with dates of landmarks and names of important people who were there. On one wall, a plate reads: "On 22 December 1992, Tom Jobim, glory of the Brazilian music, presented himself in this Wire Opera".

The Cathedral Basilica Minor of Our Lady of Light (Portuguese: Catedral Basílica Menor Nossa Senhora da Luz), also called Curitiba Cathedral, is a Catholic church in the city of Curitiba, in the state of Parana in Brazil. In 1668, a small wooden church was built on the site, in the old town of Curitiba today, with a church dedicated to Our Lady of Light and Jesus. In 1693, the City Council was established in the place in order to elect the first municipal authorities. On March 29 of the same year, the foundation of the town of Nossa Senhora da Luz e do Bom Jesus dos Pinhais Curitiba became official. Years later, it gave way to a larger church in stone and clay, completed in 1721, called the church headquarters. That, in turn, was demolished between 1875 and 1880, to finally build the present cathedral, which work was carried out between 1876 and 1893.

The Metropolitan Region of Curitiba, also known as Greater Curitiba, brings together 29 municipalities in the state of Paraná in a relative process of conurbation. The term refers to the extension of the capital of Paraná, forming with its bordering (or close) municipalities a continuous urban area. The population in 2015, according to the Brazilian Institute for Geography and Statistics was of 3,502,790 inhabitants.In urban planning circles, the greater Curitiba area has received attention for advancing sustainable urbanization. Its leaders integrated the Bus Rapid Transit (BRT) and city development, using high-capacity, high-quality dedicated busways to guide growth along well-defined lineal axes.

Curitiba (Brazilian Portuguese: [kuɾiˈtʃibɐ]) is the capital and largest city in the state of Paraná in Southern Brazil. The city's population was 1,963,726 as of 2021, making it the eighth most populous city in Brazil and the largest in Brazil's South Region. The Curitiba Metropolitan area comprises 29 municipalities with a total population of over 3,731,769 (IBGE estimate in 2021), making it the ninth most populous metropolitan area in the country. The city sits on a plateau at 932 m (3,058 ft) above sea level. It is located west of the seaport of Paranaguá and is served by the Afonso Pena International and Bacacheri airports. Curitiba is an important cultural, political, and economic center in Latin America and hosts the Federal University of Paraná, established in 1912. In the 1700s, Curitiba's favorable location between cattle-breeding countryside and marketplaces led to a successful cattle trade and the city's first major expansion. Later, between 1850 and 1950, it grew due to logging and agricultural expansion in Paraná State (first Araucaria angustifolia logging, later mate and coffee cultivation and in the 1970s wheat, corn and soybean cultivation). In the 1850s, waves of European immigrants arrived in Curitiba, mainly Germans, Italians, Poles and Ukrainians, contributing to the city's economic and cultural development and richness in diversity. Nowadays, only small numbers of immigrants arrive, primarily from Middle Eastern and other South American countries. Curitiba's biggest expansion occurred after the 1960s, with innovative urban planning that allowed the population to grow from some hundreds of thousands to more than a million people. Curitiba's economy is based on industry and services and is the fourth largest in Brazil. Economic growth occurred in parallel to a substantial inward flow of Brazilians from other parts of the country, as approximately half of the city's population was not born in Curitiba.Curitiba is one of the few Brazilian cities with a very high Human Development Index (0.856) and in 2010 it was awarded the Global Sustainable City Award, given to cities and municipalities that excel in sustainable urban development. According to US magazine Reader's Digest, Curitiba is the best "Brazilian Big City" in which to live. Curitiba's crime rate is considered low by Brazilian standards and the city is considered one of the safest cities in Brazil for youth. The city is also regarded as the best in which to invest in Brazil. Curitiba was one of the host cities of the 1950 FIFA World Cup, and again for the 2014 FIFA World Cup. Despite its good social indicators, the city has a higher unemployment rate than other cities in the state.

The Moreira Garcez Building (Portuguese: Edifício Moreira Garcez) is a historic building located in Curitiba, Brazil.

Rua XV de Novembro (15 November Street) is one of the major streets in downtown Curitiba. Also known as Rua das Flores (Flower Street), it is one of the first major pedestrian streets in Brazil. It was inaugurated in 1972, with well-tended pots of flowers and tourist restaurants installed in hundred-year-old buildings. The transformation of the street was one of the first projects of the mayor of Curitiba, Jaime Lerner, who was an urban planner. It is named for the Proclamation of the Republic, which took place on November 15, 1889. It is very common to see every kind of artistic performances, such as mimes and clowns who interact with those who pass by, musicians, magicians and other miscellaneous performers, such as the Statue Man.