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Rue Alibert

November 2015 Paris attacksStreets in the 10th arrondissement of Paris
Rue Alibert Paris 2012 crop
Rue Alibert Paris 2012 crop

The rue Alibert is a street in the 10th arrondissement of Paris, in France. It starts at 66 Quai de Jemmapes and ends at 1 Avenue Claude-Vellefaux and 161 Avenue Parmentier after having served the rue Bichat and rue Marie-Louise. The street extends rue Dieu, after crossing the Canal Saint-Martin via the Alibert gateway or via the swing bridge on rue Dieu.

Excerpt from the Wikipedia article Rue Alibert (License: CC BY-SA 3.0, Authors, Images).

Rue Alibert
Rue Alibert, Paris 10th Arrondissement (Paris)

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Geographical coordinates (GPS)

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N 48.8716 ° E 2.3675 °
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Paris ateliers

Rue Alibert
75010 Paris, 10th Arrondissement (Paris)
Ile-de-France, France
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Rue Alibert Paris 2012 crop
Rue Alibert Paris 2012 crop
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Hôpital Saint-Louis
Hôpital Saint-Louis

Hôpital Saint-Louis is a hospital in Paris, France. It was built in 1611 by architect Claude Vellefaux at the request of Henry IV of France. It is part of the Assistance publique - Hôpitaux de Paris hospital system, and it is located at 1 avenue Claude-Vellefaux, in the 10th arrondissement near the metro station: Goncourt. Its address is 1 avenue Claude-Vellefaux (previously called rue Claude-Vellefaux), just north of rue Bichat. It was founded by King Henry IV (1553–1610) (King of France and Navarre) on May 17, 1607 to decongest the Hôtel-Dieu de Paris during the plague. He named it St. Louis in memory of Louis IX, who died of the dysentery that devastated Tunis in 1270. Today, Hôpital Saint-Louis uses its historical premises (parts of which are classified as historical monuments) for administrative functions. Following the 1980s new modern additions were made to house the current hospital and teaching hospital. Its primary specialties are dermatology and hematology, as well as oncology. The dermatology library was founded by Dr Henri Feulard. The hospital employs 2,500 people, one thousand of whom are in the medical profession. It houses the INSERM Institute of Research on Skin and the René Touraine Foundation. The south-west entrance to the hospital, located at the intersection of rue Bichat and avenue Richerand, is popularly known as the entrance to the police station in the hit French detective television series Navarro.

Gibbet of Montfaucon
Gibbet of Montfaucon

The Gibbet of Montfaucon (French: Gibet de Montfaucon) was the main gallows and gibbet of the Kings of France until the time of Louis XIII of France. It was used to execute criminals, often traitors, by hanging and to display their dead bodies as a warning to the population. It was a large structure located at the top of a small hill near the modern Place du Colonel Fabien in Paris, though during the Middle Ages it was outside the city walls and the surrounding area was mostly not built up, being occupied by institutions like the Hôpital Saint-Louis from 1607, and earlier the Convent of the Filles-Dieu ("Daughters of God"), a home for 200 reformed prostitutes, and the leper colony of St Lazare.First built in the late 13th century, it was used until 1629 and then dismantled in 1760. As reconstructed in images by Eugène Viollet-le-Duc it had three sides, and 45 compartments in which people could be both hanged and hung after execution elsewhere. A miniature of about 1460 from the Grandes Chroniques de France by Jean Fouquet, and also a print of 1609, show a somewhat less substantial structure than that in the reconstructions, which may, like others by Viollet-le-Duc, make the structure grander and more complex than was actually the case. The miniature shows bodies hanging from beams running across the central space, resting on the piers, but Viollet-le-Duc shows slabs running round the sides. Both show a substantial platform in masonry, which ran round a central space at ground level in the reconstructions, entered by a tunnel through the platform, closed by a gate. Another print of 1608 shows only two tiers of compartments rather than the three of Viollet-le-Duc. The English travel writer Thomas Coryat saw it at about the same time and described it as "the fayrest gallowes that I ever saw, built on a little hillocke ... [with] fourteen pillars of free stone".The structure was also used for displaying the bodies of those executed elsewhere; in 1416 the remains of Pierre des Essarts were finally handed back to his family after three years at Montfaucon. Like an alarming number of other victims, Essarts had been one of the four royal treasurers. The gibbet was a great favourite of popular historians and historical writers of the 19th century, appearing in historical novels including The Hunchback of Notre-Dame (1831) by Victor Hugo, Crichton (1837) by William Harrison Ainsworth, and La Reine Margot (1845) by Alexandre Dumas; both the last two tales centred on the St. Bartholomew's Day Massacre.

Théâtre Déjazet
Théâtre Déjazet

The Théâtre Déjazet is a theatre on the boulevard du Temple (popularly known as the 'boulevard du crime’) in the 3rd arrondissement of Paris, France. It was founded in 1770 by Comte d'Artois who later was crowned Charles X. It was then closed down and not reopened until 1851. At that time it became a café-concert called the Folies-Mayer, on the site of a former jeu de paume (tennis court). It was converted into the Folies-Concertantes in 1853, and reopened as the Folies-Nouvelles on 21 October 1854.Under the direction of the operetta composer Hervé from 1854 to 1856, it became a theatre for one-act spectacles-concerts with premieres of Hervé's La Perle de l'Alsace (1854), Un Compositeur toqué (1854), La Fine fleur de l'Andalousie (1854), Agamemnon, ou Le Chameau à deux bosses (1856), and Vadé au cabaret (1856). Several of Auguste Pilati's works received their first performance at the Théâtre des Folies-Nouvelles, including Jean le Sot (1856), Une Devinette (1856), Trois Dragons (1857), L'Ile de Calypso (1857), Peau d'âne (1858), Ignace le retors (1858) One of Jacques Offenbach's first works, the anthropophagie musicale Oyayaye, ou La Reine des îles was also performed there (1855), and two opérettes, Delibes's Deux sous de charbon (1856), and Lecocq's Huis-Clos (1859). The mime Paul Legrand also regularly performed there between 1853 and 1859. The Folies-Nouvelles closed on 1 September 1859.It reopened with the name Théâtre Déjazet on 27 September 1859 under the direction of the actress Virginie Déjazet. She managed it with her son Joseph Eugène Déjazet, until 1870. The theatre closed on 1 June 1870, becoming the Folies-Nouvelles again in 1871 and back to Théâtre Déjazet in 1872. It was known as the Troisième Théâtre Français from 1876 to 1880, when it reverted to Folies-Nouvelles for two months, before finally becoming the Théâtre Déjazet again on 17 September 1880.The director of the theatre is Jean Bouquin.From 2009 to 2011, the theatre hosted the weekly seminar of the psychoanalyst Jacques-Alain Miller.