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Musée Patamécanique

2006 establishments in Rhode IslandBuildings and structures in Bristol, Rhode IslandMuseums established in 2006Museums in Bristol County, Rhode Island
Musée Patamécanique Website Mural
Musée Patamécanique Website Mural

Musée Patamécanique is a private museum located in the Historical District of Bristol, Rhode Island. Founded in 2006 by Neil Barden Salley, it is open by appointment only to friends, colleagues, and occasionally to outside observers. Presented as a hybrid of an automaton theater and a cabinet of curiosities, it contains works representing the field of Patamechanics, an artistic practice and area of study chiefly inspired by Pataphysics.

Excerpt from the Wikipedia article Musée Patamécanique (License: CC BY-SA 3.0, Authors, Images).

Musée Patamécanique
Court Street,

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N 41.669546 ° E -71.276185 °
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Court Street

Court Street
02809
Rhode Island, United States
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Musée Patamécanique Website Mural
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Bristol County Jail
Bristol County Jail

Bristol County Jail is a historic jail at 48 Court Street in Bristol, Rhode Island, and home to the Bristol Historical and Preservation Society. The jail was built on the site of a previous jail house dating to 1792 and salvaged materials were used extensively in the new construction. The present Bristol County Jail consists of a 36.5-foot-wide (11.1 m) by 46.4-foot-long (14.1 m) center hallway in a 2+1⁄2-story stone structure topped with a gable roof. The jail accommodated both the inmates and the jailer's family. The first floor is believed to have been the family's parlor, dining room and kitchen on the west side and the east side the jailer's reception room, office and storage room. The second floor housed the family's bedrooms and the inmates' cells, with low, medium and maximum security cells. The maximum security cells in the southeast portion of the jail had no heat, light or sanitary facilities and were enclosed by 2-foot (0.61 m) exterior stone walls and built atop thick floor timbers supported by 2-foot-thick (0.61 m) solid brick wall and further supported by a fieldstone wall from the cellar. In 1859, a rectangular 20-foot-wide (6.1 m) by 43.2-foot-long (13.2 m) two-story rear addition was added to common southeast wall of the jail. Made of cut granite blocks and topped with a flat roof, the addition added five cells on each of its two levels. The jail was discontinued by the State of Rhode Island in June 1957 and the Bristol Historical Society (later the Bristol Historical and Preservation Society) leased the property following a fire at the Rogers Free Library. The Bristol Historical Society removed partitions in the first floor and added new access points as part of its renovations, including the removal of the internal east chimney. However, the building retains much of its unaltered interior features, and the jail cells are used by the Society as a public exhibit. The Bristol County Jail was added to the National Register of Historic Places in 1973 and currently serves as the Historical Society headquarters.

Linden Place
Linden Place

Linden Place mansion is a Federal-style mansion located in Bristol, Rhode Island. It was built in 1810 by slave trader, merchant, privateer and ship owner General George DeWolf and was designed by architect, Russell Warren. The mansion now operates as a historic house museum. Built in the Robert Adam–inspired Federal style, popular in the early decades of the new American nation, Linden Place magnificently reflects the prosperity of the DeWolf slave trading merchant princes and the exquisite Adamesque Federal taste inspired by the architecture of ancient Greece and Rome. Linden Place is one of the best examples of Federal architecture in New England, from the magnificent Palladian windows to the fluted Corinthian columns, which gracefully flank the front entrance to the mansion. Also of architectural significance are the later added Gothic conservatory and four-story spiral staircase. Tour highlights include tales of DeWolf family exploits, from their privateering and slave trading to their financial ruin and triumphant return to prosperity during Victorian times. Residents included family members Samuel Pomeroy Colt, founder of United States Rubber, now Uniroyal, his mother Theodora DeWolf Colt, who as Madam Colt ran Bristol Society from Linden Place as if she were Queen Victoria, and the great actress Ethel Barrymore who married in to this most prominent of American families. The mansion sits on 1.8 acres of sculpture-filled gardens where there are Greek bronzes and an 18th century gazebo. Today the estate is sponsored by the non-profit Friends of Linden Place, which was created in 1989, based on the urgent need to save the magnificent 1810 DeWolf mansion from destruction or development. Due to the formidable drive of the earliest volunteers, the “crown jewel” of Bristol’s historic waterfront district was saved and is today maintained through visitation, fundraisers, grants and memberships. The mansion was prominently featured in Traces of the Trade: A Story from the Deep North, a 2008 film documentary about the DeWolf family and the legacy of the slave trade in the North of the United States. It was used as a filming location for the 1974 movie The Great Gatsby. The Bristol Art Museum occupies the former carriage house at Linden Place, with its entrance located at 10 Wardwell Street, Bristol, RI.

Bristol Customshouse and Post Office
Bristol Customshouse and Post Office

Bristol Customshouse and Post Office is a historic two-story rectangular Italian palazzo style brick building that was used as a post office and customshouse in Bristol, Rhode Island, United States. The land for the site was acquired for $4,400. The building was designed by Ammi B. Young and completed in 1858 for a cost of $22,135.75. The building roughly measures 46 feet (14 m) by 32 feet (9.8 m) and is constructed of deep red brick and has three arched openings on each of its sides and stories that are lined with sandstone moldings. The archways protrude from the side of the building and the center archway serves as the first floor with the adjacent archways housing large windows that are barred with iron. As it typical of the style, the second floor is more elaborate with a shallow balcony of iron supported by iron brackets and the paneling of the upper facade's surmounting entablature is elaborately decorative. The sides and rear are similar to the front facade, but include blind recesses and the molding is of a browner sandstone. The building was abandoned in 1962 and acquired by the Young Men's Christian Association (YMCA) in 1964. The YMCA has an adjacent structure and used the building as an ante-space until 1990. Currently, the building is used as offices. The Bristol Customshouse and Post Office is historically significant as it is an example of the Italian palazzo mode of architecture. The building was added to the National Register of Historic Places in 1972.