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Biblioteca comunale dell'Archiginnasio

1800 establishments in ItalyEducation in BolognaLibraries in Bologna
Foto sala archiginnasio
Foto sala archiginnasio

The Biblioteca comunale dell'Archiginnasio (Archiginnasio Municipal Library) is a public library in Bologna, Italy. It is located inside the Palace of the Archiginnasio in Bologna since 1838, when a section of the building was destined to preserve the books collected from the closure of the religious orders made by Napoleon. The increase of the collections was pursued by purchasing and by donations from eminent people and scholars of Bologna, among them the cardinal Giuseppe Mezzofanti, Giovanni Gozzadini, Marco Minghetti, Giovanni Pascoli, Jacob Moleschott, Luigi Serra, Laura Bassi, Aurelio Saffi, Riccardo Bacchelli, Pelagio Palagi. It is the largest library in Emilia-Romagna, it boasts some 850.000 volumes and pamphlets, 2.500 incunabula, 15.000 16th century editions, 8.500 manuscripts and then letters, collections of autographs, prints and drawings, and 250 archives. The library has also a section of 7.500 magazines. All of this material, handwritten and printed collections are of the utmost importance. They deal mainly with the civil, cultural, religious and social history of Bologna and its territory from the Middle Ages to the present day.

Excerpt from the Wikipedia article Biblioteca comunale dell'Archiginnasio (License: CC BY-SA 3.0, Authors, Images).

Biblioteca comunale dell'Archiginnasio
Via Giovanni Massei, Bologna Galvani

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N 44.492222222222 ° E 11.343611111111 °
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Via Giovanni Massei 3
40124 Bologna, Galvani
Emilia-Romagna, Italy
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Anatomical theatre of the Archiginnasio
Anatomical theatre of the Archiginnasio

The Anatomical Theatre of the Archiginnasio is a hall once used for anatomy lectures and displays held at the medical school in Bologna, Italy that used to be located in the Palace of the Archiginnasio, the first unified seat of the University of Bologna. A first anatomical theatre was constructed in 1595, in a different location, but it was replaced by a bigger one built in 1637 in the current location, following the design of the architect Antonio Levanti. The ceiling and the wall decoration were completed from 1647 to 1649 but only the lacunar ceiling dates from this period, with the figure of Apollo, the god of Medicine, in the middle, surrounded by symbolic images of constellations carved in wood.The theatre underwent several modifications and reached its final shape between 1733 and 1736. In this period, Silvestro Giannotti carved the wooden statues which decorate the theatre walls. They represent some famous physicians of ancient times (Hippocrates, Galenus, etc.) and of the local athenaeum (Mondino de Liuzzi, Gasparo Tagliacozzi-holding a nose in his hand, as he had been the first to attempt reconstructive plastic surgery). The two famous statues of the “Spellati” (skinned) are the work of the well-known artist of anatomical wax displays, Ercole Lelli. The statues carry the canopy, surmounting the teacher’s chair, and topped by the allegorical image of Anatomy. In the centre of the theatre stands the white table on which the dissection of human or animal bodies took place.The theatre was almost completely destroyed during the Second World War, by an air raid on January 29, 1944. After the war the Theatre was rebuilt with exemplary philological rigour, using all of the original pieces recovered among the rubble of the building.

Palazzo dei Banchi
Palazzo dei Banchi

Palazzo dei Banchi is a Renaissance-style palace façade located on the eastern flank of the Piazza Maggiore in the center of Bologna, region of Emilia-Romagna, Italy. In the 16th century when the present façade was constructed, and still, the Piazza Maggiore was the main public plaza of Bologna, surrounded by the centers of religious and political governance, represented by the cathedral (Basilica of San Petronio) and the palaces of Re Enzo (Pretorian palace) and D'Accursio (city hall). Prior to the 16th century, this end of the Piazza was represented by a jumble of house and store-fronts. In 1412, the Piazza front was roofed with a portico. Amid the houses emerged small alleys: Via Pescherie Vecchie, Via Clavature, and Via degli Orefici, each with their own concentration of businesses. Underneath the porticos adjacent to the Piazza, bankers set up banchi (money changers/loans) to conduct their business. In the 15th and 16th centuries, among the families owning botteghe were the aristocratic and senatorial Malvasia, Duglioli, and Amorini families.In 1565-1568, the commune and merchants wishing to create a pleasing architectural component to this site, commissioned from the architect Vignola, the present design. The asymmetric façade has 15 rounded arches, two of which are larger and lead to the alleys mentioned above, while the others are lower. All are flanked by monumental Corinthian pilasters. Each floor has its own Mannerist rhythm of window placement, unifying the complex into what appears to be a single gallery of one palace. The palace is connected by a portico, known as a Pavaglione, to the Archiginnasio of Bologna, one of the main buildings of the University of Bologna. The term derives from the local dialect “ Pavajån “, meaning "pavilion", in reference to a fair of silkworms held here in 1449. To this day, behind the palace on some days there’s an open-air market of local products. The palace itself is occupied by a combination of businesses and apartments. Also located behind the palace structure is the city's archeology museum and the church of Santa Maria della Vita.