place

Opéra (Paris Métro)

Paris Métro line 3Paris Métro line 7Paris Métro line 8Paris Métro stations in the 2nd arrondissement of ParisParis Métro stations in the 9th arrondissement of Paris
Railway stations in France opened in 1904
Metro Paris Ligne 3 station Opera 05
Metro Paris Ligne 3 station Opera 05

Opéra (French: [ɔpeʁa] (listen)) is a station of the Paris Métro, named after the nearby Opéra Garnier, built by architect Charles Garnier. Located at the end of the Avenue de l'Opéra, one of the accesses being opposite the Opéra, it serves the district of Boulevard Haussmann. Three Métro lines (3, 7 and 8) cross each other at one point, known as a "well". The station offers a connection to the following stations: Auber on RER A, Haussmann–Saint-Lazare on RER E, Havre – Caumartin on Line 3 and Line 9, Saint-Augustin on Line 9, as well as Saint-Lazare on Line 3, Line 12, Line 13 and Line 14. The station is famous for its strong odours of sewers. When it was being built, there were concerns that one of Hector Guimard's characteristic iron metro entrances would spoil the view of the opera house, so a marble entrance was built instead.

Excerpt from the Wikipedia article Opéra (Paris Métro) (License: CC BY-SA 3.0, Authors, Images).

Opéra (Paris Métro)
Boulevard des Capucines, Paris 2nd Arrondissement (Paris)

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: Opéra (Paris Métro)Continue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 48.870636 ° E 2.3323526 °
placeShow on map

Address

Opéra

Boulevard des Capucines
Paris, 2nd Arrondissement (Paris)
Ile-de-France, France
mapOpen on Google Maps

linkWikiData (Q1392037)
linkOpenStreetMap (243510336)

Metro Paris Ligne 3 station Opera 05
Metro Paris Ligne 3 station Opera 05
Share experience

Nearby Places

Théâtre du Vaudeville
Théâtre du Vaudeville

The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play Onze jours de siège (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, La Dame aux camélias by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive performances. Verdi was in the audience at this theatre and wrote La Traviata (1853) based on the play. From 1866 to 1868, a new Théâtre du Vaudeville was built on boulevard des Capucines, at the corner of Rue de la Chaussée-d'Antin, in the 9e arrondissement. Although the Vaudeville continued as a commercial boulevard playhouse, it occasionally leased its stage to new experimentalist plays of the Independent Theatre movement. On 20–21 May 1891, Paul Fort's Théâtre d'Art presented a benefit for Paul Verlaine and Paul Gauguin, consisting of a program of poetry readings and five short plays, including, most notably, the premiere of Maurice Maeterlinck's Symbolist landmark work Intruder.In 1927, this building was acquired by Paramount and transformed into the cinema it is today, under the name the Paramount Opéra then (from 31 October 2007) the Gaumont Opéra. It has seven auditoria and is served by Opéra on the Paris Metro.

Palais Garnier
Palais Garnier

The Palais Garnier (French: [palɛ ɡaʁnje] (listen), Garnier Palace), also known as Opéra Garnier (French: [ɔpeʁa ɡaʁnje] (listen), Garnier Opera), is a 1,979-seat opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as le nouvel Opéra de Paris (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a monument historique of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica." This is at least partly due to its use as the setting for Gaston Leroux's 1910 novel The Phantom of the Opera and, especially, the novel's subsequent adaptations in films and the popular 1986 musical. Another contributing factor is that among the buildings constructed in Paris during the Second Empire, besides being the most expensive, it has been described as the only one that is "unquestionably a masterpiece of the first rank." This opinion is far from unanimous however: the 20th-century French architect Le Corbusier once described it as "a lying art" and contended that the "Garnier movement is a décor of the grave".The Palais Garnier also houses the Bibliothèque-Musée de l'Opéra de Paris (Paris Opera Library-Museum), which is managed by the Bibliothèque Nationale de France and is included in unaccompanied tours of the Palais Garnier.