Athena Teaches the Young Man How to Use a Weapon

Schlossbrücke is a bridge in the central Mitte district of Berlin, Germany. Built between 1821 and 1824 according to plans designed by Karl Friedrich Schinkel, it was named after the nearby City Palace (Stadtschloss). The bridge marks the eastern end of the Unter den Linden boulevard.

Athena Arms the Warrior (German: Athena bewaffnet den Krieger) is an 1851 sculpture by Karl Heinrich Möller, installed on Schlossbrücke in Berlin, Germany. It depicts the goddess Athena.

Museumsinsel is a subway station in Berlin's Mitte district. It is part of the extension of the subway line U5 from Alexanderplatz to Brandenburger Tor, with groundbreaking occurring in 2010. The station opened on 9 July 2021.

Athena Leads the Young Warrior into the Fight (German: Der Jüngling wird von Athena in neuen Kampf geführt) is an 1853 sculpture by Albert Wolff, installed on Schlossbrücke in Berlin, Germany.

Athena Protects the Young Hero (German: Der junge Held wird von Athena beschützt) is an 1854 sculpture by Gustav Bläser, installed on Schlossbrücke in Berlin, Germany.

The Kommandantenhaus (English: Commandant's House), also called Alte Kommandantur (Old Commandantura), on Unter den Linden boulevard in the historic centre of Berlin is the former headquarter of the city's commandant. It was built in 1654 and renovated from 1873 to 1874 in Renaissance Revival style. Damaged during the Allied bombing in World War II and later demolished, it was rebuilt from 2001 to 2003 as part of the Forum Fridericianum. Since then, it has been home to a representative office of Bertelsmann. The Kommandantenhaus was the workplace of the French writer Stendhal, the German politician Otto Wels and the German Resistance member Paul von Hase.

Schinkelplatz is a square in Berlin, Germany, named after Karl Friedrich Schinkel. On one side of the square stands the Bauakademie, under wraps waiting to be rebuilt, and on the other, the neo-Gothic Friedrichswerder Church. In front of both buildings, there is a statue of Schinkel. More recent buildings include a block of apartments, offices, shops and restaurants designed by Axel Schultes and Charlotte Frank; Rafael Moneo; and the firm Hemprich Tophof.The square also has statues of Albrecht Thaer and Christian Peter Wilhelm Beuth.

The Bauakademie (Building Academy) in Berlin, Germany, was a higher education school for the art of building to train master builders. It originated from the construction department of the Academy of Fine Arts and Mechanical Sciences (from 1704), which emphasized the aesthetic elements of art of building while ignoring the technical. Thus, the governmental Upper Building Department ("UBD") decided to establish an entirely new building educational institution named "Bauakademie". It was founded on 18 March 1799 by King Frederick William III and, in 1801, incorporated into the UBD, as its section. The building of the Building Academy (Bauakademie), built between 1832 and 1836 (later known as Schinkel's Bauakademie), is considered one of the forerunners of modern architecture due to its hithertofore uncommon use of red brick and the relatively streamlined facade of the building. Designed by Karl Friedrich Schinkel, it was built near the Berlin City Palace and accommodated two royal Prussian institutions: the State Construction Commission (Oberbaudeputation), of which Schinkel was the director, and - first of all - the Building Academy (institution), which in 1879 gave birth to the Royal Technical Higher School (Königlich Technische Hochschule Charlottenburg) - the forerunner of the Technical University of Berlin. For nearly 50 years (1885-1933), the Bauakademie became the home of the "Königlich Preussische Messbild-Anstalt" renamed to "Staatliche Bildstelle" in 1921. This institution, under its director Albrecht Meydenbauer, became the first world-wide office professionally working with photogrammetry and establishing an archive of historical buildings based on photography. By 1920, approximately 20.000 glass-negatives of the format 30x30 cm and 40x40 cm had been collected in Germany and abroad. During the Weimar period, the Bauakademie was the home of the famous Deutsche Hochschule für Politik as well as other institutions supported by the State of Prussia. Damaged during World War II, the Bauakademie was then partially restored, but in 1962 the building was demolished to make room for the future Ministry of Foreign Affairs of East Germany. In 1995, the Ministry of Foreign Affairs of East Germany was demolished in order to recreate the Werderscher Markt area. Since then, proposals to rebuild Schinkel's Bauakademie have been discussed with city and Federal authorities. The Werderscher Markt area has already been partially recreated by the Bertelsmann-funded reconstruction of the Alte Kommandantur. As for the Bauakademie, between 2000 and 2001 students erected a temporary structure to give an impression of the volume and form of the building. On November 11, 2016, the German Bundestag decided to rebuild the building academy according to the motto "As much Schinkel as possible". The cost of the project is estimated at 51 million euros.

Löwenkämpfer (English: The Lion Fighter) is an 1858 bronze equestrian statue by Albert Wolff, installed outside the Altes Museum in Berlin, Germany. An 1892 copy stands in front of the Philadelphia Museum of Art. The companion piece is Amazone zu Pferde, also installed outside the Altes Museum.

The Kronprinzenpalais (English: Crown Prince's Palace) is a former Royal Prussian residence on Unter den Linden boulevard in the historic centre of Berlin. It was built in 1663 and renovated in 1857 according to plans by Heinrich Strack in Neoclassical style. From 1919 to 1937, it was home to the modern art collection of the National Gallery. Damaged during the Allied bombing in World War II, the Kronprinzenpalais was rebuilt from 1968 to 1970 by Richard Paulick as part of the Forum Fridericianum. In 1990, the German Reunification Treaty was signed in the listed building. Since then, it has been used for events and exhibitions.

The Zeughaus (English: Arsenal) is a listed building and the oldest structure on Unter den Linden boulevard in the historic centre of Berlin. Erected from 1695 to 1706 according to plans by Johann Arnold Nering, Martin Grünberg, Andreas Schlüter and Jean de Bodt in Baroque style, it was later converted into a Prussian Hall of Fame. Damaged during the Allied bombing in World War II, it was rebuilt from 1949 to 1967 as part of the Forum Fridericianum. Since 2003, it has been home to the Deutsches Historisches Museum (German Historic Museum).

The Severan Tondo or Berlin Tondo from circa 200 AD, is one of the few preserved examples of panel painting from Classical Antiquity, depicting the first two generations of the imperial Severan dynasty, whose members ruled the Roman Empire in the late 2nd and early 3rd centuries. It depicts the Roman emperor Septimius Severus (r. 193–211) with his wife, the augusta Julia Domna, and their two sons and co-augusti Caracalla (r. 198–217) and Geta (r. 209–211). The face of one of the two brothers has been deliberately erased, very likely as part of damnatio memoriae.On the viewer's right is Septimius Severus, and to the left Julia Domna. In front of them are the boys Caracalla and Geta, probably the figure with the erased face on the viewer's left and slightly to the rear of the other boy. All wear jeweled gold wreaths and imperial insignia, some details of which have been lost. The dating of the piece has caused some debate among scholars, with the final consensus being circa 200 AD. The tondo has many stylistic connections to Fayum Mummy portraiture including materials and artistic elements, and its production has been located in the Fayum district of Egypt during this period. Later on the tondo re-emerged from the antiquities trade; the provenance is unknown before entering the Antikensammlung Berlin (inventory number 31329) in the 20th century. It is now in the Altes Museum.