Lilla Värtan

The Scandic Hotel Ariadne is located at Värtahamnen in Stockholm, Sweden. It was built in 1989 and is 62 m tall and includes 17 floors and 283 rooms.

Nasdaq Stockholm, formerly known as the Stockholm Stock Exchange (Swedish: Stockholmsbörsen), is a stock exchange located in Frihamnen, Stockholm, Sweden. Founded in 1863, it has become the primary securities exchange of the Nordic countries. As of March 2021, a total of 832 companies are listed on Nasdaq Stockholm with 385 companies on the main market and additional 447 listed on secondary markets (Nasdaq First North and Nasdaq First North Premier).

The Embassy of Ukraine in Sweden is a diplomatic mission of Ukraine in Lidingö, Stockholm, Sweden. Andriy Plakhotnyuk has been the Ambassador since November 2020.

Värtahamnen is a port in Stockholm, Sweden. Värtahamnen and the adjacent Stockholm Free Port at Lilla Värtan is Stockholm's main port. Värtahamnen primarily serves passenger ferries for the shipping company Silja Line as well as freighters for Tallink operating in Åland and Estonia. The port also services the SeaWind Line and the coal/biofuel power plant in Hjorthagen. Värtahamnen is located in the Gärdet and Hjorthagen districts. The structure was built in 1879-1886 after the city bought land in order to create a port for coal and other bulk goods. Rail freight and passenger traffic were routed through the Värtabanan line when the Värtan station was inaugurated in 1882. The port was widened and deepened gradually during the early 1900s, and in 1903 the nearby coal-fired Värtaverket plant was inaugurated. In 1904, a municipal building was added which served as the customs and port offices.

The School of Dance and Circus (Swedish: Dans- och cirkushögskolan, DOCH) was, until 2014, a Swedish institution offering higher education in the fields of dance education, folk dance, dance, dance therapy, historical dance, choreography and contemporary circus. Since 1 January 2014 it has been a part of Stockholm University of the Arts, and the previous name is no longer used. DOCH was founded as the Institute of Choreography (Koreografiska institutet) in 1963; in 1978 it was renamed the University College of Dance, “Danshögskolan”; in 2010 it became the University of Dance and Circus, "Dans och Cirkushögskolan" (DOCH). It operated under the Ministry of Education, and was fully funded by the government and therefore had no tuition fees for Swedish and EU citizens.

Lidingöbron (Swedish: "The Lidingö Bridge") is the name of two existing and two historical bridges across the strait of Lilla Värtan between the mainland Norra Djurgården at Ropsten, at the eastern part of Stockholm, and the island of Lidingö.

The Kaknäs tower (Swedish: Kaknästornet) is a telecommunications tower located at Ladugårdsgärdet in Stockholm, Sweden. The tower is a major hub of Swedish television, radio and satellite broadcasts. It was finished in 1967, designed by architect Bengt Lindroos, and the height is 155 metres (509 ft) or 170 metres (560 ft) with the top antenna included. For a few years Kaknästornet was the tallest building in the Nordic countries until Näsinneula was opened in Tampere, Finland in 1971. It was surpassed in 2005 by the Turning Torso in Malmö. The tower is owned by the national Swedish broadcasting company Teracom. Its name comes from the ancient name of the area, Kaknäs. The tower used to be open to the public, with an information centre and gift shop, indoor and outdoor observation decks as well as a restaurant, but has now been permanently closed to the public since 2018 on the grounds that the security repairs would have become too expensive. It was later revealed that the real cause is the threat of foreign intelligence. The fear is that a foreign power would seek to take control of important communication lines and systems of society. According to Swedish television, the Swedish security police have stated in a report in 2017 that the number of foreign intelligence companies has increased and the tower will be closed due to the report.It is since December 2019 forbidden to photograph, copy, measure or describe the tower without permission.

The Embassy of the Philippines in Stockholm is the diplomatic mission of the Republic of the Philippines to the Kingdom of Sweden. It is located on the island of Lidingö in Stockholm County, east of Stockholm city proper. Although the current embassy dates from 2020, the Philippines also maintained a previous resident embassy in Sweden between 1978 and 2012.

The Police Museum (Polismuseet) is a policing museum in Stockholm, Sweden, run by and telling the history of the Swedish Police. It has existed in its present form since 2007.

The Museum of Ethnography (Swedish: Etnografiska museet), in Stockholm, Sweden, is a Swedish science museum. It houses a collection of about 220,000 items relating to the ethnography, or cultural anthropology, of peoples from around the world, including from China, Korea, South and Southeast Asia, the Pacific region, the Americas and Africa. The museum is situated in Museiparken at Gärdet in Stockholm. Since 1999, it is a part of Swedish National Museums of World Culture and is also hosting the Sven Hedin Foundation. The museum is open Tuesday to Sunday 11:00AM – 5:00 PM, and Wednesdays 11:00 AM – 8:00 PM and is closed on Mondays.Among the oldest collections at the museum are objects gathered during the Cook expeditions in the 18th Century. However the main part stems from the period 1850-1950 and is heavily influenced by the colonial era explorations, evangelisations and trade. When the museum first opened in 1930 it was the result of a long pre-history of lobby work from among others Hjalmar Stolpe and Erland Nordenskiöld, several huge public exhibitions and a growing concern for the inadequate keeping of ethnographic collections on many hands. In 2007, after several years of negotiation, the museum agreed to return a totem pole to the Haisla Nation, from which it has been taken in 1929. The Haisla nation gave the museum a contemporary replica of the pole, currently on display outside the museum's entrance. The Museum has also returned a number of other objects to their country of origin. All current artifacts in the museum are considered national property and so the museum has a right and a responsibility to display and preserve these artifacts.The museum is expanding on its collection with the addition of a digital exhibition. This exhibition explores the role and significance of birds in material culture, society and somolog.

The Swedish National Museum of Science and Technology (Swedish: Tekniska museet) is a Swedish museum in Stockholm. It is Sweden’s largest museum of technology, and has a national charter to be responsible for preserving the Swedish cultural heritage related to technological and industrial history. Its galleries comprise around 10,000 square meters, and the museum attracts annually about 350,000 visitors. The collections consist of more than 55,000 objects and artifacts, 1 200 shelf metres of archival records and documents, 200,000 drawings, 800,000 images and about 40,000 books. The National Museum of Science and Technology also documents technologies, processes, stories and memoirs in order to preserve them for generations to come.

The Stockholm Exhibition (in Swedish, Stockholmsutställningen) was an exhibition held in 1930 in Stockholm, Sweden, that had a great impact on the architectural styles known as Functionalism and International Style. The fair was conducted by the City of Stockholm and the Svenska Slöjdföreningen (which has evolved into the existing organization, Swedish Form) art society. The art historian and leader of the Svenska Slöjdföreningen, Gregor Paulsson, was the intellectual leader of the fair, inspired, after a visit to the 1927 Weissenhof Estate in Stuttgart, to organize a similar event for Stockholm. It took place from May through September 1930, on the southern portion of the Djurgården recreation area in eastern-central Stockholm, and entertained about four million visitors. Swedish artists, craftsmen and companies showed their latest products, particularly the glass producer Orrefors Glasbruk. Many of the available images were taken by the pioneering photographer W. Gustaf Cronquist, and were published by Swedish Form. The exhibition's slogan was: Acceptera!, or Accept!, literally a plea for acceptance of functionalism, standardization, and mass production as a cultural change. The effort to persuade Swedish citizens of the benefits of a modernized lifestyle included serving mass-produced food.