Ajuda

The Direção-Geral do Património Cultural (DGPC) (Directorate-General for Cultural Heritage), formerly the Instituto de Gestão do Património Arquitectónico e Arqueológico (IGESPAR) (Institute for the Management of Architectural and Archaeological Heritage) and Instituto Português do Património Arquitetónico (IPPAR (Portuguese Institute for Architectural Heritage), is a general directorate of the Government of Portugal tasked with the conservation, preservation, and inventory of Portuguese architectural heritage. This includes buildings and sites of historical, architectural, scientific or artistic value. The institute keeps a registry of all the classified sites and issues legally binding opinions regarding any works on them.

The Palace of Ajuda (Portuguese: Palácio da Ajuda, Portuguese pronunciation: [ɐˈʒudɐ]) is a neoclassical monument in the civil parish of Ajuda in the city of Lisbon, central Portugal. Built on the site of a temporary wooden building constructed to house the Royal family after the 1755 earthquake and tsunami, it was originally begun by architect Manuel Caetano de Sousa, who planned a late Baroque-Rococo building. Later, it was entrusted to José da Costa e Silva and Francisco Xavier Fabri, who planned a magnificent building in the modern neoclassical style. Over time, the project underwent several periods when the construction was stopped or slowed due to financial constraints or political conflicts. When the Royal Family had to flee to Brazil (in 1807), following the invasion of Portugal by French troops, the work proceeded very slowly with Fabri taking charge of the project, later followed by António Francisco Rosa. Lack of financial resources would also result in the scaling down of the project. The construction of the Ajuda Palace, which began in 1796 and lasted until the late 19th century, was a project plagued by various political, economic and artistic/architectural problems. It was invaded by Napoleon's troops in 1807, and discontinued by Liberal forces who imposed a constitutional monarchy that reduced the power of the royal family. Artistically, it was a convergence of the Baroque styles from Mafra, very connected to regal authority, with the birth of the Neoclassic style from Italy. Further interruptions occurred, due to a lack of funds, political sanctions or disconnection between the workers and the authorities responsible for the project. The project was modified several times, but was generally authored by Manuel Caetano de Sousa (the last Baroque architect) and, later, Costa e Silva and Fabri, both of them Bolognese architects whose tastes crossed the architectural spectrum, but in which Neoclassicism predominated.When the palace finally became a permanent residence of the royal family during the reign of King Luis I and his wife, Maria Pia of Savoy, their architect, Possidónio da Silva, introduced many aesthetic changes and turned one of the lateral façades into the main one. Most of the palace interiors were designed during King Luis I’s reign by his wife, Queen Maria Pia and Possidónio da Silva. Maria Pia lived in the palace from the day she became Queen of Portugal, in 1862, until the republican Revolution in 1910, when the royal family was forced into exile.

Memory Church (Portuguese: Igreja da Memória) is a church in Ajuda (Lisbon), Portugal. It holds the Mausoleum of the Sebastião José de Carvalho e Melo, 1st Marquis of Pombal It is classified as a National Monument.

Terras do Desembargador, also known as Campo das Salésias, was a football dirt field in Lisbon, Portugal. It hosted football matches of Sport Lisboa. In 1903, football was a growing sport, and Terras do Desembargador was Lisbon's main field for playing football. It had no fences and bystanders can freely enter the field and disrupt match. When a ball was lost to outside the field it was difficult to recover it because of the open spaces. Inconveniently it was also shared with the Portuguese Army who used it as an exercise field, so it would often be completely destroyed after a set of exercises. It was in this field that a group a friends after a match decided to create Sport Lisboa. 6 friendlies were played, Sport Lisboa won 5, lost 1, scored 13 goals and conceded 2. Benfica left in 1907 for Campo da Feiteira, seeking more privacy and exclusively of their own field.

The Belém Palace (Portuguese: Palácio de Belém), formally the National Palace of Belém, (Portuguese: Palácio Nacional de Belém), is the current official residence of the President of the Portuguese Republic, the head of state of Portugal. Located in the Belém District of Lisbon, the palace's main façade fronts the Praça Afonso de Albuquerque, facing the Tagus River. A former residence of the Portuguese Royal Family, the Belém Palace complex is made up of various buildings, wings, courtyards, and gardens, built variously from the 18th to 21st centuries.

The National Coach Museum (Portuguese: Museu Nacional dos Coches) is located on the Afonso de Albuquerque Square in the Belém district of Lisbon in Portugal. The museum has one of the finest collections of historical carriages in the world and is one of the most visited museums of the city.

The Lisbon Tropical Botanical Garden (Jardim Botânico Tropical) is located between the Jerónimos Monastery and the Belém Palace, the official residence of the Portuguese president, in Belém, a few kilometers to the west of the centre of Lisbon. It occupies a total area of about 7 hectares, including a botanical park of about 5 hectares that is open to the public. Containing tropical, sub-tropical and temperate plants, the Garden is classified as a National Monument. Since 2015, the Garden has been part of the University of Lisbon.

The Estádio do Restelo is a multi-purpose stadium in Lisbon, Portugal. The stadium has a capacity of 19,856 people and was built in 1956, in an old stone quarry. It is situated behind the Jerónimos Monastery in the Lisbon parish of Belém. It is currently used mostly for football matches, by first division club Clube de Futebol Os Belenenses, but also stages musical performances. The Pope John Paul II has also celebrated a mass there attended by more than 100,000 people. The inauguration game was against Sporting CP, and Belenenses won by 2–1. The first international match was against Stade de Reims, 2-0 for Belenenses. Finally, the first game counting for the Portuguese First Division was a Belenenses 5-1 Vitória de Setúbal.

Afonso de Albuquerque Square (Portuguese: Praça Afonso de Albuquerque) is a public square in the Belém district of the city of Lisbon, Portugal.

The National Museum of Ethnology (Portuguese: Museu Nacional de Etnologia) is an ethnology museum in Lisbon, Portugal. The museum holds in its collections the most relevant ethnographic heritage in Portugal. It is responsible for the safeguarding and management of nearly half a million items. The museum's ethnographic collections are divided into two separate groups. There is the collection assembled by the National Museum of Ethnology's staff dating from the museum's launch in 1962, created by the team who introduced the field of modern anthropology to Portugal. These collections, totaling 42,000 objects, are representative of 80 countries and 5 continents, with greater emphasis on cultures from Africa, Asia and South America, and traditional Portuguese culture. Many of these collections were exhaustively documented through field research, and are inseparable from the important photographic, film, sound and drawing Archives that constituting a significant part of the nearly half a million items that make the Museum's movable heritage. The second set of the museum's collection consists of 11,600 objects from the Popular Art Museum, largely assembled in the 1930s and early 1940s for the propaganda exhibitions promoted by the regime of Estado Novo. They differ significantly from their matching parts of the collections of the National Museum of Ethnology due to the lesser amount of information available, if any, about their origin. Following the transfer of the collections of the Museum of Popular Art in 2007 to the building of the National Museum of Ethnology, both museums were merged in 2012 into a single museum – National Museum of Ethnology / Popular Art Museum.

Tejo Power Station (the old Electricity Museum, in Portuguese Museu da Electricidade) is a cultural centre that presents the evolution of energy with a Museum of Science and Industrial Archaeology concept, where themed and experimental exhibits live side by side with a great variety of cultural events. Located in the Belém area on terrain Lisbon usurped from the Tagus river (Tejo in Portuguese) at the end of the 19th century, in one of the city's areas with the greatest concentration of historical monuments where one can find, among others, the Jerónimos Monastery, the Belém Cultural Centre, the Tower of Belém, the Padrão dos Descobrimentos, the Portuguese Presidential Palace and Museum, the Coach Museum or the Cordoaria Nacional (national rope factory). A building classified as a Public Interest Project, the Electricity Museum unfolds along the perimeter of the old thermoelectric plant – the Tejo Power Station, which illuminated the city of Lisbon for more than four decades. It opened as a museum in 1990. Ten years later, the Electricity Museum's buildings and equipment underwent a period of rehabilitation, to reopen in 2006 fully renovated and with a new discourse and museum proposals. Tejo Power Station (The old Electricity Museum) is a part of the heritage and structure of the EDP Foundation, which belongs to the EDP Group – Energias de Portugal, SA. In 2015 EDP announced that from 2016 the museum will form part of Museum of Art, Architecture and Technology.

The Jerónimos Monastery or Hieronymites Monastery (Portuguese: Mosteiro dos Jerónimos, IPA: [muʃˈtɐjɾu ðuʒ ʒɨˈɾɔnimuʃ]) is a former monastery of the Order of Saint Jerome near the Tagus river in the parish of Belém, in the Lisbon Municipality, Portugal; it was secularised on 28 December 1833 by state decree and its ownership transferred to the charitable institution, Real Casa Pia de Lisboa.The monastery is one of the most prominent examples of the Portuguese Late Gothic Manueline style of architecture in Lisbon. It was classified a UNESCO World Heritage Site, along with the nearby Tower of Belém, in 1983.