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Burslem School of Art

Art schools in EnglandDefunct schools in Stoke-on-TrentEducation in StaffordshireEducation in Stoke-on-TrentGrade II listed buildings in Staffordshire
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Burslem school of art
Burslem school of art

Burslem School of Art was an art school in the centre of the town of Burslem in the Potteries district of England. Students from the school played an important role in the local pottery industry. Pottery was made on the site of the school from the early Middle Ages. The venue was refurbished and re-opened for the arts in 1999.

Excerpt from the Wikipedia article Burslem School of Art (License: CC BY-SA 3.0, Authors, Images).

Burslem School of Art
Clayhanger Street, Stoke-on-Trent Longport

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N 53.0448 ° E -2.1972 °
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Clayhanger Street
ST6 3EF Stoke-on-Trent, Longport
England, United Kingdom
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Burslem school of art
Burslem school of art
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Frink School

The Frink School of Figurative Sculpture was an art school in Leek, Staffordshire. It was named after the British sculptor Elisabeth Frink (1930–1993). It was a small academy with a specific discipline of study closer in spirit to a master and apprentice structure than an educational institution. It was directed by the British sculptor Rosemary Barnett; other artists involved in its educational role included Harry Everington, Alan Thornhill and Ken Ford. Its prime aim and charitable purpose was to provide an education in the observational and technical disciplines of figurative sculpture and to support and encourage the creative potential revealed in the process.Everington met Barnett in 1990 at the Sir Henry Doulton School of Sculpture in Stoke on Trent. When, in 1993, the funding was removed from the Doulton School, they both set about establishing a successor to it, which would try to give some balance to the trend towards conceptual work in sculpture schools. The school covered every aspect of figurative sculpture, including welding, carving in wood and stone, letter cutting, mould-making and casting – in addition to modelling in clay. The Frink School opened in 1996 in Longton, moving to Tunstall in 1999. It initially ran a two-year full-time course, with about 4–9 students entered the school per year. Rita Phillips joined Barnett in teaching. The school ceased running full-time courses in 2005. The tutorial direction was more concerned with revelation in sculpture than its viability in the art market or the gallery. For two years of their lives, the members of this community were expected to search with perception and imagination and find sculptural means to express that which they could discover. It was expected that this would serve them for the rest for their lives.The patron of the school was Lin Jammet, Elizabeth Frink's son.