Ponte della Paglia

Piombi ("The Leads" in English) is a former prison in the Doge's Palace in Venice. The name of the prison refers to its position directly under the roof of the palace, which was covered with slabs of lead. In winter, these slabs let the cold pass and they acted as a conductor in the summer heat, imposing harsh conditions for inmates.

The Riva degli Schiavoni is a waterfront area in Venice, Italy. There is a lively—albeit often overcrowded—promenade along the waterfront, which sits on St. Mark's Basin. It was originally built in the ninth century from dredged silt and was named for the Slavic men who brought cargo to Venice from across the Adriatic Sea. Many of the boats and launches that ferry tourists from the mainland and cruise ships stop at the Riva to allow passengers to disembark close to Piazza San Marco. There are other landmarks named after the early Slav merchants such as Palazzo Schiavoni, Scuola di San Giorgio degli Schiavoni, and a naval detachment of oltremarini, a mercenary group of Slavs either from the Montenegrin or Dalmatian litoral who as uskoks decided to join the Republic of Venice and fight a common enemy in the Candian Wars. Also, today Schiavone is a common Italian surname. In Italian schiavona is a basket-hilted sword.

The Doge's Palace (Italian: Palazzo Ducale; Venetian: Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.

Hotel Danieli, formerly Palazzo Dandolo, is a five-star palatial hotel in Venice, Italy. It was built at the end of the 14th century by one of the Dandolo families. CNN cites it as one of the top five "lavish hotels" in the city.

Columns of San Marco and San Teodoro are two columns in Piazza San Marco, Venice, Italy. They comprise the Column of the Lion and the Column of San Todaro. The sculpture Lion of Venice surmounts Column of the Lion.

The Portrait of the Four Tetrarchs is a porphyry sculpture group of four Roman emperors dating from around 300 AD. The sculptural group has been fixed to a corner of the façade of St Mark's Basilica in Venice, Italy since the Middle Ages. It probably formed part of the decorations of the Philadelphion in Constantinople, and was removed to Venice in 1204 or soon after. Spolia from the Fourth Crusade, the statues were originally designed as two separate sculptures, each consisting of a pair of armoured late Roman emperors embracing one another. The paired statues stand on plinths supported by a console of the same stone, and their backs are engaged in the remains of large porphyry columns to which the statues were once attached, carved all of a piece. The columns no longer exist, and one emperor pair is missing part of the plinth and an emperor's foot, which has been found in Istanbul. One statue pair has been sliced vertically and is missing a large portion of the right-hand emperor's right side, while another vertical slice divides the two figures and has sawn through their embracing arms. The Portrait of the Four Tetrarchs probably depicts the four rulers of the Empire instituted by Emperor Diocletian – the first Tetrarchy. He appointed as co-augustus Maximian; they chose Galerius and Constantius I as their caesares; Constantius was father to Constantine the Great. There is disagreement as to the identity of these statues and their placement, but it is suggested that the Eastern rulers form a pair and the Western rulers form the other pair, each pair consisting of the senior augustus and the junior caesar. Another possibility is that the two augusti are depicted in one pair and the two caesares in the other. A third, older theory is that they represent a dynastic group of the Constantinian dynasty.

The Patriarchal Cathedral Basilica of Saint Mark (Italian: Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica (Italian: Basilica di San Marco; Venetian: Baxéłega de San Marco), is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the fall of the republic in 1797, it was the chapel of the Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark de supra for administrative and financial affairs. The present structure is the third church, begun probably in 1063 to express Venice's growing civic consciousness and pride. Like the two earlier churches, its model was the sixth-century Church of the Holy Apostles in Constantinople, although accommodations were made to adapt the design to the limitations of the physical site and to meet the specific needs of Venetian state ceremonies. Middle-Byzantine, Romanesque, and Islamic influences are also evident, and Gothic elements were later incorporated. To convey the republic's wealth and power, the original brick façades and interior walls were embellished over time with precious stones and rare marbles, primarily in the thirteenth century. Many of the columns, reliefs, and sculptures were spoils stripped from the churches, palaces, and public monuments of Constantinople as a result of the Venetian participation in the Fourth Crusade. Among the plundered artefacts brought back to Venice were the four ancient bronze horses that were placed prominently over the entry. The interior of the domes, the vaults, and the upper walls were slowly covered with gold-ground mosaics depicting saints, prophets, and biblical scenes. Many of these mosaics were later retouched or remade as artistic tastes changed and damaged mosaics had to be replaced, such that the mosaics represent eight hundred years of artistic styles. Some of them derive from traditional Byzantine representations and are masterworks of Medieval art; others are based on preparatory drawings made by prominent Renaissance artists from Venice and Florence, including Paolo Veronese, Tintoretto, Titian, Paolo Uccello, and Andrea del Castagno.

Lectionary 142, designated by siglum ℓ 142 (in the Gregory-Aland numbering) is a Greek manuscript of the New Testament, on parchment leaves. Paleographically it has been assigned to the 14th century.

The National Archaeological Museum (Italian: Museo Archeologico Nazionale di Venezia) is a museum located right on Piazza San Marco in Venice. The National Archaeological Museum was established in 1523 by Cardinal Domenico Grimani. This Museum has a great collection of Greek and Roman sculptures, ceramics, coins and stones dating back as far as the 1st Century B.C. Some of the archeological collections from the Correr Museum are also housed here. Visitors can also view the vases, ivories, portraits of ancient Roman emperors, marbles and busts, gems and jewelry in the museum. There are relics of Assyro-Babylonian, Greek, Tuscan, Roman and Egyptian origins from the Neolithic age. Visitors can also see the Armenian-Venetian collection, legal texts dating back to the 17th Century, and bilingual dictionaries.

The Zecca (English: Mint) is a sixteenth-century building in Venice, Italy which once housed the mint of the Republic of Venice. Built between 1536 and 1548, the heavily rusticated stone structure, originally with only two floors, was designed by Jacopo Sansovino in place of an earlier mint specifically to ensure safety from fire and to provide adequate security for the silver and gold deposits. Giorgio Vasari considered it the finest, richest, and strongest of Sansovino's buildings ("...bellissimo, ricchissimo, e fortissimo edificio de' suoi è la Zecca di Venezia...").Coin production continued after the fall of the Republic of Venice in 1797 but ceased in 1852 during the second period of Austrian domination (1814–1866). The building was subsequently adapted and served as the seat for the Chamber of Commerce from 1872 until 1900. Since 1904, it has housed the main part of the Marciana Library whose historical building, next door is now largely a museum.

The Marciana Library or Library of Saint Mark (Italian: Biblioteca Marciana, but in historical documents commonly referred to as Libreria pubblica di san Marco) is a public library in Venice, Italy. It is one of the earliest surviving public libraries and repositories for manuscripts in Italy and holds one of the world's most significant collections of classical texts. It is named after St Mark, the patron saint of the city. The library was founded in 1468 when the humanist scholar Cardinal Bessarion, bishop of Tusculum and titular Latin patriarch of Constantinople, donated his collection of Greek and Latin manuscripts to the Republic of Venice, with the stipulation that a library of public utility be established. The collection was the result of Bessarion's persistent efforts to locate rare manuscripts throughout Greece and Italy and then acquire or copy them as a means of preserving the writings of the classical Greek authors and the literature of Byzantium after the fall of Constantinople in 1453. His choice of Venice was primarily due to the city's large community of Greek refugees and its historical ties to the Byzantine Empire. The Venetian government was slow, however, to honour its commitment to suitably house the manuscripts with decades of discussion and indecision, owing to a series of military conflicts in the late-fifteenth and early-sixteenth centuries and the resulting climate of political uncertainty. The library was ultimately built during the period of recovery as part of a vast programme of urban renewal aimed at glorifying the republic through architecture and affirming its international prestige as a centre of wisdom and learning. The original library building is located in Saint Mark's Square, Venice's former governmental centre, with its long façade facing the Doge's Palace. Constructed between 1537 and 1588, it is considered the masterpiece of the architect Jacopo Sansovino and a key work in Venetian Renaissance architecture. The Renaissance architect Andrea Palladio described it as "perhaps the richest and most ornate building that there has been since ancient times up until now" ("il più ricco ed ornato edificio che forse sia stato da gli Antichi in qua"). The art historian Jacob Burckhardt regarded it as "the most magnificent secular Italian building" ("das prächtigste profane Gebäude Italiens"), and Frederick Hartt called it "one of the most satisfying structures in Italian architectural history". Also significant for its art, the library holds many works by the great painters of sixteenth-century Venice, making it a comprehensive monument to Venetian Mannerism.Today, the building is customarily referred to as the 'Libreria sansoviniana' and is largely a museum. Since 1904, the library offices, the reading rooms, and most of the collection have been housed in the adjoining Zecca, the former mint of the Republic of Venice. The library is now formally known as the Biblioteca nazionale Marciana. It is the only official institution established by the Venetian Republican government that survives and continues to function.

The Horses of Saint Mark (Italian: Cavalli di San Marco), also known as the Triumphal Quadriga or Horses of the Hippodrome of Constantinople, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing). The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack and looting of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.