Santi Pietro e Paolo, Siena

Santa Marta is a former Roman Catholic convent and church of located in the city of Siena, region of Tuscany, Italy. It now serves in part as historic archive for Siena. It is located about 30 meters downhill of the Cappella del Rosario on Via San Marco and 30 meters uphill of Porta San Marco.

The Chapel of the Madonna del Rosario is a small, Baroque style, originally Roman Catholic, but now deconsecrated oratory or church located between via San Marco and via della Diana in the contrada of the Chiocciola (snail), in the city of Siena, Tuscany, Italy. It association with the neighborhood also gained the scenic building the name of the Chapel of the Chiocciola. The chapel is located some 200 meters west and uphill of Porta San Marco

San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.

Porta San Marco is the remnant of one of the gates found the medieval walls of Siena, region of Tuscany, Italy. It is found at the start of Via San Marco.

The Palazzo Celsi Pollini, once also called the Palazzo del Vescovo, is a Renaissance style urban palace in Siena, Italy. It is located on Pian dei Mantellini #39-41, at the corner with Via San Quirico. A 19th-century source refers to the house as Casa Campioni. The main facade faces the campanile of San Niccolò del Carmine.

The former Institute of Santa Teresa and Oratory of Santa Teresa are encompassed by buildings located on via San Quirico #36 in Siena, region of Tuscany, Italy. The oratory is located inside the former Institute. Facing the Carceri di Sant'Ansano, the entrance is found to the right through the wrought iron gateway between pilasters holding lamps, leading to three archways. The former Institute building extends down the street to the right, and constitutes an example of late 19th-century Renaissance Revival architecture.

The Church of the Jail of Sant'Ansano, Italian: Chiese delle Carceri di Sant'Ansano, also known as the Chapel or Oratory of Sant'Ansano in Castelvecchio, is a small, medieval, Roman Catholic religious building located on via Tommaso Pendola in the Terzo di Città of the city of Siena, region of Tuscany, Italy. Adjacent to the tower is the former Istituto Santa Teresa.

Santi Quirico e Giulitta, also called San Quirico in Castelvecchio is a Renaissance style, Roman Catholic parish church located in Pian de Mantellini in the Terzo de Citta of Siena, region of Tuscany, Italy.

Santi Niccolò e Lucia, also known only as Santa Lucia, is a Roman Catholic church located in Pian dei Mantellini, in the city of Siena, region of Tuscany, Italy.

The Oratory of Sant'Antonio da Padova (St Anthony of Padua) is a small church on Via Tommaso Pendola (formerly Via delle Murella) in Siena, Italy. The oratory is property of the "Ward of the Turtle" or Contrada della Tartuca, and now commonly called Sant'Antonio alle Murella. Siena also has a separate church of Sant'Antonio da Padova located elsewhere in the city in the Contrada della Civetta. In the second half of the 17th century, inhabitants of this neighborhood, many of them sculptors and masons acquired property from the brothers of the Augustinian Order. Using a Baroque design by Jacomo Franchini. Construction began in 1682 and the church was completed in 1685; while Giovanni Antonio Mazzuoli completed the interior sculptural decoration and the main altar with a bas-relief of Apparition of the Virgin to St Anthony of Padua. The bell tower was reconstructed in 1800. The cupola is decorated with murals depicting St Anthony in Glory by Vincenzo Dei. The lateral altars were built in the late 1700s by the local sculptor Gaspero Fineschi and decorated by the stucco artist Bernardino Cremoni. The interior includes four oval paintings by members of the Mazzuoli and Nasini family: St Jerome and the Angel (1685) attributed to Giuseppe Nicola Nasini (1685). St Ansano baptizes first Christians of Siena (1686-1689) by Annibale Mazzuoli. Martyrdom of St Bartholemew (1686) by Antonio Nasini. St Sebastian healed by St Irene (1686) by Annibale Mazzuoli.The main altarpiece depicts the legendary miracle when St Anthony of Padua restores an amputated leg (Guarigione della gamba staccata). The miracle is also depicted on the floor in the work in inlaid marble mosaics (1891) by Leopoldo Maccari. Also present in the church are a St Anthony preaches to Fishes (1697), by Annibale Mazzuoli; a stucco bas-relief or the Virgin offers her baby Jesus to St Antonio, by Giovanni Antonio Mazzuoli (1685); a wooden altarpiece with Scenes in the Life of St Anthony, by Antonio Manetti and Angelo Barbetti (1831-1832); a Madonna and Child, by Francesco Mazzuoli (1836).

The Palazzo Venturi Gallerani is an 18th-century palace on via delle Cerchia #6, near the Pinacoteca Nazionale in Siena, Tuscany, Italy. The palace is presently occupied by private residences. The palace was erected in 1790, commissioned by Giuseppe Venturi Gallerani. The Piano Nobile was frescoed during 1793–94 by the neoclassical painter Luigi Ademollo. He painted the Life of the blessed Andrea Gallerani in the chapel. Pope Pius VI stayed here after the Tuscan earthquake of 26 May 1798. Ademollo also painted frescoes in the Palazzo Segardi in the city.

San Sebastiano in Vallepiatta is an ancient church next to Piazzeta della Selva in Siena, Italy. It is located in the Contrada della Selva. Church construction began in 1492 and completed in 1656, under the patronage of the guild of weavers (Tessitori). The interior is frescoed by 16th century painters, depicting Dream of St Irene by Stefano Volpi, a Glory of St Sebastian and a Virtue and Angels by Sebastiano Folli, a Stories of St Sebastian by Pietro Sorri and Rutilio Manetti. On the main altar there is a Spoliation of Christ by Luigi Ademollo, and a 15th-century Crucifix, which legend holds was donated to the Compagnia di San Giovanni Battista della Morte (Company of St John the Baptist of the Death) by St Bernard himself. Built in the shape of a Greek cross, it has a cupola with a cylindrical tambor. The design is attributed to Francesco di Giorgio Martini. Most of the brick façade has only a sliver of a cornice with architrave in travertine marble, added in 1545–1550. The interior was frescoed in the 16th century by Giovanni Paolo Pisani, Raffaello Vanni, and Astolfo Petrazzi. The main altarpiece is a bas-relief in stucco and terracotta depicting the venerated Madonna della Selva, and is attributed to Francesco di Giorgio Martini.