Palazzo del Capitano del Popolo, Siena

Piazza del Duomo is a city square in Siena, Italy.

The Siena Cathedral Pulpit is an octagonal structure in Siena Cathedral sculpted by Nicola Pisano and his assistants Arnolfo di Cambio, Lapo di Ricevuto, and Nicolas' son Giovanni Pisano between the fall of 1265 and the fall of 1268. The pulpit, with its seven narrative panels and nine decorative columns carved out of Carrara marble, showcases Nicola Pisano's talent for integrating classical themes into Christian traditions, making both Nicola Pisano and the Siena pulpit forerunners of the classical revival of the Italian Renaissance.

The Museo dell'Opera del Duomo is an art museum in Siena, in Tuscany in central Italy. It houses works of art and architectural fragments that were formerly in, or a part of, the Duomo of Siena (Siena Cathedral). These include a number of Italian Gothic sculptures by Giovanni Pisano and his school from the façade of the cathedral; the Maestà of Duccio di Boninsegna, which was the altarpiece from about 1311 until 1505: 519  or 1506;: 221  and works by Ambrogio and Pietro Lorenzetti. There are also works moved to the museum from other churches in the area, such as the Madonna of Duccio brought from the Pieve di Santa Cecilia at Crevole in the comune of Murlo.: 519 

Siena Cathedral (Italian: Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. It was the episcopal seat of the Diocese of Siena, and from the 15th century that of the Archdiocese of Siena. It is now the seat of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino. The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed in 1264. The lantern atop the dome was added by Gian Lorenzo Bernini. The bell tower has six bells, where the oldest one was cast in 1149. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius. There are thirty-five statues of prophets and patriarchs grouped around the virgin. The finest Italian artists of that era completed works in the cathedral. These artists were Nicola and Giovanni Pisano, Donatello, Pinturicchio, Lorenzo Ghiberti, and Bernini.

The Battistero di San Giovanni (Italian: "Baptistry of St. John") is a religious building in Siena, Italy. It is in the square with the same name, near the final spans of the choir of the city's cathedral. It was built between 1316 and 1325 by Camaino di Crescentino, the father of Tino di Camaino. The façade, in Gothic style, is unfinished in the upper part, such as the apse of the cathedral. In the interior, the rectangular hall, divided into a nave and two aisles by two columns, contains a hexagonal baptismal font in bronze, marble and vitreous enamel, realized in 1417-1431 by the main sculptors of the time: Donatello (panel of "Herod's Banquet" and statues of the "Faith" and "Hope"), Lorenzo Ghiberti, Giovanni di Turino, Goro di Neroccio and Jacopo della Quercia (statue of John the Baptist and other figures). The panels represent the Life of John the Baptist, and include: "Annunciation to Zacharias" by Jacopo della Quercia (1428-1429) "Birth of John the Baptist" by Giovanni di Turino (1427) "Baptist Preaching" by Giovanni di Turino (1427) "Baptism of Christ" by Ghiberti (1427) "Arrest of John the Baptist" by Ghiberti and Giuliano di Ser Andrea "The Feast of Herod" by Donatello (1427)These panels are flanked on the corners by six figures, two by Donatello ("Faith" and "Hope") in 1429; three by Giovanni di Turino ("Justice", "Charity" and "Providence", 1431); and the "Fortitude" is by Goro di Ser Neroccio (1431).The marble shrine on the font was designed by Jacopo della Quercia between 1427 and 1429. The five "Prophets" in the niches and the marble statuette of "John the Baptist" at the top are equally by his hand. Two of the bronze angels are by Donatello, three by Giovanni di Turino (the sixth is by an unknown artist). The frescoes are by Vecchietta and his school (1447-1450, Articles of Faith, Prophets and Sibyls), Benvenuto di Giovanni, the school of Jacopo della Quercia e, perhaps, one by Piero Orioli. Vecchietta also painted two scenes on the wall of the apse, representing the Flagellation and the Road to Calvary. Michele di Matteo da Bologna painted in 1477 the frescoes on the vault of the apse.

Palazzo del Magnifico, also known as Palazzo Petrucci, built as the residence of Pandolfo Petrucci, is located in Siena on Piazza San Giovanni at the corner of Via dei Pellegrini.

The Palazzo Arcivescovile or Archbishop's Palace of Siena is the official residence of the archbishop and the offices of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino. The neo-Gothic architecture building is located adjacent to the Cathedral of Siena.

The Palazzo Chigi-Saracini is a Gothic urban palace on the Via di Città in the Terzo di Città in central Siena, Tuscany, Italy. It is the seat of the Accademia Musicale Chigiana. It was built by the Marescotti family in the 12th century. It was the house of Count Galgano Lucarini Saracini and then it became property of Fabio Chigi Lucarini Saracini. The palace is described as a "Gothic beauty with a curved facade and back courtyard."

The Palazzo Bindi Sergardi, previously Agostini and later Casini-Casuccini is, from the outside, a non-descript urban building located on Via dei Pellegrini # 18 in central Siena, region of Tuscany, Italy. The site is best known for containing frescoes by the late-Renaissance painter Domenico Beccafumi and Cristoforo Roncalli.

Santa Maria della Scala (also referred to as the Hospital, Ospedale, and Spedale) is located in Siena, Italy. Now a museum, it was once an important civic hospital dedicated to caring for abandoned children, the poor, the sick, and pilgrims. Revenues were earned partially from bequests and donations from the citizens of Siena, particularly the wealthy. The head of the hospital was the rector who managed the lay brothers responsible for its operation.Santa Maria della Scala was one of Europe's first hospitals and is one of the oldest hospitals still surviving in the world. It played a major cultural role and is considered one of Siena's 3 main artistic hubs.

The Oratory of the Compagnia di Santa Caterina della Notte is a highly decorated prayer hall present in the top floor of the medieval Hospital of Santa Maria della Scala (also referred to as the Hospital, Ospedale, and Spedale) in Siena, region of Tuscany, Italy.

The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, although built in the 15th century, has a 19th-century neo-medieval façade based on the city's Palazzo Pubblico. The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries.Works in the gallery include: Duccio di Buoninsegna's Polyptych N. 28 and Madonna of the Franciscans Guido da Siena's St. Peter Enthroned Simone Martini's Blessed Agostino Novello and His Miracles (c. 1330) Ambrogio Lorenzetti's Annunciation (c. 1344) Bartolo di Fredi's Adoration of the Magi Michelino da Besozzo's Mystical Marriage of Saint Catherine (c. 1420) Il Sodoma's Christ at the Column and Deposition Domenico Beccafumi's Birth of the Virgin, St. Michael Expelling the Rebel Angels, Coronation of the Virgin, Trinity Triptych, Marriage of St Catherine, Stigmatization of St. Catherine of Siena, St Lucy and Christ in LimboOther artists represented include Ugolino di Nerio, Pietro Lorenzetti, Sassetta, Domenico di Bartolo, Taddeo di Bartolo, Francesco di Giorgio Martini, Matteo di Giovanni, Neroccio di Bartolomeo