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Théâtre des Capucines

Buildings and structures in the 2nd arrondissement of ParisFormer theatres in ParisTheatres completed in 1889Édouard Niermans buildings

The Théâtre des Capucines was a former theatre on the boulevard des Capucines in the 2nd arrondissement of Paris. It was built in 1889 by architect Édouard-Jean Niermans and then taken over by two brothers, Émile Isola and Vincent Isola, in 1892 to become the Théâtre Isola. They managed the theatre until 1897. Berthez Armand was an early director and the actress-dancer Gaby Deslys (1881-1920) appeared there. The actress, singer and film star Arletty made her debut there in October 1919 and performed there regularly for ten years, especially in operettas. It was also the venue of the 1941 musical comedy Une femme par jour, (with music by Georges Van Parys and text by Pierre Véber and Jean Boyer). Serge Gainsbourg inaugurated a series of popular concerts at the theatre in 1963, including an appearance by the singer Barbara.The theatre finally in 1970 and was taken over by the perfume company Fragonard which has preserved the building as a perfume museum, the Théâtre-Musée des Capucines.

Excerpt from the Wikipedia article Théâtre des Capucines (License: CC BY-SA 3.0, Authors).

Théâtre des Capucines
Boulevard des Capucines, Paris 2nd Arrondissement (Paris)

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N 48.8699 ° E 2.3292 °
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Théâtre-musée des Capucines

Boulevard des Capucines
75002 Paris, 2nd Arrondissement (Paris)
Ile-de-France, France
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Salon Indien du Grand Café
Salon Indien du Grand Café

Le Salon Indien du Grand Café was a room in the basement of the Grand Café, on the Boulevard des Capucines near the Place de l'Opéra in the center of Paris. It is notable for being the place that hosted the first commercial public film screening by the Lumière brothers, on December 28, 1895. The ten short films on the program (in order of presentation), were: La Sortie de l'Usine Lumière à Lyon (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds Le Jardinier (l'Arroseur Arrosé) ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds Le Débarquement du Congrès de Photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds La Voltige ("Horse Trick Riders"), 46 seconds La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds Les Forgerons ("Blacksmiths"), 49 seconds Repas de bébé ("Baby's Breakfast" (lit. "baby's meal")), 41 seconds Le Saut à la couverture ("Jumping Onto the Blanket"), 41 seconds La Places des Cordeliers à Lyon ("Cordeliers Square in Lyon"—a street scene), 44 seconds La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 secondsTimes per available video versions. The cinematograph was hand-cranked for the recording and the exhibition of the films. The Lumière's previously screened films at the Société d'encouragement pour l'industrie nationale on 22 March 1895 and at the Congrès de photographes in Lyon on 11 June 1895.Earlier commercial public screenings of films were held by Woodville Latham, his sons and Eugene Augustin Lauste with their Eidoloscope on 20 May 1895 and by Max Skladanowsky and his brother Emil with the Bioscop in Berlin from 1 to 31 November 1895 and in Hamburg from 21 December 1895. Also Émile Reynaud's presentations of his hand-painted bands of Pantomimes Lumineuses for his Théâtre Optique from 1892 to 1900 at the Musée Grévin in Paris can be regarded as earlier commercial public film screenings. Before that, Ottomar Anschütz already presented his chronophotographic recordings as moving pictures to thousands of paying costumers with his Electrotachyscope, on a small opal glass screen since 1887 and on a large screen from November 1894 to March 1895. Currently, the building standing at No. 14 Boulevard des Capucines is the Hotel Scribe, which opened a restaurant called 'Café Lumière', in memory of its history. The Grand Cafe Capucines located at No. 4 is a successor to the original, further along the boulevard.