Théâtre Édouard VII

The Théâtre de l'Athénée is a theatre at 7 rue Boudreau, in the 9th arrondissement of Paris. Renovated in 1996 and classified a historical monument, the Athénée inherits an artistic tradition marked by the figure of Louis Jouvet who directed the theatre from 1934 to 1951. During the period when he was director, it became known as the Athenée Théâtre Louis-Jouvet.

The Musée du Parfum, also known as the Fragonard Musée du Parfum, is a French private museum of perfume located at 9 rue Scribe, in the 9th arrondissement of Paris.

The Éden-Théâtre was a large theatre (4,000 seats) in the rue Boudreau, Paris, built at the beginning of the 1880s by the architects William Klein and Albert Duclos (1842–1896) in a style influenced by orientalism. It was demolished in 1895.

Le Salon Indien du Grand Café was a room in the basement of the Grand Café, on the Boulevard des Capucines near the Place de l'Opéra in the center of Paris. It is notable for being the place that hosted the first commercial public film screening by the Lumière brothers, on December 28, 1895. The ten short films on the program (in order of presentation), were: La Sortie de l'Usine Lumière à Lyon (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds Le Jardinier (l'Arroseur Arrosé) ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds Le Débarquement du Congrès de Photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds La Voltige ("Horse Trick Riders"), 46 seconds La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds Les Forgerons ("Blacksmiths"), 49 seconds Repas de bébé ("Baby's Breakfast" (lit. "baby's meal")), 41 seconds Le Saut à la couverture ("Jumping Onto the Blanket"), 41 seconds La Places des Cordeliers à Lyon ("Cordeliers Square in Lyon"—a street scene), 44 seconds La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 secondsTimes per available video versions. The cinematograph was hand-cranked for the recording and the exhibition of the films. The Lumière's previously screened films at the Société d'encouragement pour l'industrie nationale on 22 March 1895 and at the Congrès de photographes in Lyon on 11 June 1895.Earlier commercial public screenings of films were held by Woodville Latham, his sons and Eugene Augustin Lauste with their Eidoloscope on 20 May 1895 and by Max Skladanowsky and his brother Emil with the Bioscop in Berlin from 1 to 31 November 1895 and in Hamburg from 21 December 1895. Also Émile Reynaud's presentations of his hand-painted bands of Pantomimes Lumineuses for his Théâtre Optique from 1892 to 1900 at the Musée Grévin in Paris can be regarded as earlier commercial public film screenings. Before that, Ottomar Anschütz already presented his chronophotographic recordings as moving pictures to thousands of paying costumers with his Electrotachyscope, on a small opal glass screen since 1887 and on a large screen from November 1894 to March 1895. Currently, the building standing at No. 14 Boulevard des Capucines is the Hotel Scribe, which opened a restaurant called 'Café Lumière', in memory of its history. The Grand Cafe Capucines located at No. 4 is a successor to the original, further along the boulevard.

The Comédie-Caumartin is a 380-seat capacity theatre located at 25 rue de Caumartin in the 9th arrondissement of Paris.

The Théâtre des Capucines was a former theatre on the boulevard des Capucines in the 2nd arrondissement of Paris. It was built in 1889 by architect Édouard-Jean Niermans and then taken over by two brothers, Émile Isola and Vincent Isola, in 1892 to become the Théâtre Isola. They managed the theatre until 1897. Berthez Armand was an early director and the actress-dancer Gaby Deslys (1881-1920) appeared there. The actress, singer and film star Arletty made her debut there in October 1919 and performed there regularly for ten years, especially in operettas. It was also the venue of the 1941 musical comedy Une femme par jour, (with music by Georges Van Parys and text by Pierre Véber and Jean Boyer). Serge Gainsbourg inaugurated a series of popular concerts at the theatre in 1963, including an appearance by the singer Barbara.The theatre finally in 1970 and was taken over by the perfume company Fragonard which has preserved the building as a perfume museum, the Théâtre-Musée des Capucines.

Keolis is a multinational transportation company that operates public transport systems. The company manages bus, rapid transit, tram, coach networks, rental bikes, car parks, water taxi, cable car, trolleybus and funicular services. Based in Paris, France, the company is 70% owned by SNCF and 30% owned by the Caisse de dépôt et placement du Québec.

The Théâtre-Musée des Capucines, also known as the Théâtre musée des Capucines-Fragonard, is a private museum dedicated to perfume, and located in the 2nd arrondissement of Paris at 39, boulevard des Capucines, Paris, France. It closes on Sundays; admission is free. The museum was created in 1993 by the Fragonard perfume company within a former theater, the Théâtre des Capucines, dating to 1889. It exhibits 19th-century copper distilling apparatus, alembics, flasks, pots-pourris, and perfume roasters, as well as the animals and plants that provide raw materials for perfumes. A collection of perfume bottles illustrates 3000 years of perfume making.

The Olympia (French pronunciation: ​[ɔlɛ̃pja]; commonly known as L'Olympia or in the English-speaking world as Olympia Hall) is a concert venue in the 9th arrondissement of Paris, France, located at 28 Boulevard des Capucines, equally distancing Madeleine church and Opéra Garnier, 300 metres (980 ft) north of Vendôme square. Its closest métro/RER stations are Madeleine, Opéra, Havre – Caumartin, and Auber. The hall was opened in 1893 by one of the two co-creators of the Moulin Rouge venue, and saw many opera, ballet, and music hall performances. Theatrical performances declined in the late 1920s and the Olympia was converted into a cinema, before re-opening as a venue in 1954 with Bruno Coquatrix as executive director. Since the 1960s, it has been a popular venue for rock bands. The Olympia was threatened with demolition in the early 1990s, but saved by a preservation order. Inevitably included in a group of buildings that were part of an extensive renovation project, the entire edifice was demolished and rebuilt in 1997. The venue's facade and its interior were preserved. Vivendi acquired the Olympia in 2001 and remains a popular venue. The venue is easily recognized by its giant red glowing letters announcing its name.

The Westin Paris – Vendôme is a historic hotel in Paris, France at 3 rue de Castiglione on the corner of the rue de Rivoli, facing the Tuileries Garden.

The Rue de Caumartin in the 9th arrondissement of Paris received its name from Antoine-Louis Lefebvre de Caumartin, marquis de Saint-Ange, Comte de Moret (1725-1803), who was prévôt des marchands (1778-1784). He gave the authorization to open the street on 3 July 1779. Opened in 1780, the street extended from the rue Basse-du-Rempart located at the foot of the rampart (now Boulevard des Capucines) to rue Neuve-des-Mathurins through land acquired from the priests mathurins by Charles-Marin Delahaye, general-farmer. Further on the north, was the small street Thiroux opened in 1773 by President Thiroux of Arconvillé. And the small rue Sainte-Croix opened further on the north in 1780 through marshes and fields. The Rue de Caumartin absorbed them on 5 May 1849.The French architect Aubert built 28 mansions in the area, including the n°1 and n°2, on each side of the street at the beginning and the junction with the Boulevard des Capucines. They were decorated with figures in half relief, small amours, medallions, and various ornaments. Both included an outside rotunda on the street.

Auber (French pronunciation: ​[obɛːʁ]) is a station on RER A in Paris. Opened on 23 November 1971 and inaugurated during a ceremony by singers Dalida and Adamo, it is one of the largest vaulted underground stations in the world. The station comprises a main train hall with a superposed ticket hall, together with an extensive network of tunnels connecting to the neighbouring Métro stations Opéra, Havre–Caumartin and Saint-Lazare, as well as Haussmann–Saint-Lazare on RER E. It takes its name from Rue Auber, under which it is situated. This street is in turn named after the mostly forgotten 19th-century composer Daniel Auber. A complete renovation of the station was started in 2017 and is due to be finished in 2022.