Stadio Pietro Fortunati

Policlinico San Matteo, known as Fondazione IRCCS Policlinico San Matteo, founded in 1449, is one of the oldest and largest teaching hospitals in Italy. It is located in the city of Pavia, about 35 km south of Milan. The hospital has over 3,300 physicians, as well as more than 1,000 beds. In 2016, the hospital handles 36,500 admissions, 13.7% of those are from outside Pavia, 99,000 admissions to the emergency department and 2.1 million outpatient services.The Foundation is a scientific Institute for Research, Hospitalization and Health Care (IRCCS), which means that, alongside clinical activity, it promotes research programs with predominantly translational purposes. In 2016, the hospital publishes 651 scientific journals and conducted 455 clinical trials.The hospital is affiliated with University of Pavia, Faculty of Medicine, where every year, hundreds of medical students from the University perform clinical rotations during their clinical years.

San Pietro in Ciel d'Oro (Italian for "Saint Peter in Golden Sky") is a Catholic basilica (and a former cathedral) of the Augustinians in Pavia, Italy, in the Lombardy region. Its name refers to the mosaics of gold leaf behind glass tesserae that decorate the ceiling of the apse. The plain exterior is of brick, with sandstone quoins and window framing. The paving of the church floor is now lower than the modern street level of Piazza San Pietro in Ciel d'Oro, which lies before its façade.

The Battle of Pavia, fought on the morning of 24 February 1525, was the decisive engagement of the Italian War of 1521–1526 between the Kingdom of France and the Habsburg Empire of Charles V, Holy Roman Emperor as well as ruler of Spain, Austria, the Low Countries, and the Two Sicilies. The French army was led by King Francis I of France, who laid siege to the city of Pavia (then part of the Duchy of Milan within the Holy Roman Empire) in October 1524 with 26,200 troops. The French infantry consisted of 6,000 French foot soldiers and 17,000 foreign mercenaries: 8,000 Swiss, 5,000 Germans, and 4,000 Italians (black bands). The French cavalry consisted of 2,000 gendarmes and 1,200 lances fournies. Charles V, intending to break the siege, sent a relief force of 22,300 troops to Pavia (where the Imperial garrison stationed consisted of 5,000 Germans and 1,000 Spaniards) under the command of the Fleming Charles de Lannoy, Imperial lieutenant and viceroy of Naples, and of the French renegade and captain-general Charles III, Duke of Bourbon. The Habsburg infantry consisted of 12,000 German Landsknechte, 5,000 Spaniards, and 3,000 Italians, and its command was exercised by an Italian Condottiero, the Marquis of Pescara, in conjunction with the German military leader Georg Frundsberg and the Spanish captain Antonio de Leyva who was in charge of the Imperial garrison inside Pavia. The cavalry, led by Lannoy and Bourbon, consisted of 1,500 knights and 800 lances.The battle was fought in the Visconti Park of Mirabello di Pavia, outside the city walls, where Pescara and Frundsberg stationed their forces in pike and shot formation. Francis took a personal initiative and led a cavalry charge against Lannoy, with the possible intent of capturing Bourbon, but it was held by German and Spanish pikemen and ravaged by arquebus fire. The arquebusiers formed a part of the Spanish colunellas and of the German doppelsöldners. A mass of Spanish and German foot soldiers descended on the French cavalry from all sides and began systematically killing the French gendarmes. The remaining French forces, including Swiss mercenaries and Black bands, intervened to protect the King but were surrounded by the pikemen in front of them and by the garrison of Pavia that sortied from the town. In the four-hour battle, the French army was split and defeated in detail. Many of the chief nobles of France were killed, and others – including Francis I himself – were captured. He was imprisoned in the nearby tower of Pizzighettone and later transferred to Spain, where Charles V was residing for his upcoming marriage with Isabella of Portugal. Together they signed the Treaty of Madrid of 1526, by which Francis abandoned claims over the Imperial Duchy of Milan and ceded Burgundy to the House of Habsburg in exchange for his freedom. The outcome of the battle cemented Habsburg ascendancy in Italy and Europe, but Francis denounced the treaty after his liberation and soon re-opened hostilities over Burgundy and Milan.

The Vernavola Park is a nature reserve located in the municipality of Pavia, of which it is the largest green area. The park, about 35 hectares (86 acres) wide, takes its name from the Vernavola stream, a small watercourse about 15 kilometres (9.3 mi) long and a tributary of the Ticino, which crosses the park with numerous meanders.

The Visconti Castle of Pavia (Castello Visconteo di Pavia in Italian) is a medieval castle in Pavia, Lombardy, Northern Italy. It was built after 1360 in a few years by Galeazzo II Visconti, Lord of Milan, and used as a sovereign residence by him and his son Gian Galeazzo, first duke of Milan. Its wide dimensions induced Petrarch, who visited Pavia in the fall of 1365, to call it "an enormous palace in the citadel, a truly remarkable and costly structure". Adjacent to the castle, the Visconti created a vast walled park that reached the Certosa di Pavia, a Carthusian monastery founded in 1396 by the Visconti as well and located about 7 kilometres (4.3 mi) to the north.In the 16th century, an artillery attack on Pavia destroyed a wing and two towers of the castle. The frescos that entirely decorated the castle rooms are today almost completely lost. The castle had been the seat of the Visconti Library until its transfer to Paris in 1499. Today, it hosts the Pavia Civic Museums.

The Civic Museums of Pavia (Musei Civici di Pavia) are a number of museums in Pavia, Lombardy, northern Italy. They are housed in the Castello Visconteo, or Visconti Castle, built in 1360 by Galeazzo II Visconti, soon after taking the city, a free city-state until then. The credited architect is Bartolino da Novara. The castle used to be the main residence of the Visconti family, while the political capital of the state was Milan. North of the castle a wide park was enclosed, also including the Certosa of Pavia, founded 1396 according to a vow of Gian Galeazzo Visconti, meant to be a sort of private chapel of the Visconti dynasty. The Battle of Pavia (1525), climax of the Italian Wars, took place inside the castle park. The Civic Museums of Pavia include the Pinacoteca Malaspina, Museo Archeologico and Sala Longobarda, Sezioni Medioevale e Rinascimentale Quadreria dell’800 (Collezione Morone), Museo del Risorgimento, Museo Robecchi Bricchetti, and the Cripta di Sant’Eusebio.

The monastery of San Felice was one of the main female Benedictine monasteries of Pavia; founded since the Lombard period, it was suppressed in the 18th century.Part of the church and the crypt survive from the original Lombard complex.

The Teatro Fraschini is an opera house in Pavia, Italy.

The Palazzo Botta or Botta Adorno is a Neoclassical-style palace with a long facade along Via Lanfranco and Piazza Botta Adorno Antoniotto in the town of Pavia, region of Lombardy, Italy. Once the family home of the aristocratic Botta family, it presently houses the Natural History Museum of Pavia and the Museum Camillo Golgi.

The Natural History Museum (Italian: Museo di Storia Naturale) in Pavia, Italy is a museum displaying many natural history specimens, located in Palazzo Botta Adorno. Founded in 1775, it was one of the oldest museums of natural history in Europe. It currently forms the University of Pavia museum network, along with 5 other museums — the University History Museum, Museum of Electrical Technology, Museum of Archeology, Museum Camillo Golgi and Museum of Mineralogy.

The Palazzo Malaspina is a Baroque and Neoclassical-style palace with two facades: one on Via Malaspina #9, and a second entry to the Civic archive and library (Biblioteca Civica Carlo Bonetta) facing Piazza Petrarca on Via Valla #2 in the town of Pavia, region of Lombardy, Italy. The original 16th-century palace was accessed through the entrance at Via Malaspina, and was refurbished by the Marquis Luigi Malaspina di Sannazaro (1754-1835). The iron gate is flanked by two converging screens with an eclectic array of decoration. On each side, two columns each flank a marble bust. From the street, the screen on the right has a bust of Boethius, the one on the left depicts Petrarch. One representing the rational enterprise, the other the poetic enterprise. The allegorical figures atop reinforce these themes. Beyond the elegantly decorated iron gate is the main entrance through a portico of five arches, it leads to a grand staircase. The piano nobile has various frescoed and stuccoed rooms.The entrance of Piazza Petrarca was completed in by 1835 has a more sober neoclassical facade. The Marchese Malaspina was proud of his collection of art and archeological artifacts. In 1838 part of this palace was designated the Stabilimento di Belle Arti Malaspina, and served as a civic museum. In 1977, the Pinacoteca Malaspina was brought together with other collections to the Castello Visconteo. The building is now home to the Carlo Bonetta Library and the Historical Civic Archive of the City Council of Pavia.

Santa Maria del Carmine is a church in Pavia, Lombardy, northern Italy, considered amongst the best examples of Lombard Gothic architecture. It was begun in 1374 by Gian Galeazzo Visconti, Duke of Milan, on a project attributed to Bernardo da Venezia. The construction followed a slow pace, and was restarted in 1432, being finished in 1461.