Ospedale di San Paolo

The Museo Nazionale Alinari della Fotografia (MNAF - National Museum Alinari of Photography), formerly Museo della Storia della Fotografia Fratelli Alinari is a photography museum located in part of the premises of the former Ospedale di San Paolo in the Piazza Santa Maria Novella in Florence, region of Tuscany, Italy). It hosts special exhibitions on a regular basis and possesses 350.000 vintage prints from the 19th and 20th centuries. The museum closed in 2012. Since 1 November 2006 it is located in the Ospedale di San Paolo, a former pilgrims' hostel that was later transformed into a school. Before that, the museum was in the Palazzo Rucellai and in the premises of the Fratelli Alinari. It was the first museum of Italy to be devoted exclusively to photography. The collection is continuously expanded with acquisitions and donations and contains works by, among others: Robert Anderson Vincenzo Balocchi Carlo Baravalle Felice Beato Alphonse Bernoud Samuel Bourne Bill Brandt Roger Fenton Frédéric Flacheron Wilhelm von Gloeden Paul Graham Robert Macpherson Carlo Mollino Luciano Morpurgo Carlo Naya Mario Nunes Vais Domenico Riccardo Peretti Griva Giuseppe Primoli Roberto Rive James Robertson Giorgio Sommer Giuseppe WulzThe museum exhibits also thousands of photo albums, cameras, objectives and other objects connected with the history of photography.

Piazza Santa Maria Novella is a city square in Florence, Italy.

The Rucellai Sepulchre is a small funerary chapel built inside the Rucellai Chapel of the church of San Pancrazio, Florence. It was commissioned by Giovanni di Paolo Rucellai and built to designs by Leon Battista Alberti in imitation or emulation of the Holy Sepulchre in the Anastasis in Jerusalem. It contains the tombs of Giovanni Rucellai and members of his family.

San Pancrazio is a church in Florence, Italy, in Piazza San Pancrazio, behind Palazzo Rucellai. With the exception of the Rucellai Chapel, it is deconsecrated and is home to the museum dedicated to the sculptor Marino Marini. The Rucellai Chapel contains the Rucellai Sepulchre or Tempietto del Santo Sepolcro. Since February 2013 it has been possible to visit the chapel from within the Marini museum.

San Paolo Apostolo, more commonly known as San Paolino, is a Romanesque-style, Roman Catholic church and convent located in Via di S. Paolino #8, in central Florence, region of Tuscany, Italy. The church is near the Church of the Ognissanti.

The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence. The fresco was one of Masaccio's last major commissions and is often cited as one of the first monumental Renaissance paintings to utilize linear perspective.

The Piazza de' Rucellai is a piazza in Florence, Italy, home to the Palazzo Rucellai and its loggia, both designed by Leon Battista Alberti. It is a small triangular square.

Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church. The church, the adjoining cloister, and chapter house contain a multiplicity of art treasures and funerary monuments. Especially famous are frescoes by masters of Gothic and early Renaissance. They were financed by the most important Florentine families, who ensured themselves funerary chapels on consecrated ground.

Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino. Its splendid facade was one of the first to proclaim the new ideas of Renaissance architecture based on the use of pilasters and entablatures in proportional relationship to each other. The Rucellai Palace demonstrates the impact of the antique revival but does so in a manner which is full of Renaissance originality. The grid-like facade, achieved through the application of a scheme of trabeated articulation, makes a statement of rational humanist clarity. The stone veneer of this facade is given a channeled rustication and serves as the background for the smooth-faced pilasters and entablatures which divide the facade into a series of three-story bays. The three stories of the Rucellai facade have different classical orders, as in the Colosseum, but with the Tuscan order at the base, a Renaissance original in place of the Ionic order at the second level, and a very simplified Corinthian order at the top level. Twin-lit, round-arched windows in the two upper stories are set within arches with highly pronounced voussoirs that spring from pilaster to pilaster. The facade is topped by a boldly projecting cornice. The ground floor was for business (the Rucellai family were powerful bankers) and was flanked by benches running along the street facade. The second floor (the piano nobile) was the main formal reception floor and the third floor the private family and sleeping quarters. A fourth "hidden" floor under the roof was for servants. The palace contains an off-center court (three sides of which originally were surrounded by arcades), built to a design that may have been adapted from Brunelleschi's loggia at his Spedale degli Innocenti. In the triangular Piazza dei Rucellai in front of the palace and set at right angles to it is the Loggia de' Rucellai, which was used for family celebrations, weddings, and as a public meeting place. The two buildings (palace and loggia) taken together with the open space between them (the piazza), form one of the most refined urban compositions of the Italian Renaissance.

The Loggia Rucellai is an Italian Renaissance loggia in Florence, Italy. It stands opposite Palazzo Rucellai in the Via della Vigna Nuova, and faces onto Piazza de' Rucellai. It was built by Giovanni di Paolo Rucellai in the 1460s; it may have been designed by Leon Battista Alberti, but this attribution is disputed. Originally intended as a place for the Rucellai family to have weddings and other celebrations, it is now glazed and used as a shop.

The Oratorio dei Vanchetoni or Oratory of the Vanchetoni is a Roman Catholic prayer hall for the Arch-confraternity of San Francesco, in Florence, region of Tuscany, Italy.

The Palazzo Mondragone, also known as Palazzo Mandragone, Ambron(n), Ricasoli di Meleto, or Peyron, is a palace located on Via del Giglio #4r-8r in central Florence, region of Tuscany Italy. The palace was designed by the architect Bartolomeo Ammanati.Although not originally built by him, the current name stems from Fabio Arrazola de Mondragone, a Medici court intimate from Spanish descent who owned the Palace in the 15th century but ultimately fell in disgrace.