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Inkpot Madonna

1430s sculpturesGothic sculpturesHildesheim CathedralStatues of the Madonna and ChildWooden sculptures in Germany
Hildesheim Dom Tintenfass Madonna
Hildesheim Dom Tintenfass Madonna

The Inkpot Madonna (German: Tintenfassmadonna) is a late-Gothic sculpture of Mary in the Hildesheim Cathedral, a building on the UNESCO World Cultural Heritage list since 1985, which is consecrated to the Assumption of Mary. The coloured life-size wooden statue was created around 1430, probably in Lower Saxony, and has the hallmarks of the international Gothic style: a tender face, loose posture and flowing drapery.

Excerpt from the Wikipedia article Inkpot Madonna (License: CC BY-SA 3.0, Authors, Images).

Inkpot Madonna
Domhof, Hildesheim Altstadt (Stadtmitte/Neustadt)

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N 52.1489 ° E 9.9464 °
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Hoher Dom St. Mariä Himmelfahrt

Domhof 17
31134 Hildesheim, Altstadt (Stadtmitte/Neustadt)
Lower Saxony, Germany
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dom-hildesheim.de

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Hildesheim Dom Tintenfass Madonna
Hildesheim Dom Tintenfass Madonna
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Hildesheim Cathedral
Hildesheim Cathedral

Hildesheim Cathedral (German: Hildesheimer Dom), officially the Cathedral of the Assumption of Mary (German: Hohe Domkirche St. Mariä Himmelfahrt) or simply St. Mary's Cathedral (German: Mariendom), is a medieval Roman Catholic cathedral in the city centre of Hildesheim in Lower Saxony, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.The cathedral church was built between 1010 and 1020 in the Romanesque style. It follows a symmetrical plan with two apses, that is characteristic of Ottonian Romanesque architecture in Old Saxony. The cathedral's treasures include world-famous artworks, bronze works from the time of Bishop Bernward, Bernward Doors and Bernward Column, as well as two of the four notable Romanesque wheel chandeliers: the Hezilo chandelier and the Azelin chandelier. After renovations and extensions in the 11th, 12th and 14th centuries, the cathedral was completely destroyed during an air raid on 22 March 1945 and rebuilt from 1950 to 1960. A thorough renovation of the cathedral began in 2010, including technical and conservation measures. Some of the cathedral's treasures have been shown further afield, including at an exhibition at New York's Metropolitan Museum of Art. The cathedral was reopened on 15 August 2014.

Hildesheim Cathedral Museum
Hildesheim Cathedral Museum

The Hildesheim Cathedral Museum (German: Dommuseum Hildesheim) is the treasury and diocesan museum of Hildesheim, which illustrates over a thousand years of art and church history in Lower Saxony. It is located in historic rooms off the southern transept of the Hildesheim Cathedral. During the cathedral renovations of 2010, the nearby church of St Antonius and part of the cathedral cloisters were converted into display rooms for the museum. The Hildesheim cathedral treasury is a collection of liturgical vessels, vestments, reliquaries, books and artworks of the highest quality, which has developed over the centuries. The Hildesheim Reliquary of Mary dates back to the beginning of the diocese and is connected to the cathedral's foundation story. Especially valuable pieces, including the gem-studded Cross of Bernward, the Bernward gospels, and the Ringelheim cross, were created during the prosperity of the diocese under Bishop Bernward († 1022), while the Ratmann Sacramentary was created in 1159 in connection with the beginning of his veneration as a saint. A bust reliquary and an arm reliquary of St Bernward date from the thirteenth century. From the baroque period comes magnificent monstrances and other gold and silver artworks. Many of these treasures are used to this day on important occasions in the cathedral calendar. The Gobelins Artemisia came into the possession of the cathedral in 1727. It is being restored until 2015 and will have its own room in the reopened museum. The efforts of Bishop Eduard Jakob Wedekin († 1870) converted the cathedral museum into a diocesan museum, containing religious artworks of the whole diocese and beyond. In particular he brought Gothic works from the parishes and his private collection into the cathedral treasury and organised their proper storage and display.