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Place Monge (Paris Métro)

Latin Quarter, ParisParis Métro line 7Paris Métro stations in the 5th arrondissement of ParisParis Métro stubsRailway stations in France opened in 1930
Metro de Paris Ligne 7 Place Monge 03
Metro de Paris Ligne 7 Place Monge 03

Place Monge (French pronunciation: ​[plas mɔ̃ʒ]) is a station on Line 7 of the Paris Métro, opened on 15 February 1930 as part of a planned section of the line, which was temporarily operated as part of Line 10 until the completion of the under-Seine crossing of Line 7 from Pont de Sully. This former arrangement can still be seen at the north of the station where a non-revenue track diverges on the left, leading to Cardinal Lemoine (now on Line 10). The station was integrated into Line 7 on 26 April 1931. It serves Place Monge, named after Gaspard Monge (1746–1818), a French mathematician who is best known as the inventor of descriptive geometry. The station is located in the 5th arrondissement, in the eastern part of the Latin Quarter. Nearby are the Jardin des Plantes (botanical garden), the Roman remains of the Arènes de Lutèce and the Rue Mouffetard, a street with restaurants and a lively street market.

Excerpt from the Wikipedia article Place Monge (Paris Métro) (License: CC BY-SA 3.0, Authors, Images).

Place Monge (Paris Métro)
Rue Monge, Paris 5th Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.84359 ° E 2.352279 °
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Address

Monge

Rue Monge
75005 Paris, 5th Arrondissement (Paris)
Ile-de-France, France
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Metro de Paris Ligne 7 Place Monge 03
Metro de Paris Ligne 7 Place Monge 03
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Arènes de Lutèce
Arènes de Lutèce

The Arènes de Lutèce ([a.ʁɛn də ly.tɛs], "Arenas of Lutetia") are among the most important ancient Roman remains from the era in Paris (known in antiquity as Lutetia), together with the Thermes de Cluny. Constructed in the 1st century AD, this theatre could once seat 15,000 people and was used also as an amphitheatre to show gladiatorial combats. The terraced seating surrounded more than half of the arena's circumference, more typical of an ancient Greek theatre rather than a Roman one which was semi-circular. The orchestra was surrounded by the wall of a podium 2.5 m (8.2 feet) high, surmounted by a parapet. The stage was 41m long. A series of nine niches were most likely used for statues. Five small rooms were situated beneath the lower terraces, some of which appear to have been animal cages that opened directly into the arena. Slaves, the poor, and women were relegated to the higher tiers — while the lower seating areas were reserved for Roman male citizens. For comfort, a linen awning sheltered spectators from the hot sun. From its vantage point, the theatre also afforded views of the rivers Bièvre and Seine. When Lutèce was sacked during the barbarian raids of AD 275, some of the structure's stone work was used to reinforce the city's defences around the Île de la Cité. However, Chilperic I had it repaired in 577 and gave performances there. Subsequently, the theatre became a cemetery, and was filled in completely following the construction of wall of Philippe Auguste (ca. 1210). Centuries later, even though the surrounding neighbourhood (quartier) had retained the name les Arènes, the exact location was lost. It was discovered by Théodore Vaquer during the building of the Rue Monge between 1860–1869, when the Compagnie Générale des Omnibus sought to build a tramway depot on the site. Spearheaded by the author Victor Hugo (1802–1885) and a few other intellectuals, a preservation committee called la Société des Amis des Arènes undertook to save the archaeological treasure. After the demolition of the Couvent des Filles de Jésus-Christ in 1883, one-third of the arena was uncovered. The Municipal Council dedicated funds to restoring the arena and establishing it as a public square, which was opened in 1896. After the tramway lines and depot were dismantled in 1916 and line 10 of the Paris Métro was constructed, the doctor and anthropologist Jean-Louis Capitan (1854–1929) continued with additional excavation and restoration of the arena toward the end of World War I. The neighbouring Square Capitan, built on the site of the old Saint-Victor reservoir, is dedicated to his memory. However, a portion of the original arena — opposite the stage — was lost to buildings which line rue Monge. Standing in the centre of the arena one can still observe significant remnants of the stage and its nine niches, as well as the grilled cages in the wall. The stepped terraces are not original, but historians believe that 41 arched openings punctuated the façade.