Solow Building

The Paris Theater is a 571-seat single-screen movie theater, located in Manhattan in New York City. It often showed art films and foreign films in their original languages. Upon the 2016 closure of the Ziegfeld, the Paris became Manhattan's sole-surviving single-screen cinema. Since November 2019, it has been operated by Netflix.

The Green Gallery was an art gallery that operated between 1960 and 1965 at 15 West 57th Street in Manhattan, New York City. The gallery's director was Richard Bellamy, and its financial backer was the art collector Robert Scull. Green Gallery is noted for giving early visibility to a number of artists who soon rose to prominence, such as Yayoi Kusama, Mark di Suvero, Donald Judd, and George Segal.

Bergdorf Goodman Inc. is a luxury department store based on Fifth Avenue in Midtown Manhattan, New York City. The company was founded in 1899 by Herman Bergdorf and was later owned and managed by Edwin Goodman, and later his son, Andrew Goodman. Today, Bergdorf Goodman operates from two stores situated across the street from each other at Fifth Avenue between 57th Street and 58th Streets. The main store, which opened at its current location in 1928, is located on the west side of Fifth Avenue. A separate men's store, established in 1990, is located on the east side of Fifth Avenue, directly across the street. Bergdorf Goodman is a subsidiary of Neiman Marcus, which is owned by the private equity firm Ares Management. Neiman Marcus, which owns Bergdorf Goodman, has officially filed for Chapter 11 bankruptcy following the impact of the COVID-19 pandemic.

The Plaza Hotel (also known as The Plaza) is a luxury hotel and condominium apartment building in Midtown Manhattan in New York City. It is located on the western side of Grand Army Plaza, after which it is named, just west of Fifth Avenue, and is between 58th Street and Central Park South (a.k.a. 59th Street), at the southeastern corner of Central Park. Its primary address is 768 Fifth Avenue, though the residential entrance is One Central Park South. The 21-story, French Renaissance-inspired château style building was designed by Henry Janeway Hardenbergh. The facade is made of marble at the base, with white brick covering the upper stories, and is topped by a mansard roof. The ground floor contains the two primary lobbies, as well as a corridor connecting the large ground-floor restaurant spaces, including the Oak Room, the Oak Bar, the Edwardian Room, the Palm Court, and the Terrace Room. The upper stories contain the ballroom and a variety of residential condominiums, condo-hotel suites, and short-term hotel suites. At its peak, the Plaza Hotel had over 800 rooms. Following a renovation in 2008, the building has 282 hotel rooms and 181 condos. A predecessor hotel of the same name was built from 1883 to 1890. The original hotel was replaced by the current structure from 1905 to 1907; Warren and Wetmore designed an expansion to the Plaza Hotel that was added from 1919 to 1921, and several major renovations were conducted through the rest of the 20th century. The Plaza Operating Company, which erected the current building, operated the hotel until 1943. Subsequently, it was sold to several owners during the remainder of the 20th century, including Conrad Hilton, A.M. Sonnabend, Westin Hotels & Resorts, Donald Trump, and a partnership of City Developments Limited and Al-Waleed bin Talal. The Plaza Hotel was renovated again after El Ad Properties purchased it in 2005, and the hotel was subsequently sold to Sahara India Pariwar in 2012 and then to Katara Hospitality in 2018. The hotel has been managed by Fairmont Hotels and Resorts since 2005. Since its inception, the Plaza Hotel has become an icon of New York City, with numerous wealthy and famous guests. The restaurant spaces and ballrooms have hosted events such as balls, benefits, weddings, and press conferences. The hotel's design, as well as its location near Central Park, has generally received acclaim. In addition, the Plaza Hotel has appeared in numerous books and films. The New York City Landmarks Preservation Commission designated the hotel's exterior and some of its interior spaces as city landmarks, and the building is also a National Historic Landmark.

Bykert Gallery was a contemporary art gallery in New York City between 1966 and 1975, run by Klaus Kertess (1940 - 2016) and Jeff Byers who had been classmates at Yale College, class of 1958. The gallery originally was located at 15 West West 57th Street in Manhattan, (in the same space as the defunct Green Gallery that closed in 1965); it later moved to East 81st Street between Madison and Fifth Avenues. Among the artists who were represented at Bykert are Brice Marden, Chuck Close, Ralph Humphrey, David Novros, and Dorothea Rockburne. Artists who showed there with solo exhibitions or in group shows include Jared Bark, Bill Bollinger, Robert Duran, Richard Van Buren, Peter Gourfain, Alan Saret, Michael Goldberg, Ronnie Landfield, Gary Stephan, Deborah Remington, Bob Neuwirth, Paul Mogensen, Judy Rifka, Arleen Schloss, Alan Uglow, Barry Le Va, Thornton Willis, David Novros and Joe Zucker. During the 1960s Lynda Benglis began her career by working for the Bykert Gallery as a secretary before launching her own successful artistic career; and during the 1970s Mary Boone began her career by working for the Bykert Gallery as a secretary before opening her own successful gallery.

Associated American Artists (AAA) was an art gallery in New York City that was established in 1934 and ceased operation in 2000. The gallery marketed art to the middle and upper-middle classes, first in the form of affordable prints and later in home furnishings and accessories, and played a significant role in the growth of art as an industry.

The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army Plaza. The home was sold in 1926 and demolished to make way for the Bergdorf Goodman department store.

The Oak Room was a bar and later a restaurant in the Plaza Hotel in New York City that operated from 1907 to 2011. It was distinct from the adjoining Oak Bar.

The Bergdorf Goodman Building is a department store building at 754 Fifth Avenue between 57th and 58th streets in Midtown Manhattan, New York City. The building, designed by Albert Buchman and Ely Jacques Kahn, was erected between 1927 and 1928 as seven separate storefronts. It contains the women's store of the luxury retailer Bergdorf Goodman and, since 1940, has also included a Van Cleef & Arpels jewelry store. Over the years, the building has contained numerous smaller shops and boutiques as well. The Bergdorf Goodman Building is a New York City designated landmark. The site was occupied by the Cornelius Vanderbilt II House from 1882 to 1927. The real-estate developer Frederick Brown bought the site in 1926 and hired Buchman & Kahn to design several store structures on the site. Originally, Bergdorf Goodman leased out only the northernmost storefront, while the other stores were leased to a variety of tenants, such as Dobbs & Co., Parke-Bernet, and the Tailored Woman. The Mutual Life Insurance Company took over the storefronts at a foreclosure auction in 1934. Bergdorf Goodman bought the northern half of the site the next year, followed by the southern half in 1947, and eventually expanded its store into the entire building. Major renovations took place in the late 1950s, late 1960s, and early 1980s. The building was converted into Bergdorf Goodman's women's store in 1990, after a new men's store opened across Fifth Avenue. Further renovations were carried out during the 2000s and 2010s. The design was intended to evoke the architecture of the old Vanderbilt mansion. The building is clad in white South Dover marble, with multicolored veins, and is topped by a green mansard roof. The northernmost and southernmost sections of the building were built as nine-story structures, while the center of the building was originally seven stories high. Initially, the structures functioned as separate stores, which have since been connected to each other via ramps. Bergdorf Goodman's original French-style interiors have been modified extensively over the years. The building's former tenants also designed their respective spaces in various styles, and there are multiple smaller shops and salons throughout the structure.

Galerie St. Etienne is an Expressionism art gallery operating in the United States, founded in Vienna in 1923 by Otto Kallir (originally Otto Nirenstein) as the Neue Galerie. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, where he reestablished the Galerie St. Etienne on 46 West 57th Street in New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane and Hildegard Bachert on 24 West 57th Street. It maintains a reputation as a principal harbinger of Austrian and German Expressionism to the US.

The Crown Building (formerly known as the Heckscher Building) is a mixed-use property at the southwest corner of 57th Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. The building was designed by Warren and Wetmore. It has historically been one of the most expensive retail and office space locations in the United States. The office portion of the building is currently being converted to the Aman New York Hotel & Residences.

The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.