Prince Street station

The Real World (retrospectively referred to as The Real World: New York, to distinguish it from subsequent installments of the series) is the first season of MTV's reality television series The Real World, which focuses on a group of diverse strangers living together for several months as cameras follow their lives and interpersonal relationships. It was created by producers Mary-Ellis Bunim and Jonathan Murray. The cast consisted of seven people, ranging in age from 19 to 26, most of whom were already living in New York City when the series taped. The cast was filmed living in a SoHo loft from February 16 to May 18, 1992, and the series premiered May 21 that year. This is the first of three seasons to be filmed in New York City. In 2001, the show returned to the city in its tenth season, and again in 2008 for its twenty-first season, set in the borough of Brooklyn. In 2021, the original cast reunited for The Real World Homecoming: New York.As the first season of one of the first series in what is now considered the reality television genre, The Real World: New York is sometimes credited with pioneering some of the conventions of the genre, including bringing together a group of participants who had not previously met, and the use of "confessional" interviews with participants to double as the show's narration (though in the first season, the confessional interviews were sparse and were not taped in a separate, private room, as would become common later). Some, however, have credited an earlier series, the 1991 Dutch TV show Nummer 28, for these innovations.

The Guggenheim Museum SoHo was a branch of the Guggenheim Museum designed by Arata Isozaki that was located at the corner of Broadway and Prince Street in SoHo, Manhattan, New York City. The museum opened in 1992 and closed in 2001 after hosting exhibits that included Marc Chagall and the Jewish Theater, Paul Klee at the Guggenheim Museum, Robert Rauschenberg: A Retrospective, and Andy Warhol: The Last Supper, which served as a key part of the museum's permanent collection. The closing was initially hoped to be temporary, but the museum closed permanently in 2002.Initial attendance was forecast to be 250,000 visitors a year, but the museum drew between 125,000 and 200,000 its first year, and attendance did not increase in subsequent years. The museum restructured in 1999 to shrink its exhibition space from 27,000 to 20,000 square feet to reduce its operating costs.

Ross Global Academy Charter School, Ross Global, or RGA, was a public charter school located in Lower Manhattan. It opened in September 2006 with more than 160 students and its enrollment eventually grew to 400. It was closed in 2011 by New York City and state officials for various reasons, including poor performance.The school was developed in collaboration with New York University's Steinhardt School and Ross School in East Hampton, which follows a spiral curriculum designed by William Thompson and Ralph Abraham. The school was initially slated to be housed in the same building as the NEST+m school, in the Lower East Side, a controversial decision which was eventually revised.In its inception, the school was housed within the New York City Department of Education's headquarters, the Tweed Courthouse at 52 Chambers Street. The school began its 2006–2007 school year at full enrollment on September 4, 2006, with students in grades K, 1, 2, 6, and 7. It was a project of the Ross School in East Hampton. RGA was founded by Courtney Sale Ross, who is a philanthropist and the widow of Steve Ross, the former CEO of Time-Warner.By 2009, RGA had expanded to serve grades K-8, and had moved to a new building on East 11th Street in the Lower East Side, which it stayed in until it closed in 2011. While the new building was beautifully designed, educational and behavioral issues were not up to standards. RGA asserted that the closure was due to a conflict of interest with the leadership of Girls Prep who were slated to occupy the building.

Staley-Wise Gallery is a fine art photography gallery located in New York City, focusing on fashion photography, as well as portraiture, landscape, still life and nudes. The gallery was founded in 1981 by Etheleen Staley and Taki Wise.

Baskerville + Watson was an American contemporary art gallery located in New York City, New York, United States from 1980 to 1988.

The Scholastic Building is the 10-story headquarters of the Scholastic Corporation, located on Broadway between Prince and Spring Streets in the SoHo neighborhood of Manhattan, New York City. Built in 2001, it was the first new building to be constructed in the SoHo-Cast Iron Historic District, replacing a one-story garage built in 1954. It is the only building in New York ever to be designed by Italian architect, Aldo Rossi. Originally conceived of in his New York office, it was completed and refined by disciple of his, Morris Adjmi. It is respectful of the neighboring buildings and pays homage to the district's cast iron architectural identity. The cast iron architecture that defines this neighborhood straddles between the classical and industrial periods of New York's past. According to historian William Higgins, "the building’s columnar Broadway façade, in steel, terra-cotta, and stone, echoes the scale and the formal, Classical character of its commercial neighbors. The rear façade, on Mercer Street, extracts a gritty essence from its more utilitarian surroundings of plain cast iron and weathered masonry." The Scholastic Building was designed and assembled using a "kit of parts" methodology, which is similar to a time when the facades of SoHo's cast-iron buildings were built by ordering the building elements and ornaments in parts from a catalog, having them cast off-site in foundries, and assembled on site.

The Metropolitan Hotel in Manhattan, New York City, opened September 1, 1852, and was demolished in 1895. It was built at a time of a "hotel boom" in response to the opening of the New York Crystal Palace exhibition of 1853. It occupied a three-hundred-foot brownstone-faced frontage of four floors above fashionable shopfronts occupying 300 feet on Broadway and 200 feet on Prince Street. The site, formerly that of Niblo's Garden, was owned by Stephen Van Rensselaer, and the architects were Joseph Trench and John Butler Snook, who designed the hotel in the "grand commercialized style reminiscent of Roman palazzos," with many of its furnishings imported from Europe, including the largest plate-glass mirrors in the United States: the interior decorations and furnishings were claimed in 1866 to have cost $200,000. It could shelter six hundred guests, in steam-heated rooms and in "family apartments" with private drawing rooms. The Metropolitan, operated on the "American plan" that included three meals a day, was managed by the Leland brothers, organizers of the first American hotel chain. Unlike many New York hotels, the Metropolitan allowed the slaves of its Southern patrons to stay on the premises. Mary Todd Lincoln and her black seamstress, Elizabeth Keckley stayed at the Metropolitan on various occasions. In 1860, a delegation of Japanese arrived in New York to learn about technological advances and to visit the City. The Lelands hosted them and sought to provide privacy for the unusually attired foreign guests who were hounded by the curious press and public. The Civil War presented the City with an economic downturn, and the Metropolitan's lavish proprietors suffered great economic losses. After 1871, the hotel was for a time managed by Richard Tweed, son of the infamous William M. Tweed ("Boss Tweed"), who became the hotel's proprietor. The Metropolitan Hotel closed and was demolished in 1895.

The Church of the Divine Unity was a former Unitarian and Universalist church located on the east side of Broadway between Prince and Spring Streets, SoHo, Manhattan. It was built c.1845 and likely transferred to American Unitarian Association after c. 1854. Subsequently, it was adaptively reused as an art gallery (the Düsseldorf Gallery), then an office, and finally was demolished sometime before 1866.“On August 6, 1866, [prolific diarist George Templeton] Strong observed ‘another material change in the aspect of Broadway:’ ‘Taylor’s showy restaurant” had become the office of the American Express Company, and Capin's Universalist Church, which had been serving as an art gallery, on the east side of Broadway between Prince and Spring Streets, was demolished. Strong, neither an apologist for the past nor a dedicated futurist, took a fatalist view: ‘So things go. Let ‘em go!’

The Mercer Hotel, located at the corner of Mercer and Prince Streets in SoHo, Manhattan, New York City, was the second acquisition in the luxury collection of André Balazs hotels. It offers 75 guest rooms on six floors of a Romanesque revival building.Opening in 1997, The Mercer is the sister hotel to Hollywood's Chateau Marmont.

Village Zendo is a combined Soto and Rinzai Zen practice center in lower Manhattan. Originally located in the apartment of Enkyo Pat O'Hara, who founded the zendo in 1986, the Zen center took up the majority of space in O'Hara's apartment. Village Zendo is a practice center of the White Plum Asanga and Zen Peacemaker Circle, the former founded by O'Hara's teacher Taizan Maezumi and the latter by Bernard Glassman.

Niblo's Garden was a theater on Broadway, near Prince Street, in SoHo, Manhattan, New York City. It was established in 1823 as "Columbia Garden" which in 1828 gained the name of the Sans Souci and was later the property of the coffeehouse proprietor and caterer William Niblo. The large theater that evolved in several stages, occupying more and more of the pleasure ground, was twice burned and rebuilt. On September 12, 1866, Niblo's saw the premiere of The Black Crook, considered to be the first piece of musical theater that conforms to the modern notion of a "book musical".

Fanelli Cafe is a historic New York City restaurant and bar considered the city's second-oldest food-and-drink establishment in the same locale, having operated under various owners at 94 Prince Street since 1847. It served as a gathering place for artists during the transition of Manhattan's SoHo neighborhood from a manufacturing area to an arts community.